Joshua

Joshua is a criminally underrated movie, presumably because it was marketed towards the horror crowd, the majority of which is bound not to be satisfied with it. It's not a gorefest. It's about something much more horrific. Imagine your world being manipulated by the person one would least expect, your weaknesses exploited, your reputation destroyed, the motive, the scheme, and the process never to be explained? The important thing is to see this impressively written and directed film without any substantial knowledge of the plot beforehand. It slowly unfolds, an ominous atmosphere slowly growing like a cancer.

Sam Rockwell, one of the most likable and natural contemporary actors, and Vera Farmiga, one of the most unassuming and realistic up-and-coming actresses, are perfectly cast, unlikely to be choices for a typical psychological thriller as disturbing as this one, making their drama more dramatic and disconcerting, having to do with the easily miscommunication of feelings between parents and young children.

Joshua's music score assists the the disturbing moments in this film with its brooding. The music young Joshua, a child piano prodigy, has a discernible penchant towards is very suitable dissonant classical pieces. Even the Dave Matthews song that closes the movie on its creepy, powerful final shot is a properly somber punctuation as the film leaves you blown away, having taken Rockwell's journey right along with him. George Ratliff is a very talented, promising new director who will hopefully follow up with a more appreciated film.

Ratliff's messy psychological thriller seems to have garnered quite some attention. Now there have been many movies centering around a sociopathic child. Most of them pretty much follow the same horror movie type formula where the child is terrorizing an entire family without them even noticing it. Unfortunately, 'Joshua' is no different. Firstly, the movie is filled with plot holes and unexplored questions. For example, why would Brad and Abby keep the video of Abby constantly crying when holding Joshua? Of course, not surprisingly, the psychologists and teachers are portrayed as caricature idiots (who think there's absolutely nothing wrong with this kid).

I was also surprised as how distant the parents were from Joshua in the beginning. Perhaps they knew something was off but stayed in denial. The parents too are portrayed as being stupid. They didn't even question Joshua giving all his toys away to charity and disemboweling his teddy bear. Some responses towards this movie are quite disturbing. One reviewer even wrote that he found himself vouching for the kid.

I wish there would be a movie that would at least do justice to the themes of a child sociopath rather than rely on clichés. Even the unexplored ending is very easily predictable and dissatisfying. The only non-clichéd angel is that director Ratliff refrained from using blood and gore but that doesn't make this a better movie. He tries to make it creepy by using typical shock tactics but they feel out of place. The so-called 'twists' are quite convenient. The behaviour of most of the characters is irrational.

The only plus point of 'Joshua' are the performances. Both Sam Rockwell and Vera Farmiga are very good in spite of having to play poorly written characters. I really wonder why they chose to act in this. Jacob Kogan plays it by the formula. Celia Weston is adequate even though her character is conveniently annoying as hell.

Overall, this is just trying to be a 'smarter' version of 'The Omen'. Other than Rockwell and Farmiga's performance, there's nothing going for it. Not even the slow pace.

This film has a quiet power to it and it is not like all the gore and torture porn that has been out there lately making money at the box office. Look, the masses want to be led like a toddler through most movies - lookee here - point A to point B to point C - get it? He's good, he's bad. Wow - watch that head explode. Yawn. I like gore too but I also love intelligent films that leave it to an audience that WANTS to think - that wants to be challenged and has to try and figure out what is true and what isn't. Sam Rockwell, Vera F (as the wife), Dallas Roberst as the uncle and the young kid as Joshua all give excellent performances. This is not a HORROR film in the sense of gore and supernatural crap. This is about a family swirling out of control with post partum depression, work pressure, meddling relatives, a disturbed child and a crying infant - and it is left up to us to decide what really happened. Slow, steady and ultimately, powerful. If you have patience and love well made, intense dramas - JOSHUA is for you.

This is a smart psychological horror film. An upscale NYC couple bring home their new baby and their older child -- a nine-year-old boy prodigy -- starts acting extremely creepy as suspicious accidents and odd behavior increase. Director George Ratliff creeps you out without any significant blood or gore, making this movie a lot more like Rosemary's Baby than, say, The Omen. With a smart script and great performances by everyone, including Sam Rockwell, Vera Farmiga and the kid playing Joshua, the only downside to this movie is a rushed "and-then-it-ends" anti-climax that I found unsatisfying. Still, this is worth a look if you like scary movies.

completely mis-marketed as an Omen-type horror film, there's a lot more going on in this one than in most of the recent similar scary fare. first things first: there's no supernatural hoo-hah. (ah, so refreshing.) it's an unsettling, strangely plausible horror film... seemingly made especially for parents. a few plot elements bothered me, and i felt there was one misstep (involving a Dave Matthews song, btw!), but overall it was an effective chiller. Vera Farmiga as the increasingly imbalanced mother and Celia Weston as the holy-rolling but genuinely concerned mother-in-law are both excellent, and Sam Rockwell delivers another compelling and subtly idiosyncratic performance. George Ratliff, who directed the engrossing and discomfiting 2001 documentary, Hell House, shows promise as a narrative filmmaker.