12h08 à l'est de Bucarest

The film premiered today 2-6-06 at Cluj 5th International Film Festival. I were there… It is not I'm a cine-freak, but I love cinema. After the triumph (Camera d'Or prize) in Cannes of a practically inexistent Romanian filmography, we all were curious about Mr. Corneliu Porumboiu. Well-done Mr. Porumboiu… I should give you a ten, for proving to our fellow -constantly complaining- European fellows that one can make a good film with just a good scenario and without billions of Euros… I have to take away one point because only Almodovar, out of the leaving ones deserves 10, and a second point because,unfortunately your beautiful scenario would not easily strike audiences unfamiliar with the average Romanian. Yet, I did enjoy it and I want to thank you. Please continue your good work

A wonderfully quirky movie, rooted in the deep inner conflict experienced by many people who have to re-conciliate their Communist-era mentalities with(in) a post-Communist society.

Most Romanians (and East-Europeans alike) will understand it very well, since many clichés are present here: the vain, non-professional media, the desolate streets, the people without perspectives or hope, the arrogant new-rich former secret service people, the successful immigrants coming from even lesser parts of the world... all grafted on top of a nagging general feeling of guilt and shame, emanating from the sheep-like population.

Let's face it: the real (and only) Romanian heroes of 1989, "before 12:08 on December 22", were the several thousands of mostly young folks who defied the authorities in the streets of Timisoara and Bucharest... the rest of the country just watched and waited, much like the viewers of Jderescu's "talk show".

PS. - To the pretentious prig from Denmark: I think you were supposed to post your "art cinema" commentary under the latest creation of your much-ballyhooed co-national, Lars von Trier, "Direktøren for det hele" (2006). Your comments fit that film to a "T"!!!

If you have absolutely no idea what Porumboiu's minimalistic film is all about, and no respect or understanding for another culture, I think you should refrain from posting. Sadly, your inane text was at some point featured on the main page for this Romanian film, even though you - thankfully! - represent an insignificant minority of malcontents.

That's how I can describe this movie. I liked so much and it was so funny. Good characters, great story, a very deep message, and of course good humor!

The story line, through simple, make you still wonder about the movie even after it is over. The movie makes a 360 degrees circle and returns in the same place it started, leaving all of the questions unanswered and yet leaving us with a sense of serenity.

It is a piece of history and an insight into the Romanian current reality. But most of all, it is beautiful satire. Very funny!

I really recommend this movie!

12:08 EAST OF BUCHAREST deserves all the accolades awarded it at Cannes, and Corneliu Porumboiu's amusing, entertaining and important film is a great window into the questions of the "Romanian Revolution". The opening shots of a Romanian city with its lights blinking off and the photography of the concrete buildings that house Romanian families created a perfect background to launch the film and story and the question of "whether there was, or was not a Romanian Revolution".

The characters in the film were both colorful and rich, and the humor displayed was tremendous. When I look at the lives of Romanians in contrast to the vast riches of America, and I see men and women going about their lives in Bucharest and other Romanian towns, the question of the revolution almost takes a back seat to the citizens attempting to scratch out a living and survive. What Mr. Porumboiu gave to the world was a rich story, interesting characters and presenting the question of a revolution. That answer, must be seen in this wonderful film. I look forward to more Romanian films and other works from the very talented Corneliu Porumboiu.

Strong film about social realities of deep Romania. Revolution as myth and self legitimation, lives like gray shadows, society as symbol of failure. Don quixotic gestures and illusions like warm refuges , strange games and paper heroic values, disillusions and questions without answers.

An old man, an alcoholic teacher, a local television boss and a Chinese. Memories about December 1989 as occasions to present the social mud,hate and fear beyond the hideous masks, the slices of unhappiness and sterile search of life's sense. A sad show about horrible reality, nooks of desperation and traumatic dreams.

In fact, reflection of gray tones. Bovaric isle in a far East.