The Promotion

Some comedies make you laugh out loud, but this one makes you smile inside.

A languid tale of competition and two guys just trying to get bye in the world, both afraid of failure and willing to hurt the other to make it but each wrapped up in tragedy and common decency.

It will come as a surprise to many that Seann William Scott can actually act and he has real if understated presence in this.

John C Reilly is his usual excellent self but it is the tale that is the real star.

It is easy to make a comedy based on physical slapstick or outrageous language and acts. This one relies on a script and rhythmn and a gentleness of heart.

Without ever threatening to split one's sides, it is a nice film and well worth a watch.

After watching Mr.Woodcock and Southland Tales, I was really looking forward to Seann William Scott's next production "The Promotion". As I have said before in a previous review, I always felt Seann had the ability to become the next Ben Stiller, and in The Promotion he again shows that Stiller had quite an influence in his delivery style. But The Promotion is not all about slapstick humor, although it had some very good moments. I'm glad that they didn't overdo the toilet humor. The Promotion has a really good message that some people might find cheesy, but I thought it was delivered very well.

John C. Reilly gives a good performance although his character was a bit unpredictable, at first I sort of expected an intense but wacky rivalry like one of Vince Vaughn's treacherous characters, but John played a goofball with some serious cultural clashes. Jenna Fischer was a welcome surprise, I didn't know she was in it and I'm a big fan of her from the US version of The Office. Jenna is a very underrated actress with a natural beauty, a girl next door type of demeanor, and a very pleasant personality. She did well in her part although it was a very typical role. The other characters fit in well, with notable exceptions to the store manager and the executive guy, Mitch, who was very suave and professional throughout the movie.

7/10, it's a good viewing for those who like to laugh, settle down, perceive some rather dramatic or emotional parts, then laugh again.

This movie is FAR better than the 5.6 star rating it has. Well written, hilarious, subtle, poignant, well-acted. The premise is so beautifully simple, but the movie is rich with human interest/condition situations. It's definitely a sleeper/winner and worth the watch.

This film is about two assistant managers of a supermarket fighting for a promotion to become the manager of the new branch.

The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.

I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".

A weinstein production. Sean scott and john reilly play assistant managers who are both vying for the same manager position. For all the big names in this, something was just lacking. Editing was one issue; those long, weird pauses really keep the film from moving right along. Also a weak script. We've all worked in a supermarket, or some similar job, where the public is weird and unpredictable, but instead of making jokes about it, the confrontations between the two leads are negative and dark. There is a small role for jason bateman, who seems to find fun, odd roles. Fred armisen, bobby canavale, lili taylor, jenna fischer. So many well known names. I think it wants to be a funny, quirky film, but it's just not that funny. And not that quirky. Felt like an adam sandler film. But its not. Written and directed by steven conrad. I'm glad it didn't escalate into huge violence, like so many films do. It's just okay.