Foundation

To me Brother Day played by Lee Pace has become as enjoyable to watch as Daenerys played by Emilia Clarke in GOT. There's a lot of confusing, boring bits and vexing characters in the show but Brother Day keeps me coming for more.

Overall it's a quality show albeit flawed. But there's a lot of unique, and daring approach that still make this show worth a watch. Every scene and every new information that is revealed about Cleons is so engaging and interesting.

If you're into sci-fi I'd definitely recommend trying this show and giving it a shot at least till season two because it actually even improves in the second season.

Makes Game of Thrones feel like The Powerpuff Girls

A banquet for the senses, a feast for the synapses- this show is the real deal

If you want a show that challenges you to read deeper, ask questions, venture to learn more about what it means to be human, to be a small, but crucial part of a civilization; to seek peace, to understand beauty, to investigate faith, to dissect geopolitical constructs on a core level- there simply isnt any other show~*

The depth of wisdom that drives this show is honestly mind-boggling. It presents an ostensibly true utopia, a future paradise for humankind wherein anything is possible but just barely an inch out of reach- and its utter collapse in the face of transcendence to godhood due to ambition and hubris is by far the most fascinating spectacle I've ever seen~*

This show is an achievement comparable with the establishment of a new language: a new society, an unearthed Olympus, riddled with Gods all competing for significance~*

The writing, the performances, the world-building, the construction of an entire universe heretofore beyond comprehension, bolstered by exceptional performances by Lee Pace and the rest of the cast~*

If true drama, heft and bedazzlement are what you require, then look no further than this- the Foundation- the core of what makes us human: the (frivolous?) search for the meaning of life~*

If you will, grapple with the war between religious fervor and scientific achievement, misguided enforcement of laws by man and true liberation, absolute truth and righteousness

Love and absolution

You have been warned.

Foundation is an intriguing sci-fi series that grows on you the more you watch it. At first, it can feel confusing-just as you're starting to get to know a character, they disappear, only to return much later, if at all. Then you're introduced to someone new, and the whole process of connecting with a character begins again. On top of that, events unfold across different locations, and the series makes massive jumps in time-particularly long ones between seasons.

I've completed Seasons 1 and 2. One of the show's strengths is that as each season progresses, the seemingly loose ends begin to tie together and make sense. Many odd or minor events and details-even from the very first episode-are only explained later in the season or in the finale. But if you keep your eyes and ears open, you might catch subtle clues that help you make sense of things as they unfold. Almost nothing is said without a reason. While Season 1 is built largely on suspense, Season 2 leans more toward action.

The series features numerous plot twists that help keep viewers engaged. Many come out of nowhere and aren't always happy or innocent-but that's part of the fun. In many ways, it resembles Dune, especially in tone and scale. However, one of Foundation's most distinctive traits is its pacing: at times, things move very slowly, only for the show to suddenly jump forward by decades, suggesting sweeping generational changes and the loss of familiar characters.

I do not count myself an Asimov expert, nor had I been a big Foundation series fan during the first 2 seasons (though I did watch them). But this 3rd season has really caught my attention. Not meant as a knock on any of the prior show-runners or writers (I'm not familiar with the in's and out's within the prior production team(s)) but what I can say, being a sci-fi fan and television follower generally, is that Roxann Dawson is stellar behind the screen as a director and producer. Both in sci-fi/fantasy and more mainstream programming. While I thought she was great in Voyager as B'Lana, her work since behind the camera has been quite notable. And each time she gets involved with a series, like she has here, it thrives. Just sayin.

I had read over 200 of Asimov's short stories novellas and novels as a kid of the 70s and early 80s and they formed the core mythos of how I perceived the distant future would become. Not exactly a dystopia and not the utopic Star Trek to be sure but at least a future where science and technology would be respected and relied upon to deliver the ... ahem.. foundations on which all society should rely.

So when this long considered unfilmable series was aired, I watched with much trepidation and bating of breath.

And ngl the first season raised my hackles somewhat... The stupid, stupid decisions of people in power and the predictable, pedestrian plot and cliche layered upon cliche actually made me quit my Apple TV+ subscription, I sh!t you not! Seriously. What were they playing at.

But when Severance S2 released I was forced to renew my Apple TV+ sub and in the days between Severance episode releases I figured I'd rewatch Foundation from S1E01

Yeah, S1 sucked as much as I remembered but having heard whispers on the grapevine that S2 was a marked improvement, I grinned and bared it.

Lee Price and Jared Harris were the frame upon which the entire show was allowed to shine... Wow. It's like they just said fk it to all the risks they DIDN'T take in S1 and pushed the whole show into deep water.

Gone were the Mary Sue interpretations of Gaal and Salvor and they were replaced with a nuanced and sympathetic roles...

Moreover the so called "comic relief" aspect turned out to be as poignant as the the rest of the show.

For me, the key was that every character was human (even the robot) and given a believable motivation and and premise that one could rally behind and feel real sympathy for.

Moreover, the IQ of the characters and plot in S2 suddenly returned to 3 digits signifying a showrunner that has gained confidence.

Let's hope Foundation outlives the original Trilogy and pushes into the whole ASIMOVERSE!!!