Noise

Now this is what I call a surprise, and one of the best Australian films to come out in the last couple years. Matthew Saville's magnificently striking, movingly sombre and realistically crafted crime drama "Noise" is quite a neat little package that really does over deliver. We follow that of a self-doubting, and tinnitus afflicted cop McGahan, as he finds himself manning a police van in a suburban community that has just been overwhelmed by a group of vicious murders. The script (within the character's make-up), plus the technical side of the production (sound effects) demonstrates some creative brushes with the whole tinnitus angle. Brendan Conwell's convincing lead performance is nothing more than sensational, in what is a vulnerable turn of coming to terms with the responsibility of his duties and the growing fear of his uncertain health. Maia Thomas' traumatised performance is just as hypnotically good. Saville's lean material is high on mood, blunt and darkly engaging on the gradual build-up of the inner-workings of his characters and environment. The location photography is masterfully shot, and the lighting composition also helps provoke an arresting and brooding atmosphere that shrouds the air. The direction of Saville is casually handled with a prominent rich style, and Bryony Marks' alienating music score never overstays its welcome. Meaningfully top-notch and powerful entertainment.

That's right – an Australian drama with no heroin addicts. It is possible and it can still result in high quality piece of cinema.

This isn't to say Noise is a light piece. No, no. It's is a very serious-minded and thoughtfully produced film. The mood is carefully and slowly created and the places where things happen feel real (though I will say there were some overly self-conscious scripted moments that didn't ring true to me). And like life – some of the big questions in this movie go unanswered.

It's a brave thing to do but as an audience member, you realise Noise isn't trying to be a police drama or a murder mystery, though those elements are both there. It's more about how things just happen – people come into your life, events take you over and you can't control any of it, all you can do is deal with the consequences.

Noise is one of those rare films that stays with you for some time after you see it. No car chases, no explosions – just emotional engagement and a place to consider how you're coping with the hijacks and loose cannons in your own life.

It's been almost a full day since I've seen it and I still don't really know what to think. The movie is Australian so for me it's automatically great, but I'm still struggling to understand some (not to say most) of the movie's elements. The dialogs are as sharp as they get especially between the cop and the killer in the caravan (- What's your name? - It's Mc as in McDonalds and Gahan as in I gahan read the nameplate). The movie also works very well on the psychological level and not just in a Silence of the lambs psycho killer way. I also wish I saw it with subtitles because some of the Aussie slang was just way too much for me.

After seeing an interview with director Matthew Saville, who seemed as intelligent as any film maker you could care to name, I was interested enough to go out and track this one down. And it doesn't disappoint. Certainly visually it is wonderfully well executed, and the sound is strong too. The dialog is sharp, subtle, and at points hilarious (and supremely Australian).

Unfortunately, the downside is the disjointedness of the plot line. To me it seemed yearning to be free from a plot line as a major source of interest (and focus instead in the pure dialog and landscape - certainly I feel that's where Saville's interest is). But it wasn't. There are two driving plot lines along the whole film and something happens in every scene, even though subplots are not continued, or often resolved. To me the finale was also ultimately quite generic and futile as a point of interest.

Ultimately, the words 'interesting, but not "great"' come to mind, and it fits vaguely into a bucket with several other Australian films of the last 5 years (candy, little fish, look both ways, Japanese story, etc.) in dealing with the same demographic, themes of emptiness and loss, and being willingly obtuse (artistic?) in its presentation, even if this one does have its own thing happening a little outside of that also.

Oh man, what a great film. I enjoyed this so much. You'd be much better not knowing too much about it - but since you're here, you already know a fair bit (and I promise not to tell you any more). This is a 'grower,' one of those quiet, strong movies that not everyone will 'get' or appreciate. To me, it worked in the same way as Trampoline, Sideways, Little Miss Sunshine (and indeed Sunshine) and You, Me and Everyone We Know (I think that was its name) work... quirk, waywardness, risk. For it to succeed in working for some of us, almost by definition it's bound to alienate lots of others, too. I'm not surprised that some will say "Huh? Is that it?" But the ways it plays with the notion of noise and not-hearing and hearing something but not the right thing are just tremendous. So three cheers for writer and director Matt Saville. Ditto too for the acting - not a wrong note or bad performance among 'em.

I'm still thinking about this movie a couple of days on... Do yourself a favour, try not to learn any more about this, try not to let my raving set too high an expectation, and get along and see it for yourself. I hope you're one of those who DO get it.