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The Messenger

  • 2009
  • R
  • 1h 53min
NOTE IMDb
7,1/10
38 k
MA NOTE
Woody Harrelson and Ben Foster in The Messenger (2009)
A soldier (Foster) struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer (Morton).
Lire trailer2:22
3 Videos
27 photos
Dark ComedyDramaRomanceWar

Ajouter une intrigue dans votre langueAn American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.An American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.An American soldier struggles with an ethical dilemma when he becomes involved with a widow of a fallen officer.

  • Réalisation
    • Oren Moverman
  • Scénario
    • Alessandro Camon
    • Oren Moverman
  • Casting principal
    • Ben Foster
    • Samantha Morton
    • Woody Harrelson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    38 k
    MA NOTE
    • Réalisation
      • Oren Moverman
    • Scénario
      • Alessandro Camon
      • Oren Moverman
    • Casting principal
      • Ben Foster
      • Samantha Morton
      • Woody Harrelson
    • 114avis d'utilisateurs
    • 206avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 17 victoires et 47 nominations au total

    Vidéos3

    The Messenger: Awards Trailer
    Trailer 2:22
    The Messenger: Awards Trailer
    The Messenger
    Trailer 2:21
    The Messenger
    The Messenger
    Trailer 2:21
    The Messenger
    The Messenger
    Clip 1:12
    The Messenger

    Photos26

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 20
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    Rôles principaux40

    Modifier
    Ben Foster
    Ben Foster
    • Staff Sergeant Will Montgomery
    Samantha Morton
    Samantha Morton
    • Olivia Pitterson
    Woody Harrelson
    Woody Harrelson
    • Captain Tony Stone
    Jena Malone
    Jena Malone
    • Kelly
    Eamonn Walker
    Eamonn Walker
    • Colonel Stuart Dorsett
    Yaya DaCosta
    Yaya DaCosta
    • Monica Washington
    Portia
    Portia
    • Mrs. Burrell
    Lisa Joyce
    Lisa Joyce
    • Emily
    Steve Buscemi
    Steve Buscemi
    • Dale Martin
    Peter Francis James
    Peter Francis James
    • Dr. Grosso
    Paul Diomede
    Paul Diomede
    • Motorcycle Cop
    Jahmir Duran-Abreau
    • Matt Pitterson
    Gaius Charles
    Gaius Charles
    • Recruiter Brown
    Brendan Sexton III
    Brendan Sexton III
    • Recruiter Olson
    Brian Adam DeJesus
    Brian Adam DeJesus
    • Teenager #1
    • (as Brian DeJesus)
    T.J. Allen
    • Teenager #2
    Halley Feiffer
    Halley Feiffer
    • Marla Cohen
    Peter Friedman
    Peter Friedman
    • Mr. Cohen
    • Réalisation
      • Oren Moverman
    • Scénario
      • Alessandro Camon
      • Oren Moverman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs114

    7,137.7K
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    Avis à la une

    9pjpaix

    NOT a war movie; NOT a movie about an ethical dilemma

    I was fortunate enough to see this at the recent NY Drama Critics showcase, where both the director (Mr. Moverman) and a co-star (Woody Harrelson) participated in after-show Q&A. First of all, the film is superb - but the summaries I've seen so far do not do justice to what the movie is really about. Sure there are ethical dilemmas, sure there are soldiers who have returned from Iraq. But the great strength of this film is its focus on individual human beings and their reaction to humans' most important concerns: life, death and love. Oren Moverman - accomplishing this so beautifully, accurately and subtly in a small-budget film - is to be congratulated. Woody Harrelson, Ben Foster and Samantha Morton are all magically on the same wavelength in their performances. And the writing (by Camon and Moverman) acknowledges the fact that reasonably intelligent people might be watching... people who don't need every little detail spelled out. Oh yes - I should mention that there's a lot of humor interspersed throughout. The result of all this? The people you meet in this film will stay with you for a very long time - and you'll be glad for that.
    10dzlz105

    Unusual and sensitive

    I will not reiterate the plot of The Messenger; it has been done exhaustively already. The relevant facts, to me, are: This movie is a work of art in which the intentions of the director, writer, cinematographer and actors are all united. The actors, especially leads Ben Foster, Woody Harrelson and Samantha Morton, give subtle, nuanced performances. The plot is not cookie-cutter; you cannot guess what is going to happen at every turn. It is serious at its core but is not devoid of humor.

    Lately, I have been happier with the older movies I see on cable than the movies showing in theaters. This is the exception.
    9evanston_dad

    The Message: War Is a Deeply Sad Affair

    After countless inert and strangely uninvolving films that have been released over the last few years and have used the war on terror as a backdrop for their action ("Jarhead," "Rendition," "Stop-Loss," more I can't even recall at the moment), 2009 produced two films that finally feel plugged directly into the tone the war has taken in our culture -- one of wearying sadness.

    One of those films was "The Hurt Locker," and the other is "The Messenger," Oren Moverman's somber and haunting story about a troubled soldier back from the front lines who's assigned the task of notifying people about the deaths of their loved ones in the conflict. I can't vouch for the accuracy of either film, but I can say that both communicate the same emotions I feel when I see or hear first-hand accounts about what's going on overseas. I'm not enraged or galvanized into either pro or con positions -- I'm simply depressed by the meandering, pointlessness of it all and the human waste.

    The acting trio of Ben Foster, Woody Harrelson, as Foster's instructor in how to be a harbinger of death and especially Samantha Morton, as the widow of one of the dead with whom Foster strikes up a romance of sorts, are formidable, and the film feels authentic in its settings and in the people who populate them. If you had to label the film one way or another, you would definitely have to come down on the side of anti-war. But it's really too resigned and matter-of-fact for that label to fit, and that's what I like about it. It almost seems to be saying that being anti-war is beside the point. Wars are always going to exist, and to be opposed to them is a waste of time. What's most troubling to think about are the innumerable number of lives that are going to be snuffed out because of them.

    In a film filled with terrific scenes, the one that haunts me most is the one set in Morton's kitchen where she tells Foster about the relationship she shared with her dead husband. Filmed as one long take, the scene is mesmerizing, and Morton is so good I can't imagine how she managed to go overlooked at end-of-year awards time.

    Grade: A
    Red_Identity

    Powerful with fantastic performances

    The Messenger is being overshadowed by other war films like The Hurt Locker, yet it is different and a great film. It has a very slow pace, but it has some incredibly powerful scenes and some amazing acting. Woody Harrelson is getting Oscar buzz for his performance, and he does deserve it. He has had a great year, with this and Zombieland. As great as he was, though, Ben Foster is just as great. Samantha Morton is probably better than both because she possesses a subtle and powerful gesture that only she has. I have only seen her in one other film, Synecdoche, New York, and she plays completely different types of personalities in both. Here, she is very quiet, but she is able to portray the reason why Foster's character is intrigued by her. The job that Stone and Montgomery (Foster and Harrelson) have is very difficult to do, and this is the first film to portray a job like that that I have seen. The director and writer did a great job. One of the flaws is that by the ending the film has no real directional focus, and this is a flaw in the screenplay. However, still a great film that should be seen not just for Harrelson but for the entire cast. Don't let the subject matter turn you away
    10razmatazern

    The Messenger sticks with you

    I'm normally pretty hesitant about watching movies that have to do with war, but I'm glad that I chose to watch The Messenger. The movie took a completely different stance than what I'm used to when watching a movie about war. I never really thought about the people that had to deliver the message about a loved one that died in the military, and the way the story is told made me really care for the characters and feel for Harrelson's and Foster's characters and the important job that they have to perform. I would never want to have to do their job, but I truly respect the people that have to perform that job on a daily basis.

    Harrelson, Foster and Samantha Morton put on really powerful performances that I honestly believed. And the rest of the cast did a fine job, as well. The emotion was so intense that I could feel it, and I easily got sucked into the story. It was a powerful movie that really made me think about the hardships in a sincere and thoughtful way. Overall, I enjoyed the film and I will continue recommending it to all my friends because I think everybody should watch it at least once. The story sticks with you long after you finish watching the movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The scene where Will (Ben Foster) and Olivia (Samantha Morton) speak to each other in her kitchen is eight minutes long and was shot in one take. Co-writer and director Oren Moverman allowed actors and actresses to improvise in certain scenes.
    • Gaffes
      Several times throughout the movie, Captain Stone notifies next of kin of deceased soldiers without first getting positive confirmation that they are, in fact, the soldier's next of kin. Casualty Notification Officers are required to make sure that the person they are addressing is actually the next of kin before making notification. This is not a mistake that a professional like Captain Stone would make.
    • Citations

      Captain Tony Stone: [walking to deliver the news to a wife that her husband has died] It could be worse. It could be Christmas.

    • Versions alternatives
      There are two versions available. Runtimes are "1h 53m (113 min)" and "1h 45m (105 min) (Berlin International) (Germany)".
    • Connexions
      Featured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
    • Bandes originales
      Put Your Hands Up
      Performed by Plive (as P-Live)

      Written by Christian Salyer, Isaiah Perkins

      Published by Engine Co. 30/4tian Music/Engine Co. 35/4tian2 Music

      Courtesy of 5 Alarm Music

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    FAQ21

    • How long is The Messenger?Alimenté par Alexa
    • Is anyone familiar with the song playing at the 12ish minute mark? Song also plays when SSG Montgomery punches a hole in the wall.

    Détails

    Modifier
    • Date de sortie
      • 4 décembre 2009 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • El mensajero
    • Lieux de tournage
      • Morristown, New Jersey, États-Unis
    • Sociétés de production
      • Oscilloscope
      • Omnilab Media
      • Sherazade Film Development
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 109 660 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 44 523 $US
      • 15 nov. 2009
    • Montant brut mondial
      • 1 595 417 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 53 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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