Ajouter une intrigue dans votre langueThe true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 3 nominations au total
Elliot Page
- Sylvia Likens
- (as Ellen Page)
Hannah Leigh
- Shirley Baniszewski
- (as Hannah Leigh Dworkin)
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Let me begin by saying, I believe this story is one that everyone should be familiar with. And for that, I would recommend people see this movie. But I do not think the film, in itself, was the quality I would've liked it to be.
The scenes seem to be too conservative at times. And the flashbacks to what had happened, previously, give the viewer an outside perspective of things. And it is that omniscient point of view that keeps the viewer from really becoming involved in the story.
I think Ellen Page did an incredible job of acting. And I truly love her movies. But I wonder if the people making this film were so afraid of insulting certain persons that they did not want to submerge themselves into a truly emotional reenactment of what had actually happened.
Bottom line: If you want a story that is presented to you in segments, then by all means, watch this movie. But if you want a truly disturbing film that puts you in the eyes of the victim, and makes you feel sick to your stomach... then there are other movies based on the same event that are much more involved!!!
The scenes seem to be too conservative at times. And the flashbacks to what had happened, previously, give the viewer an outside perspective of things. And it is that omniscient point of view that keeps the viewer from really becoming involved in the story.
I think Ellen Page did an incredible job of acting. And I truly love her movies. But I wonder if the people making this film were so afraid of insulting certain persons that they did not want to submerge themselves into a truly emotional reenactment of what had actually happened.
Bottom line: If you want a story that is presented to you in segments, then by all means, watch this movie. But if you want a truly disturbing film that puts you in the eyes of the victim, and makes you feel sick to your stomach... then there are other movies based on the same event that are much more involved!!!
I attended the world premiere of "An American Crime" at the 2007 Sundance Film Festival. Among the several decidedly downbeat films I saw this past week, this one was by far the hardest to watch. But something about it is compelling, like craning your neck to see what horrors can be spotted at the scene of a car crash. You know it can't be anything pretty, yet you can't take your eyes off it. Perhaps it was knowing that the film is, in fact, based on a true story. The opening courtroom scenes and disclaimer that "actual transcripts" were used make that clear. There's something about a "true crime" drama that triggers a desire to sit through whatever terrifying images lie ahead. And the images conjured up here are bone-chilling.
In 1965, Betty Likens (Romy Rosemont) and her husband Lester (Nick Searcy) decided it was best to leave their two daughters with a neighbor while they went off with a traveling carnival. So Sylvia Likens (Ellen Page) and her sister Jennie Fae (Hayley McFarland) settled in with the Baniszewski clan. And what a clan it was. Mother Gertrude (Catherine Keener) already had five of her own in tow, and now she added two more. What happened then, well documented in the record, is now played out for us with horrifying realism.
This is Keener and Page's film, despite the large ensemble cast assembled for the story. And both actors create frighteningly devastating portrayals of characters we still can't quite believe really endured these horrors. Mommie Dearest doesn't hold a candle to Keener's Gertrude, and Page is as heartbreaking as any victim I've seen in modern cinema. Both turn in award-winning performances that left me with chills.
In addition to the numerous family members, an assortment of school chums has the opportunity to get involved in some way. Coy Hubbard (Jeremy Sumpter) is the boyfriend of one of the Baniszewski brood. Known to most from 2003's "Peter Pan," we can't help but feel that he will be the hero here. Teddy Lewis (Michael Welch), is an enigma from the start. One of our most prolific yet underrated young actors today, Welch is perfectly cast as the boy whose blood runs hot or cold depending on the prevailing winds. Other notables include The West Wing's Bradley Whitford as prosecutor Leroy K. New.
This is a period piece set in the mid-60s, and the costumes, sets, and palette of colors effectively evokes that era to a T. Much of the film's look can be attributed to the cinematography of Byron Shah, who had two films here at Sundance (his "The Go-Getter" was one of my favorite film' at this year's festival).
"An American Crime" is not for everyone. It's a horror film that isn't a work of fiction. If it was from the hand of Stephen King it would be scary and delicious. Instead it's scary and nauseating. Yet it deserves the label "important," because the subject matter is worthy of discussion. And that's because the horrors exposed in this film are still occurring today. That's the real crime.
In 1965, Betty Likens (Romy Rosemont) and her husband Lester (Nick Searcy) decided it was best to leave their two daughters with a neighbor while they went off with a traveling carnival. So Sylvia Likens (Ellen Page) and her sister Jennie Fae (Hayley McFarland) settled in with the Baniszewski clan. And what a clan it was. Mother Gertrude (Catherine Keener) already had five of her own in tow, and now she added two more. What happened then, well documented in the record, is now played out for us with horrifying realism.
This is Keener and Page's film, despite the large ensemble cast assembled for the story. And both actors create frighteningly devastating portrayals of characters we still can't quite believe really endured these horrors. Mommie Dearest doesn't hold a candle to Keener's Gertrude, and Page is as heartbreaking as any victim I've seen in modern cinema. Both turn in award-winning performances that left me with chills.
In addition to the numerous family members, an assortment of school chums has the opportunity to get involved in some way. Coy Hubbard (Jeremy Sumpter) is the boyfriend of one of the Baniszewski brood. Known to most from 2003's "Peter Pan," we can't help but feel that he will be the hero here. Teddy Lewis (Michael Welch), is an enigma from the start. One of our most prolific yet underrated young actors today, Welch is perfectly cast as the boy whose blood runs hot or cold depending on the prevailing winds. Other notables include The West Wing's Bradley Whitford as prosecutor Leroy K. New.
This is a period piece set in the mid-60s, and the costumes, sets, and palette of colors effectively evokes that era to a T. Much of the film's look can be attributed to the cinematography of Byron Shah, who had two films here at Sundance (his "The Go-Getter" was one of my favorite film' at this year's festival).
"An American Crime" is not for everyone. It's a horror film that isn't a work of fiction. If it was from the hand of Stephen King it would be scary and delicious. Instead it's scary and nauseating. Yet it deserves the label "important," because the subject matter is worthy of discussion. And that's because the horrors exposed in this film are still occurring today. That's the real crime.
10aujicj
This movie was good, acting was excellent, filming was excellent and you are quickly drawn into the story so that all around you is no longer there. Yet when you see the things that happen to this poor girl your eyes don't want to stop watching but in the back of your mind you're thinking why? Then you remember during portions of this movie that it was based on actual events and when the credits roll you're hit with this overwhelming since of sadness and grief that makes you want to tell your parent or parents that you love them and that you're thankful for them. While your mind processes what you've just seen it's hard because it's so shocking and real and you want to shout at the top of your lungs SAVE THIS GIRL! I guess it could just be me but it had powerful emotional effect on me. I've seen other movies about true stories but other than Schindler's List nothing had such an impact until now. There was a Lifetime movie that made me angry and sickened me that turned out was fictional that I wished they would have said before the movie began its not based on actual events. My advice is if you think you can handle the emotions you'll feel after this movie then watch it. If you don't think you can, then watch it with another person. The overall sad and disturbing fact was this movie was based on a true story. I guess that makes it all the more scary.
This movie just made me very upset. It made it look like Paula and Stephanie Baniszewski was innocent. Reading the true crime reports of all taken place. Both them girls did horrible things to this poor girl. Why should they be portrayed as anything better then what horrible people they are. What this family and the neighborhood children did to this poor child should be fully shown. They should , hold there heads in shame and be haunted by this the rest of their life's. I could not live with myself if I was to have done anything like this .I only hope and pry the children of this family and all the children involved are punished by a higher means. And for Stephanie to clam she was Salvias friend? What kind of friend would allow someone to be treated this way..hogwash! All horrible people, horrible. They all should rot in hell!
I was born in 1970 and had an Aunt that lived just down the street from the house where Sylvia and her sister were staying. When I first heard the name "Sylvia Likens" it was in a childhood chant which was very disrespectful to her life/death. When my mother heard me, she asked why I was doing that and I said it was a spooky game. She explained to me at that time that Sylvia was a real girl who lived through a horrid time. It wasn't until I was older that I found out she was murdered. Although it was a bad neighborhood, sometimes my husband and would drive by the house. Its frightening to think of what happens in our country, and in the very state I live in. I think it was important for this film to be made, especially when I read that none of the actors had heard of Sylvia's story. There is a park not far from her home that has a memorial in place for her, with her picture on it.
Le saviez-vous
- AnecdotesThe real-life daughter, Paula Baniszewski, was released from prison and changed her name. She ended up getting a job as a guidance counselor aide in an Iowa school and worked there for 14 years before anyone found out about her real past. She was immediately fired.
- GaffesDuring the big "rescue" scene Ricky and Sylvia flee from Gertie in a 67-68 model Ford Mustang, a blatant error considering the movie is set in 1965.
- Citations
Sylvia Likens: Reverend Bill used to say, "For every situation God always has a plan." I guess I'm still trying to figure out what that plan was.
- Crédits fousThe final credit states "Sylvia Likens, 1949-1965".
- ConnexionsFeatured in The 60th Primetime Emmy Awards (2008)
- Bandes originalesDowntown
Written by Tony Hatch
Performed by Petula Clark
Courtesy of Disques Vogue and Sony BMG Music Entertainment (France)
By Arrangement with Sony BMG Music Entertainment
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Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut mondial
- 1 306 875 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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