The Promotion

I expected a bit more from this movie, if only because of Steve Conrad's involvement as well as two decent leads for that type of movie. Unfortunately, Conrad, who is usually a good writer, really delivered his weakest story and lines here. Perhaps the double duty as writer and director didn't help.

Seann William Scott will never be mistaken for an Oscar performing actor but he usually has energy and a charisma that is very evident on the screen. Here, he really seems uninspired. There seems to be an attempt to pull a Jim Carrey or Will Ferrell with a performance that would be partly funny, partly tragic. Unfortunately, he fails on both fronts. John C Reilly, who is both a tremendous character actor and a great comedy guy is the most disappointing aspect of the movie. He utterly fails at making this character believable in any way and, at times, it seems he is reciting lines at a private rehearsal. Really, really bad. The actresses playing the wives of our main characters are equally uninteresting and unconvincing. Special mention goes to Lili Taylor in another awful role. Her worse performance ever and would have been worthy of a Razzie award if the movie was higher profile and her role more prominent.

There's still a nice basic plot, some moments are funny enough. The motivational tapes of Richard Welhner make for a nice running gag, until it becomes overused. By the end of the movie, we're just glad when Reilly throws that away on the sidewalk. The last arc of the film is even weaker than the rest, with a botched resolution. It really could have been a new kind of Office Space but unfortunately, those throwing that comparison are absolutely mistaken and need some more perspective. There simply aren't any classic elements in The Promotion, while Office Space is a top 10 comedy of all time. Quite a difference between the two, really.

Perhaps a director working with Conrad would have helped keep a sense of direction. A recast of the main characters (or much better actor direction) was also needed. The movie is a decent way to kill time but doesn't offer anything beyond that.

Some comedies make you laugh out loud, but this one makes you smile inside.

A languid tale of competition and two guys just trying to get bye in the world, both afraid of failure and willing to hurt the other to make it but each wrapped up in tragedy and common decency.

It will come as a surprise to many that Seann William Scott can actually act and he has real if understated presence in this.

John C Reilly is his usual excellent self but it is the tale that is the real star.

It is easy to make a comedy based on physical slapstick or outrageous language and acts. This one relies on a script and rhythmn and a gentleness of heart.

Without ever threatening to split one's sides, it is a nice film and well worth a watch.

This film is about two assistant managers of a supermarket fighting for a promotion to become the manager of the new branch.

The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.

I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".

A weinstein production. Sean scott and john reilly play assistant managers who are both vying for the same manager position. For all the big names in this, something was just lacking. Editing was one issue; those long, weird pauses really keep the film from moving right along. Also a weak script. We've all worked in a supermarket, or some similar job, where the public is weird and unpredictable, but instead of making jokes about it, the confrontations between the two leads are negative and dark. There is a small role for jason bateman, who seems to find fun, odd roles. Fred armisen, bobby canavale, lili taylor, jenna fischer. So many well known names. I think it wants to be a funny, quirky film, but it's just not that funny. And not that quirky. Felt like an adam sandler film. But its not. Written and directed by steven conrad. I'm glad it didn't escalate into huge violence, like so many films do. It's just okay.

My first clue that "The Promotion" might have a little more below the surface than the usual Seann William Scott junior gag fest was the trailer...it didn't have too much easy humor and the plot seemed genuinely human, and even sensitive. Then there was the fact it was released by Miramax spin-off Dimension, an imprint more well known for horror movies than anything else. Something was up.

After seeing the film, I am pleased to say that lurking under the veneer of a slightly stupid mass-market comedy is a deftly knowing little indie movie waiting to surface.

The bad part of course is --- I don't know if many who would like the film will see it. It reminded me a little of "The Good Girl" with Jennifer Anniston. It was well scripted, rather slowly paced, and relied more on the script and storyline for laughs rather than leaning too heavily on the star-power of it's two principles.

The scene at the team-building retreat (dead-on if you've ever been to one) is a prime example. Yeah, there are a few pratfalls, but most of the time you're shriveling in your seat feeling horribly for John Reilly.

He's always been incredible at cutting to the human core of all his characters and he really shines in this part. You don't feel sorry for him as much as you feel empathy. And that's not the easiest thing to do with this character, who is far from lily white. As for Scott, he is definitely growing into an accomplished character actor and it's refreshing to see him tackle something this gray and still turn in a resonating performance. Some of the reviewers see him as a "wimp"....well, that's a bit too easy. I see him as distinctly human.

I'm also surprised that this comes from Steve Conrad, whose prior scripts I've always thought of as a bit heavy on the syrup. Nothing is forced here. Yeah, not much happens...this is a slice of life movie, albeit one with a funny crust.

It really is a shame it wasn't marketed a bit differently. It sucks to go into a movie expecting something and getting nothing close to what you expected out of it. Which, fortunately for me this time, wasn't the case.