Ajouter une intrigue dans votre langueThe bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.The bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.The bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.
- Nomination aux 2 BAFTA Awards
- 7 nominations au total
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This interesting, if rather boring, piece of nostalgia was rescued by the two central performances. Julia Davis, as the awful Fanny Craddock and her much put-upon sidekick Johnny (Mike Gatiss) provided astonishingly accurate portraits of the first TV chef and partner - reviving memories of those terrible TV programmes with their disgusting concoctions. After her triumphs in 'Nighty Night', Julia Davis now shows us a very different virago.
The private life of the two central characters was less interesting. Apart from allusions to Fanny's rather more adventurous past and her seriously unpleasant tantrums and manipulations, there wasn't much to make a full-length drama from. The other members of the odd household paled into insignificance alongside Fanny. So much so that the later part of the drama was enlivened only by a cameo from the Benny Hill Show! But there really wasn't enough meat to justify this bio-pic of an unpleasant and rather disturbed woman.
The private life of the two central characters was less interesting. Apart from allusions to Fanny's rather more adventurous past and her seriously unpleasant tantrums and manipulations, there wasn't much to make a full-length drama from. The other members of the odd household paled into insignificance alongside Fanny. So much so that the later part of the drama was enlivened only by a cameo from the Benny Hill Show! But there really wasn't enough meat to justify this bio-pic of an unpleasant and rather disturbed woman.
Firstly, in every video of the real Fanny Craddock, the makeup is nowhere near as absurd as this parody of a movie makes it to be.
In real life she looked normal, in this film she looks like a blow up rubber doll with added makeup. Seriously, if you want to actually watch this woman cook and to see what she actually DID look like, watch one of the many youtube clips. Nothing like this absurd mess.
Next, I have no idea what Fanny was like in real life, but if the excruciatingly over the top make up here is anything to go by, I'd say there were even more ridiculous liberties taken and that her personality was depicted poorly here or taken to levels meant to be entertaining, but were not.
This film is neither entertaining, good, particularly interesting or meaningful.
I learned nothing of the real person. I can take from this that she was demanding, perfectionist, self absorbed and possibly quite brilliant, but I don't know, as this debacle just tells us she's a total looney.
I'm sure she brought something to the seriously terrible food in Britain at the time, as many have stated in documentaries, so kudo for that.
Boring, horribly over acted by Julia Davis, just horribly.
In real life she looked normal, in this film she looks like a blow up rubber doll with added makeup. Seriously, if you want to actually watch this woman cook and to see what she actually DID look like, watch one of the many youtube clips. Nothing like this absurd mess.
Next, I have no idea what Fanny was like in real life, but if the excruciatingly over the top make up here is anything to go by, I'd say there were even more ridiculous liberties taken and that her personality was depicted poorly here or taken to levels meant to be entertaining, but were not.
This film is neither entertaining, good, particularly interesting or meaningful.
I learned nothing of the real person. I can take from this that she was demanding, perfectionist, self absorbed and possibly quite brilliant, but I don't know, as this debacle just tells us she's a total looney.
I'm sure she brought something to the seriously terrible food in Britain at the time, as many have stated in documentaries, so kudo for that.
Boring, horribly over acted by Julia Davis, just horribly.
Fear of Fanny (2006) which is a biography about Fanny Cradock and not vaginaphobia (it's a real phobia apparently) I'm currently on a Julia Davis binge, trying to find and watch all of her many tv performances in which she's starred. In this Davis plays Fanny Cradock the 70's TV chief with a devilish smirk, over her badly painted arched eyebrows .Cradock plagued the TVs in the 7Os with her mushroom vol-au-vent;s and lobster pate and all those other culinary delights which darkened the taste buds of our parents in search of that table top masterpieces for the table spreads. Cradock partner in crime her husband a permanently sozzled Johnny played excellently by Mark Gatiss. The film a BBC production, highlights the facade that Cradock created, it was all an act for the camera's and her fans. She was a bully on screen and in the home, but this hides her loneliness in her that her two sons had both left home, when Cradock hadn't approved of the girlfriends and life choices.
Its a nice nostalgia piece, all the colours principally browns, greens and yellow are all muted and look at times like vomit as does the food to be fair.
The final straw for Cradock is when she belittles a an amateur cook on the BBC TV show Esther Rantzen's Big Time, the audience finally see her for what she is.
Following the sad demise of Johnny we see Fanny, in her dotage arranging the dinner's in her care home much to the chagrin of the kitchen staff.
Its a nice study by Davis, not essential and not that funny perhaps the nature of playing a real person reigned in Davis's dark side, but does make you yearn to see what the real fanny was like.
My recollection of Fanny is from the dim and distanced past and it was the Fanny popularised by Benny Hill, which is seen in the film.
As for Vol-au-vents which I know you were thinking, I tasted these at one of my sisters weddings in the 70s, those condensed cream of mushroom soups opened my taste buds to such delights Vesta's Chow Mein with their crispy noodles, and other various over seas delights. It was around this time that I tried and tasted curried egg, which my brother and sister in law brought the recipe when traveling to the far east. 9/10 for the memories 5/10 for the food and 7/10 for the film.
Its a nice nostalgia piece, all the colours principally browns, greens and yellow are all muted and look at times like vomit as does the food to be fair.
The final straw for Cradock is when she belittles a an amateur cook on the BBC TV show Esther Rantzen's Big Time, the audience finally see her for what she is.
Following the sad demise of Johnny we see Fanny, in her dotage arranging the dinner's in her care home much to the chagrin of the kitchen staff.
Its a nice study by Davis, not essential and not that funny perhaps the nature of playing a real person reigned in Davis's dark side, but does make you yearn to see what the real fanny was like.
My recollection of Fanny is from the dim and distanced past and it was the Fanny popularised by Benny Hill, which is seen in the film.
As for Vol-au-vents which I know you were thinking, I tasted these at one of my sisters weddings in the 70s, those condensed cream of mushroom soups opened my taste buds to such delights Vesta's Chow Mein with their crispy noodles, and other various over seas delights. It was around this time that I tried and tasted curried egg, which my brother and sister in law brought the recipe when traveling to the far east. 9/10 for the memories 5/10 for the food and 7/10 for the film.
10rhiw
This was a great show about a deeply insecure woman with intense emotional problems. The show catalogued a lifetime of pretence and despair and the pain she inflicted on others most notably her daughter in law.
I wasn't old enough to see her shows the first time but I remember the infamous blue boiled eggs and the green mashed potatoes as well as other equally hideous food.
Her treatment of the dying Johnny when she couldn't even bring herself to visit him in hospital seemed especially harsh but Fanny suffered from her own demons which seemed to torment her constantly.
I wasn't old enough to see her shows the first time but I remember the infamous blue boiled eggs and the green mashed potatoes as well as other equally hideous food.
Her treatment of the dying Johnny when she couldn't even bring herself to visit him in hospital seemed especially harsh but Fanny suffered from her own demons which seemed to torment her constantly.
All wrong, Darling. Completely wrong! Hypercritical (of others) Fanny Craddock must, one might suppose, be writhing in frustration at not being able to correct this aspect of her portrayal. The voice was rather hoarse, a bit affectedly posh, honking, loud and rather braying it was not unique for its time, it was the voice of the older actress or gregarious hostess and with her almost clown-like make-up (I recall her face looking white with make-up)combined to be her instantly recognisable trade-mark. The sound spoke eloquently of its process of formation - of cigarettes, of alcohol and being used frequently, loudly and confidently. Out of sight of the camera but within easy reach viewers might have supposed there was a lit cigarette and glass of something ready for instant use between takes.
Johnnie was from that "stand up straight, head up, chest out, stomach in" era and class that - all blazers, brilliantine and cravats, a familiar sight of those times. The little Benny Hill Show section with late comic actor Bob Todd caught the style perfectly. The style at least implied that the man was a gentleman and former army officer, probably ex-cavalry hence the stiff back - the posture even had a name: "a military bearing". As part of this was a gallant and rather courtly attitude to "ladies". Being "properly dressed" ie blazer and all, was not reserved just for "going out" but could be felt to be an obligation once breakfast had been cleared away indeed perhaps before breakfast (part of "keeping up standards"). (Newsreels of the 1930's show football fans going to the match in three piece suits and hats - it was an era where, relative today, people were over-dressed). It would have been more comic (and more moving) if Johnnie had been that more formally attired and courtly only to receive the verbal lashings from Fanny in return.
I'm not sure that Fanny was a "victim of her demons" rather than product of her time - a twilight period for class, family money, Empire, privileged travel and cheap subservient staff.
A film version with a more substantial script (including some reference to her earlier life) and two standout lead performances would be a dish to be relished, unfortunately currently only in anticipation. Difficult to imagine anyone better than the ubiquitous Jim Broadbent to play Johnnie. More difficult to cast Fanny - its the voice that's the problem.
Postscript: an superb biography of Fanny Craddock is to be found on Wikipedia. It notes her extraordinary pre-TV life including early destitution, particularly hard for someone from a once "good" family. However well worth reading too the surprising biography of her famous father - apart from being fascinating in its own right it sheds a great deal of light on Fanny. "Fear of Fanny" apparently was originally a stage play.
Johnnie was from that "stand up straight, head up, chest out, stomach in" era and class that - all blazers, brilliantine and cravats, a familiar sight of those times. The little Benny Hill Show section with late comic actor Bob Todd caught the style perfectly. The style at least implied that the man was a gentleman and former army officer, probably ex-cavalry hence the stiff back - the posture even had a name: "a military bearing". As part of this was a gallant and rather courtly attitude to "ladies". Being "properly dressed" ie blazer and all, was not reserved just for "going out" but could be felt to be an obligation once breakfast had been cleared away indeed perhaps before breakfast (part of "keeping up standards"). (Newsreels of the 1930's show football fans going to the match in three piece suits and hats - it was an era where, relative today, people were over-dressed). It would have been more comic (and more moving) if Johnnie had been that more formally attired and courtly only to receive the verbal lashings from Fanny in return.
I'm not sure that Fanny was a "victim of her demons" rather than product of her time - a twilight period for class, family money, Empire, privileged travel and cheap subservient staff.
A film version with a more substantial script (including some reference to her earlier life) and two standout lead performances would be a dish to be relished, unfortunately currently only in anticipation. Difficult to imagine anyone better than the ubiquitous Jim Broadbent to play Johnnie. More difficult to cast Fanny - its the voice that's the problem.
Postscript: an superb biography of Fanny Craddock is to be found on Wikipedia. It notes her extraordinary pre-TV life including early destitution, particularly hard for someone from a once "good" family. However well worth reading too the surprising biography of her famous father - apart from being fascinating in its own right it sheds a great deal of light on Fanny. "Fear of Fanny" apparently was originally a stage play.
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Fanny Craddrock: Hello everyone. Well, here we are, once again at the festive season And it's the time of the year when Johnnie likes to get his hands on a nice plump young bird. Making a change from the old boiler he gets the rest of the year.
- ConnexionsFeatures The Benny Hill Show (1969)
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- Durée
- 1h 20min(80 min)
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