Ajouter une intrigue dans votre langueA drama about the lives of a crew of professional criminals.A drama about the lives of a crew of professional criminals.A drama about the lives of a crew of professional criminals.
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This is one of the best crime dramas on TV, maybe almost as good as early 'Sopranos' or 'Shield.' It has a wicked soundtrack, it's beautifully shot and choreographed, and sports some of the best acting I've seen on a network show. The characters are, basically, incorrigible scum; but, they pull off their heists with such style, I find myself very much hoping they stick around for a couple dozen episodes. No doubt most or all of them will meet nasty ends, but in the meantime, 'Smith' is a good place to indulge in some cathartic mayhem and villainy. The soundtrack is phenomenal--Rancid, Dirty Pretty Things, Imogen Heap, Thom Yorke, and the Ramones have all popped up early on in the series. I expect the music to stay high-end as the first season progresses. 'Smith' is not for an audience who needs to cheer for the forces of law and order. It's all about the bad guys, and not saying sorry.
It is my feeling that "Smith" could evolve into an absorbing crime drama. Its sparse dialog is neither tedious nor a turn-off, and the lack of 'treacly music' during the family scenes is decidedly a plus. In addition to stars Liotta and Madsen, one might single out Simon Baker, whose past credits include the gripping neonoir film L.A. Confidential (1997), and Jonny Lee Miller, who was cast in "Prime Suspect 3" (1993), arguably the best of that series. Although granted that early in "Smith" we still know little about the characters played by these and the other members of the cast, my prediction is that future episodes will, like the layers of an onion being peeled away, reveal their past misdeeds, almost surely to haunt them as things progress. The viewer might anticipate with some relish that a couple of the characters, who love fast living and fast cars, and flaunt both, are indeed cruising for a bruising.
Which is not to say there aren't certain aspects that don't ring true. Given that the heist which unfolds in the pilot, whose nature I shall not reveal, is not normally associated with violence, it doesn't seem likely there is not more anger, censure, and repercussion from the naughty persons on-high when things do go awry and assuredly cause law enforcement to be far more attentive and relentless in its pursuit of the crime.
Viewers and producers alike need to stay the course until "Smith" gets its stride. The network ought not lose its courage in presenting something different, as happened with other dark and delicious crime dramas, such as "EZ Streets" in the mid-1990s and "Dream Street" in the late 1980s, soon pulled from the fall line-up. There has to be something different out there than silly clichés, canned laughter, and predictable and soon shopworn series.
Which is not to say there aren't certain aspects that don't ring true. Given that the heist which unfolds in the pilot, whose nature I shall not reveal, is not normally associated with violence, it doesn't seem likely there is not more anger, censure, and repercussion from the naughty persons on-high when things do go awry and assuredly cause law enforcement to be far more attentive and relentless in its pursuit of the crime.
Viewers and producers alike need to stay the course until "Smith" gets its stride. The network ought not lose its courage in presenting something different, as happened with other dark and delicious crime dramas, such as "EZ Streets" in the mid-1990s and "Dream Street" in the late 1980s, soon pulled from the fall line-up. There has to be something different out there than silly clichés, canned laughter, and predictable and soon shopworn series.
John Wells' new show is by far the most original show I've seen on network TV in years. Ray Liotta, Amy Smart and Simon Baker are extremely effective in their roles as members of a gang of sophisticated thieves who lead otherwise normal lives. Virginia Madsen is also effective in her role as Ray Liotta's spouse.
The premiere episode was outstanding and I could not wait to see the second episode, which was even better than the pilot. The writing is terrific, the action is well-paced and suspenseful and while the characters are perhaps amoral, they are well drawn and I found myself wanting to know more about each one of them...
Edgy, fascinating and flawless!
The premiere episode was outstanding and I could not wait to see the second episode, which was even better than the pilot. The writing is terrific, the action is well-paced and suspenseful and while the characters are perhaps amoral, they are well drawn and I found myself wanting to know more about each one of them...
Edgy, fascinating and flawless!
after watching many of the balance of the episodes on DirecTV's 101, i'm puzzled why this didn't get more that a showing of the pilot.
interesting characters. definite possibilities for the direction the show might have gone.
all the characters might have great back stories that would give the writers an option to move beyond the mere caper plot of other similar series.
the second to the last episode on 101 suggested the background for simon baker's character and suggested a little redemptive option.
and the same episode hints at the history of ray liotta's and virginia madsen's troubled relationship.
ah well, another example of 'if i like it, they'll cancel it.'
interesting characters. definite possibilities for the direction the show might have gone.
all the characters might have great back stories that would give the writers an option to move beyond the mere caper plot of other similar series.
the second to the last episode on 101 suggested the background for simon baker's character and suggested a little redemptive option.
and the same episode hints at the history of ray liotta's and virginia madsen's troubled relationship.
ah well, another example of 'if i like it, they'll cancel it.'
Um...to the postperson who said the pilot episode of Smith was somewhat boring and slow at times? It's something we rarely see in most t.v. shows these days, except for maybe "Lost," known as character development. I thought the "Smith" pilot was very good, because like "Lost," I felt like I was watching a movie instead of a t.v. show. The music, production, acting, editing, "character development" and action scenes were well done. I think that a lot of ground got covered in the opening episode. The 2nd episode didn't quite "wow!" me as much as the opener, but it was still engaging nonetheless. I had a problem in the 2nd episode with a place like Venice Beach being so void of people during a beautiful, sunny day, so that a full-on motorcycle chase could take place with no innocent bystanders being harmed. Also, you would think that if the robbers are supposed to keep a low profile after their nearly botched Pittsburgh heist, that Jeff (Simon Baker) would have enough sense to wear a motorcycle helmet (required by law in CA.) in order to avoid hassle with the authorities. But I guess that's just the daredevil in his character, or perhaps just an oversight on the show's writers.
Le saviez-vous
- AnecdotesCBS cancelled the series after three episodes. Several months later, all three episodes were made available for viewing online at the official CBS website, along with four more episodes that were shot, but never aired. In addition, a series of detailed synopses for the following five episodes was included for viewing.
- ConnexionsReferenced in Late Show with David Letterman: Épisode #17.12 (2009)
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