NOTE IMDb
5,7/10
63 k
MA NOTE
Trois enfants engagent un garde du corps à petit budget pour les protéger du tyran du terrain de jeu.Trois enfants engagent un garde du corps à petit budget pour les protéger du tyran du terrain de jeu.Trois enfants engagent un garde du corps à petit budget pour les protéger du tyran du terrain de jeu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Jordan Valacich
- Cute Girl on Stairs
- (as Jordan Valley)
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I'm one of those "indie-films-or-bust" type of people (with my favorite movies ranging from Amelie to the Darjeeling Limited), so when I saw the preview for Drillbit Taylor, it was an immediate turn-off for me. I saw it as boob, nuts, and ass jokes (aka crude teenage humor) and I was not excited to see it. However, an opportunity arose to see the movie well before it came out and I took the chance to see it.
To my great surprise, I thoroughly enjoyed the movie to its fullest. Sure Owen Wilson is funny, but the kids stole the show. The crude humor was left to a minimum and the funniest lines were the really subtle ones that almost everyone missed. This movie had heart and a good message (which you don't normally see in mainstream teenage movies *excluding Juno*). Although I know it's probably not gonna make huge headlines, I feel like this movie needs more recognition than it's gonna get. I want to see this movie go big, and I'm excited to see what people say about it. So take it from me, it's funny and it's not disappointing.
To my great surprise, I thoroughly enjoyed the movie to its fullest. Sure Owen Wilson is funny, but the kids stole the show. The crude humor was left to a minimum and the funniest lines were the really subtle ones that almost everyone missed. This movie had heart and a good message (which you don't normally see in mainstream teenage movies *excluding Juno*). Although I know it's probably not gonna make huge headlines, I feel like this movie needs more recognition than it's gonna get. I want to see this movie go big, and I'm excited to see what people say about it. So take it from me, it's funny and it's not disappointing.
I recently went to see the sneak preview Tuesday, going in I thought it'll be so-so in the humor department. This isn't a smart make you think comedy, but it had heart in the right places and it was very funny none the less. It has a few plot holes, but nothing too obvious to the viewer.
I really enjoyed watching the characters, Owen Wilson is really great at these types of comedies. In the end though I've got to say that the kids they casted really stole the show. They fit their roles perfectly.
In the end all I can say is that this movie is redemption for geeky fresh meat everywhere.
I really enjoyed watching the characters, Owen Wilson is really great at these types of comedies. In the end though I've got to say that the kids they casted really stole the show. They fit their roles perfectly.
In the end all I can say is that this movie is redemption for geeky fresh meat everywhere.
Gosh. Forget that this was a flop, and you simply cannot enjoy it in any way. And forget that you simply cannot watch this desperately lost character without reflecting on the actor.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Instead follow this as another in the Hughes-inspired genre, where the story matters less that the cleanliness of the stereotypes. That's really what this is all about. It innovates not at all in the whiny simpy Jew, and earnest fat kid, and that's too bad because we could well be rid of them. But it does innovate a bit in the bully (who is here not a jock), the love interest (here a bespeckled Asian girl), and of course with the Wilson character.
Its in this experiment that the film relies and fails. There's this oft-used balance between mental unbalance and the fantasy of the ideal. Depp does this well, with perhaps the touchstone being his Brando-inspired Don Juan DeMarco. I may have seen a score of popular movies in the last year that use this. My own central reference is "They Might Be Giants."
But in order for this to work, you have to yearn for the fantasy yourself. You want K-Pax. You want romance, clarity, purity. I suppose it could work for fidelity and family as they try here, but not by the route they chose. I guess they simply banked on Owen being inspired and charming us independently of the character box they put him in. That's what the love interest here is for: to be our surrogate watcher, one who accepts.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
There's not much new you can really do with a high school comedy, but at least the notion of Owen Wilson playing a jakey posing as a bodyguard promises a few laughs and a half.
It's a decent enough family comedy, and there are a few laugh out loud moments, but they're spread too thin to make this a classic jape. The 3 bullied teens are hugely likable though, and Wilson has such an easygoing charm that it's difficult not to enjoy it, even if he does work better when he's got a proper sparring partner to riff off.
The end result is likable without being lovable, funny without being hilarious and enjoyable without being particularly memorable.
It's a decent enough family comedy, and there are a few laugh out loud moments, but they're spread too thin to make this a classic jape. The 3 bullied teens are hugely likable though, and Wilson has such an easygoing charm that it's difficult not to enjoy it, even if he does work better when he's got a proper sparring partner to riff off.
The end result is likable without being lovable, funny without being hilarious and enjoyable without being particularly memorable.
It's been a while since I wrote one of these but thanks mainly to Owen Wilson for another hilarious (yes and interchangeable) role, this movie was funny enough to get motivated once again.
The premise is obviously pretty simple and has been done before in both bodyguard and teen movies (Superbad and My Bodyguard come to mind...duh). The beauty of this movie it combines the two genres with Owen Wilson's natural comedic talent and three capable younger actors resulting in a mostly funny comedy that is unique from the rest.
There was an interesting metaphor contained in one of the trailers showing Drillbit telling the kids he's taking them under his wing. The reason I say this is interesting is because this is how it mostly worked for the movie's humor. It took almost 15 minutes for it to really get started. Don't get me wrong, there were some funny parts that didn't involve him like the bodyguard interviews (gotta love Frank Whaley's cameo), Ryan's rap off with the bully and the two hitting each other but the biggest laughs for me were from Owen Wilson. To be fair though, Owen was at his best when the kids were involved. I loved the way he approached this "job" with one part seriousness, one part B.S. and two parts hilarious. I was dying when he was holding up that kid's burning popsicle stick project up to the sprinklers and just the general training conversations just to illustrate that recipe.
Overall, this storyline was nothing brilliant but as in You Me and Dupree, Owen Wilson manages to take something that could be rather mediocre turning it into an enjoyable and endearing comedy. True, he really didn't do it by himself as I'd try to make you believe. I mean the way the bullies were portrayed was a very convincing and effective factor that helped sell this one as well and who could forget the lovely Leslie Mann in an interesting and sometimes funny romantic subplot. To sum it all up, if you liked the trailers you're going to like this movie. And a shout to all the people who replied in my thread that convinced me to go myself. You were right.
The premise is obviously pretty simple and has been done before in both bodyguard and teen movies (Superbad and My Bodyguard come to mind...duh). The beauty of this movie it combines the two genres with Owen Wilson's natural comedic talent and three capable younger actors resulting in a mostly funny comedy that is unique from the rest.
There was an interesting metaphor contained in one of the trailers showing Drillbit telling the kids he's taking them under his wing. The reason I say this is interesting is because this is how it mostly worked for the movie's humor. It took almost 15 minutes for it to really get started. Don't get me wrong, there were some funny parts that didn't involve him like the bodyguard interviews (gotta love Frank Whaley's cameo), Ryan's rap off with the bully and the two hitting each other but the biggest laughs for me were from Owen Wilson. To be fair though, Owen was at his best when the kids were involved. I loved the way he approached this "job" with one part seriousness, one part B.S. and two parts hilarious. I was dying when he was holding up that kid's burning popsicle stick project up to the sprinklers and just the general training conversations just to illustrate that recipe.
Overall, this storyline was nothing brilliant but as in You Me and Dupree, Owen Wilson manages to take something that could be rather mediocre turning it into an enjoyable and endearing comedy. True, he really didn't do it by himself as I'd try to make you believe. I mean the way the bullies were portrayed was a very convincing and effective factor that helped sell this one as well and who could forget the lovely Leslie Mann in an interesting and sometimes funny romantic subplot. To sum it all up, if you liked the trailers you're going to like this movie. And a shout to all the people who replied in my thread that convinced me to go myself. You were right.
Le saviez-vous
- AnecdotesJohn Hughes' final film as a writer before his death in 2009. As in Beethoven (1992) and Coup de foudre à Manhattan (2002), he requested his name be removed (since so much was changed between script and movie), and is credited as Edmond Dantes, title character of The Count of Monte Cristo by Alexandre Dumas.
- GaffesWhen the three boys are sitting in Principal Doppler's office telling him what happened to them by Filkins, he is leaning against the door. He walks in and a person with a checkered shirt (Ronnie?) is walking in following behind him, but then disappears from the scene.
- Citations
Drillbit Taylor: I'm Drillbit Taylor... US Army ranger, black-ops operative, decorated marksman, improvised weapons expert.
Wade: Are you still in the military?
Drillbit Taylor: I was discharged - unauthorized heroism.
- Crédits fousThe end credits show a scene of a kid walking into the nurses office asking for help (similar to what Drillbit did when he got punched). Drillbit appears as the school nurse, who then asks the kid who punched him and promising him it will "never happen again".
- Bandes originalesPhotograph
Written by Rivers Cuomo
Performed by Weezer
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 862 104 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 309 986 $US
- 23 mars 2008
- Montant brut mondial
- 49 944 325 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the Japanese language plot outline for Drillbit Taylor, garde du corps (2008)?
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