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I picked up the "Dumbland" DVD around this time last year, despite the poor marks other sites had given it. I consider myself a David Lynch fan, even though his output has been erratic (in terms of both quality and content) over the past three decades. The first time I watched "Dumbland," I was dumb-founded and more than a little angry at the end of its 33 minutes--the animated series of 8 short episodes, previously available only to paying members of Lynch's website, was a total wash...awful sound, awful stories, and probably the worst animation known to man (at least a child's flipbook of drawings wouldn't cause a migraine). Near the end, I was semi-entranced by the dancing ants who sing a taunting song at our obnoxious, white-trash 'hero,' thinking a little of Lynch's bizarro craft was clawing at the surface. Foregoing a review then, I decided to watch the DVD a second time before giving an opinion. (I know Lynch well enough to realize his films often play better upon repeated viewings.) Well, the time has come. One year later, "Dumbland" is...still not that great, but a little better than my initial viewing. I don't care what pretentious justifications you have for this fitting into the Lynch Pantheon of Strange, its (clearly deliberate) efforts to be a subversive, "anti-entertainment" come across as obnoxious all the same: not only is the animation horrible, it is incredibly abrasive on the 'ol eyes (the white is so bright, in fact, that it is like watching black squiggles dance on a fluorescent lightbulb); and the sound mix is also poor, with the 'hero's screams louder than any other character. Again, I have no doubt that Lynch intended ALL of this, but if this is his new tactic of alienating audiences, it's pretty lame to stoop to aural/visual abrasion for its own sake.

That being said, the first 2-3 episodes have a certain quirky humor that is not apparent upon an initial viewing--trouble is, the gags (along with that damned animation) become VERY repetitive after that. Lynch's imagery of suburbia is crude and bizarre, including a panicked, scarecrow-haired wife; an androgynous embryo of a child; a blood-vomiting uncle; duck-f*cking neighbors; ants with attitudes; smiling flies; and tanks driving down the street, among other strange happenings. All of this is pure Lynch, and while "Dumbland"'s crudity doesn't merit "Eraserhead"-style analysis and debate, it ultimately makes for a low-budget, low-class, low-expectation, and low-level hypnotic experience (though that could just be attributable to the spiral that starts each episode).

This is a short, crudely animated series by David Lynch (as it says in the beginning), and it follows the misadventures of a backwoods, overall-wearing large man, with a wife who has a stress disorder and an annoying son. Both of those elements are harped upon repeatedly in the short episodes, and there's no real plot to be seen. It's easier if you think of this as an exceptionally odd, slightly macabre Looney Tunes- with far more gore, profanity, bloody violence, and occasional moments of hilarity.

I bought the DVD along with Eraserhead, having previously seen Eraserhead. Don't look to this series if you want an artistic masterpiece- this is anything but. In fact, it seems to almost be a statement against such things, as its rough style spits in the face of any sort of animation convention you may see. As Lynch says, "If this is funny, it is only funny because we see the absurdity of it all."

I'm gonna tip the scales here a bit and say I enjoyed this. However, the cartoon is really only going to appeal to those who have very absurdist tendencies. It's definitely something that most people will not get, as is the nature of absurdism.

the animation is horrible, but yes, that's the point. The main character is foul mouthed, violent, and stupid. no redeeming qualities whatsoever. his wife shrieks and wails, apparently just barely capable of the most basic communication skills. most of these stories completely lack any kind of point.

but again, that's the point ;)

If non sequiters, foul language, and complete and utter randomness are your thing, you're going to love this.

It is really short, so I would probably rent instead of buying.

Since September of last year, I have been borrowing four to six films each week from the Harold Washington Library, which boasts an impressive DVD collection. (The HWL truly is a circulating library: three-quarters of its films are out at any given time!) Recently, I was thrilled to find The Short Films of David Lynch. Yesterday, knowing little about the animated series, I picked up Dumbland. I'm here to report that, for David Lynch fans, watching the eight episodes is half an hour well-spent.

The most remarkable feature of these brief pieces are their soundtracks. Each episode has its own rhythm. Respiratory and digestive systems provide percussion. Outrageous voices accent pauses' ends. Physical violence supplies the beats. Chirping birds and buzzing sockets brush along the edges. Many other elements fill out the orchestra. The pacing of the crude animation often keeps in sync with the sound, but the soundtrack itself struck me as Lynch's primary interest in creating and disseminating this work. In a way, these eight shorts are unique Lynchian rhythms.

That said, the situations are odd, ugly, profound, dumb and funny as hell. And there's enough space within them to reflect on how absurd we humans can be. I can't say that I'll watch the collection again, but for anyone who revelled in the movements that is the suite Inland Empire, Dumbland is worth half an hour of your time.

I consider myself a great admirer of David Lynch's works, for he provides the viewers with absolutely unique motion pictures with typical "Lynch-elements." Having seen most of his works, I naively thought I could predict Lynch's next step. I was dead wrong. Dumbland is something I could have never imagined under the name of David Lynch. Still, after my recovery from the first shock, I started to contemplate about this extremely primitive main character, and I drew the conclusion that all the absurdities, cruelty, brutality and disgust presented here are mirroring bits from reality, being emphasized by distorting it. There are things in our lives we hardly ever emphasize, for they are either disgusting or horrible, however, they are surrounding us, so I take the courage to say, Dumbland focuses on these bits and pieces. This is not a movie to enjoy, though you'll sometimes laugh out of a strange, perverted sense of humor, this is an animated reflection of all things we rather reject to observe, with its simplicity, morbidity and absurdity. Take it as it is, you don't have to like it. It just exists. And finally, if you're attentive enough, you'll find elements typical to Lynch as well. I recommend it for tolerant people!!!

It is said that David Lynch's films and shorts won't appeal to everyone. Neither will Dumbland, maybe more than ever. I have a feeling that Dumbland, as people come across it, will be a true mark of 'I get it' or 'what the hell'. It's not surrealism exactly, but absurd to the point of no return. It's also very, very, very stupid. But in this stupidity can be a sort of ironic intelligence to it, that the maker knows so well how childish and repugnant this is, and this self-consciousness is a plus, not a detraction.

It's just a bunch of crudely drawn shorts- the kind that might not even make it on Hertzfeldt and Judge's Animation show (which, I might add, Lynch here has a lot in common with both directors in their work- centered on a lummox with an IQ of 20 who has a constantly quivering-with-fear wife, and a child who looks like a cross between the gingerbread man and/or an alien. The episodes include little situations like a faulty treadmill, a salesman who can recite the Gettysburg address, watching over a sick brother in law, ant hallucinations, and just wallowing on the couch with noise all around. All the while, Lynch is still experimenting, as he was constantly for better or worse during the period of five years he made on and off Inland Empire.

For one thing, he's going back to the roots of his very first short, Six Figures Getting Sick Six Times, in the usage of repetition as a means to an end. This sometimes works excruciatingly well, and sometimes not. Sometimes, like with the episode with the sitting around the house doing nothing as teeth are bleeding and a fly buzzes around, the absurdism sort of waxes and wanes without much of a good effect. And even an episode like with the guy's friend coming over is funny more-so for the Beavis & Butt-head comparison (both laugh like idiots, and are equally engrossed by killing things like fish and sheep). What ends up working is how Lynch shows up front delirious abstractions, in the crudest ways imaginable, and excessive violence.

In what comes closest to surrealism in "ants", the guy mistakenly sprays bug-spray (just called "Kill", one of Lynch's very cheap but fun pokes at societal conventions) on himself, and envisions ants in a musical chorus line, solos included. And one of the most harrowingly funny things I've ever seen from the filmmaker is "get the stick", where we just see the guy, cheered on by his son, getting a stick lodged in his mouth. Soon the neck breaks, eyes pop out, and once said stick is removed he doesn't watch out for traffic waddling like a manhole cover. Other moments pop up like this in unexpected crevices, and it's drawn as if on cheap paper with an impetus to shock with foul-mouthed language (mostly from the man, as well as from the 'grandmother', who in one of Lynch's voices for the characters is the deepest of all), and a shaky quality that's reminiscent of the cream of the crop from (early) Hertzfeldt.

All the same I'm still not sure if Dumbland is something I would put into someone's hands if they haven't seen much of Lynch yet let alone anything by him. There are some little points on society made via complete exaggerations that may or may not be in Lynch's mind closer than we usually think to those in real life. However in general there's not a whole lot that should be read into it, which is why I'd say more than half who see it will hate it with a passion. Those who dig the bottom-less pits of animated comedy, be prepared have a blast.

Let's be honest here: the only reason anyone bought this, the only reason anyone reviewed this, and the only reason anyone could possibly claim to enjoy this is because David Lynch made it and because you want to have David Lynch's children. But guess what? Even David Lynch can produce a piece of crap.

Maybe Lynch wanted you to transcend normality and experience absurdity in-itself as a pure subject-of-knowing. Maybe the atrocious, cacophonist sounds, and chicken-scratch visuals are supposed to imply something about humanity's place in the world, about our relation to the Real, about the absurdity of it all.

Instead, it just says one thing to me: I just lost $20.

If I wanted offensive for the sake of offensive, I could crank Hansen on high and let me ears bleed. If I wanted absurd for the sake of absurd, I could just take a dump on a plate and watch that for 33 minutes.

There is a single redeeming quality to Dumbland -- it is meta, meta funny. That is, it is so bad that it isn't even funny because it's so bad. This fact, however, is a little funny.

If you hate yourself and hate your money, then buy Dumbland. If not, spare yourself the agony.

The amount of times the central character brings up the concept of hypothetically defecating in his own backyard... beautiful.

David Lynch's crude and crudely drawn take on South Park presents us with a nightmare of disturbing clichés about suburban middle class families. The father is a hideous monster with three teeth and a disproportionately large circular mouth-hole from which are uttered the most horrendous guttural noises, the son and mother are permanently horrified, incoherent creatures for whom terror is a way of life. A number of equally absurd characters are introduced throughout the series.

Lynch is not famous for his comedies (i.e. On the Air, aspects of Wild at Heart), and I am not particularly fond of comedies in general. However, there were a couple of scenes in Dumbland which made me laugh out loud. There are some clever bits of animated cinematography - where Lynch conveys wide ranges of reaction in his characters through a syntactical arrangement of shots as opposed to facial expressions (which never really vary in Dumbland).

I believe Lynch was really trying to give his audience a straight-forward, if disturbing, animated comedy here. Interestingly, he chose to follow in the footsteps of the recent wave of ultra-low-brow humor (i.e. most Will Farrell films) while adding elements of vicious social critique and classic cartoon violence and gross-out humor. While the blend doesn't really work very well here, it is nothing if not Lynchian.

Worth seeing by Lynch fans.

Dumbland is not for all. In fact Dumbland maybe in for nobody except Lynch and that's what make it funny and a collective cartoon. Violent? Yes. Profanity? Yes. Absurd? Yes. A piece of garbage? Never. Dumbland is a wonderful picture of some Americans that don't have brains and hit wife and kids for fun. From México I can say I love it! My favorite episodes are: 1- My teeths are bleeding, all the noise around and violence make me wanna scream and put me behind my bed. 2- Get the stick! Yeah baby get it and learn a lesson: some people never be thankful for your actions. 3- Ants. The more Lynch episode of all, music, surrealism and a very sweet revenge...

In film, I feel as though it should be more than just art. I think it should be more than that, a way to tell a story on screen. This short from David Lynch tells a story but not much of one. I felt that it was funny but too bizarre to be a comedy. It is good film-making but there really isn't anything else to it. As I've said before, I am a huge David Lynch fan but I get frustrated by some of his work because I don't see a need for it at all. This is definitely my least favorite thing he has done so far but I know he's still got a ton of talent and I am excited to see what he has in store for us in the future. If you like Lynch, check this out but don't be surprised when you don't like it very much.

In April 2017, I watched all the eight episodes of this American black comedy cartoon on YouTube and it is the most bizarre and disturbing cartoon I've ever seen!

It's about a caveman-like man who lives in a house along with his frazzled wife and squeaky-voiced son.

Randy's son Sparky looks like an extraterrestrial.

His wife has terrible problems.

The style of this animation is basically a child's drawing.

It's sad to me that people still seem to be sleeping on this one and, despite the recent resurgence of interest in David Lynch's work due to his recent passing, people still don't seem to have caught on to this obscure gem. It's next to impossible to find a reasonably priced physical copy and recently has been mostly wiped off the internet due to pressure by copyright holders.

The comedy in this one was ahead of its time in some ways. It would almost seem to fit into the absurdist vibe of late 2000s/early 2010s Adult Swim (I could easily see episodes of Dumbland planted alongside episodes of Between Two Ferns and Xavier Renegade Angel.

What's more impressive is knowing that Lynch made it entirely by himself using Flash. All the voices and sound effects were done by him.

It really just goes to show that all you need is talent, creativity, and desire to create brilliant things; it didn't take millions of dollars and a complex team of animators, voice actors and editors... just Lynch sitting in a room being his odd, fearlessly creative self.

And the results are... hysterical, in my opinion.

It's off to a brilliant start in episode one when the temperamental, oafish, mouth-breathing main character confronts his neighbor, the "one-armed duck-f***er" about his wooden shed. We then watch him have a screaming meltdown when a helicopter passes overhead, triggering some kind of explosive post-traumatic reaction, I assume.

The main characters wife is a hysterical hunchback who mostly only murmurs and rambles and occasionally is taken by fits of screaming.

Soon, we see the main character loudly confront his wife about her new clothes line in the backyard, saying "what if I wanted to come out in the yard at night to take a s**t!?? I'd slice my f****ing head off!!" She trembles and screams as she watches him tear it down.

Other shenanigans ensue, such as a man who somehow has gotten a stick stuck in his mouth and is flailing around on the ground, the main characters son bouncing up and down on a trampoline until his teeth start bleeding, the main character temporarily having a radical personality change caused by accidental electrocution, the bizarre Uncle Bob debacle, and a hallucinogenic sequence featuring tap-dancing and singing ants who sing a cute little song about what an a**h*le the main character is... It's a delight, it really is. Absurdist comedy really doesn't seem to be for everybody though, and so far it doesn't seem like many people have really "gotten" Dumbland. But it has some fans, and I have forced many people to watch it over the years. I still laugh at certain parts every time.

No one did it like Lynch did, whatever it was. We truly lost one of the all time greats with his passing.

Lynch. The man has some really great stuff! He knows how to disturb us, then reward us by getting us think in different ways. This, however, is altogether different. Dumbland's reward is 1% absurd comedy, earned by enduring 99% stupidity. I may have laughed once, but somewhere around episode 4 I just started watching on fast-forward. Didn't miss a thing. I felt relieved when it ended, and that's part of the point with this series. It's an annoying series about annoying characters in annoying situations, rounded out with annoying animation, voices and sound. But recognizing this and its other absurdist qualities still fails to make Dumbland worthwhile.

This is a bit of a puzzle for a lot of the artsy Lynch crowd. They tend to try to write this off as some kind of meaningless, crude, side project of Lynch's. Like this is Lynch passing gas between his real pieces of film art. Well it may be a fart, but its one of those intriguing farts that you catch of a whiff of and are embarrassed to admit you enjoy.

Dumbland distilled down beyond this is art. What can you do with aspects of modern life but laugh at it. If you took it seriously you would go nuts. You hook into it, smell it, taste it, feel its agonies, its unreasoning stupidities, and then express it in any medium you choose. Thats called art, and art isn't dumb. But it is Dumbland.

I can appreciate David Lynch movies although I do not fully understand them, but I least I can see their brilliance and make my own statements and opinions about them. However, DumbLand left me disappointed.I know that people will find it brilliant simply because it is a Lynch creation and everything Lynch does is supposed to be brilliant.

Besides episode 7, that I thought was funny and I could somewhat recognize people though the main character, the rest was pointless to me.

I guess I recommend it for its weirdness and for you to realize that, hey, you too could be an 'artist'.

If you're wondering how a David Lynch-directed cartoon series would look, here is your answer. DumbLand isn't as brilliant as the best Lynch films, but it is still definitely worth watching. In it's entirety, it's only about 30 minutes, so if you have seen every film in David Lynch's filmography, DumbLand is some more of that Lynch you crave. The series follows some very, well, dumb, people and it is mainly centered on a family: one very big, brutish and stupid man; a high-pitched boy with a tendency to repeat things over and over, and a ceaselessly screaming lady. David Lynch is all the voices, and I think he did a great job. The humor is black and very Lynchian and at some points I just couldn't stop laughing. This is a great cartoon series that I would highly recommend if you're a casual or hard-core David Lynch fan.

Another pretentious annoying effort from Lynch. The series goes nowhere and is not interesting. To put things plainly, Dumbland is an insulting waste of time and money. The series shows nearly no effort and shows that filmmaking behind this is dumb and Lynch does not make any laughs, just boredom and idiotic sketches that lead nowhere like all Lynch's work. This Dumbland series is a waste of time.