NOTE IMDb
5,7/10
2 k
MA NOTE
Ajouter une intrigue dans votre langueIt's a case of mistaken ethnicity, where two non-Italians pretend to be Italian to win each others hearts in Boston's North End.It's a case of mistaken ethnicity, where two non-Italians pretend to be Italian to win each others hearts in Boston's North End.It's a case of mistaken ethnicity, where two non-Italians pretend to be Italian to win each others hearts in Boston's North End.
- Réalisation
- Scénario
- Casting principal
Avis à la une
This film is intended to be a light-hearted romp with some outrageous gags, but is actually an inept cliché-ridden mess with key characters who vary between gullible, unlikeable and delusional. Infantile Jake (Jay Jablonski) pines for women he can't have. He's obsessed with his ex, who's married and has kids. They broke up EIGHT years ago! It's too insane and too implausible to be cute or funny. The word "stalker" comes to mind.
I only watched this because of Cerina Vincent, who has an amusing reaction to a date-gone-wrong with Jake. This was probably the best part, given the film dwells on socially awkward and painfully contrived situations.
While there are some amusing characters in the fish market, it's not enough to save this fiasco. To be fair, I thought the film might redeem itself in the second act and turn into something decent. But NOOO ... the third act is a HUGE shark-jump. The pat happy ending is one big soapy cliché and doesn't help except to signal relief from watching this disaster unfold. This movie is one long FACE-PALM. I give it three (3) stars, as there ARE some (barely) OK moments.
I only watched this because of Cerina Vincent, who has an amusing reaction to a date-gone-wrong with Jake. This was probably the best part, given the film dwells on socially awkward and painfully contrived situations.
While there are some amusing characters in the fish market, it's not enough to save this fiasco. To be fair, I thought the film might redeem itself in the second act and turn into something decent. But NOOO ... the third act is a HUGE shark-jump. The pat happy ending is one big soapy cliché and doesn't help except to signal relief from watching this disaster unfold. This movie is one long FACE-PALM. I give it three (3) stars, as there ARE some (barely) OK moments.
I didn't know what to expect when I went in to see "Everybody Wants to Be Italian," I knew it was romantic comedy that was centered around a relationship between two people who are not Italian, but pretend to be because they think that's the other one's ethnicity.
Jake is the owner of fish store who has been stalking his ex-girlfriend who is now married with three kids, for the past 8 years, he even thinks one of the kids is his.
His employees(John Enos, John Kapelos, Richard Libertini) who are also his therapists/partners in crime decide to take some decisive action and fix him up with a beautiful girl named Maria,(Cerina Vincent) who they think is Italian.
The plan works to some degree and with the support of his other friends around Boston, including Penny Marshall in a brief cameo, they are able to get Jack to see the light and pay attention to Maria. Lot's of good one liners to keep the audience laughing throughout, most of the theater had full belly laugh out loud moments, which was good to hear.
I credit writer-director Jason Todd Ipson for keeping things simple and true to the natural process of dating and life, the girls always want what they can't have. Really easy on the eyes is Cerina Vincent as Marsia, who manages to shine despite typically being cast in horror films. This one is much better than advertised and one to watch this fall.
Jake is the owner of fish store who has been stalking his ex-girlfriend who is now married with three kids, for the past 8 years, he even thinks one of the kids is his.
His employees(John Enos, John Kapelos, Richard Libertini) who are also his therapists/partners in crime decide to take some decisive action and fix him up with a beautiful girl named Maria,(Cerina Vincent) who they think is Italian.
The plan works to some degree and with the support of his other friends around Boston, including Penny Marshall in a brief cameo, they are able to get Jack to see the light and pay attention to Maria. Lot's of good one liners to keep the audience laughing throughout, most of the theater had full belly laugh out loud moments, which was good to hear.
I credit writer-director Jason Todd Ipson for keeping things simple and true to the natural process of dating and life, the girls always want what they can't have. Really easy on the eyes is Cerina Vincent as Marsia, who manages to shine despite typically being cast in horror films. This one is much better than advertised and one to watch this fall.
I too had similar reactions in the theater I went to this week. Audience I would say liked the film, let's say a 3 out of 5 star and what I have read online so far especially from the NYC critics is like a 1 out of 5, there is no way this film is a 1, what are you watching or are we so used to what Hollywood has been running out there every five days that we forget about movies like The Godfather, hello, do you remember the score, it wasn't like it kept flowing, there were times where you could fall asleep, but no one is questioning one of the best movies of all time, now this is no Godfather, but the cast, Jay Jablonski, Cerina Vincent, Marisa Petroro, John Enos, and John Kapelos, all inter-act on screen nicely, the story line and characters ARE believable, have you ever spent time listening to Italian guys talk, this is the real deal. Call it what you will but my Italian step-father agrees 100% he loved the film. I hope the general population will not read some of the so called, "Critic's" and question exactly what they are talking about, they get paid for these comments?
I attended a screening of this movie. It was wrought with clichés and very unfunny jokes and set ups. I think the other comments were by people who must've worked on the movie or been family members of the cast. I'm amazed this movie cost $3-$4 million without any real stars. Where did the budget go? It obviously didn't go to writers for re-writes. Nice thought to bank on the success of Big Fat Greek Wedding, but a major miss. There was little or any spark between the main characters and the inciting incident was a bit flimsy at best. The direction was uninspired and looked like a student film.
I don't even know what it means Everybody Wants to Italian. Is that a real saying. I've never heard it.
I don't even know what it means Everybody Wants to Italian. Is that a real saying. I've never heard it.
Not too much pasta and sauce on this plate but plenty of fun inside the shell's. I wouldn't call this the best romantic comedy I have seen over the last 2-3 years but what it had for me was a refreshing blend of ingredients that didn't upset my stomach. A good blend of old and new from a cast that worked well on screen together. Once I got past the notion that this guy Jake, was held up on the same girl for 8 years, I was fine. The scene when Jake was with all the educated Harvard types and he broke down his business model was a fun twist, we got to learn that this guy was more than a good looking frame. I have seen critical reviews the last three days and I for one just don't see where they are coming from, I'd suggest you get out and see the film for yourself. I don't know how much the title hurts the film, but I certainly don't think people should take it so literal, it would seem that the writer wanted to express that everyone wants to be passionate, needed, and in search of a sole mate?
Le saviez-vous
- AnecdotesSylvia Panacione's debut.
- Citations
Papa Aldo Tempesti: Napoleon hid his Italian-ness.
- Crédits fousThe closing credits list the primary crew with their nationality alongside their names.
- ConnexionsReferences La Folle Histoire du monde (1981)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Coup de foudre à l'Italienne
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 351 416 $US
- Week-end de sortie aux États-Unis et au Canada
- 197 861 $US
- 7 sept. 2008
- Montant brut mondial
- 532 726 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Coup de foudre à l'italienne (2007) officially released in Canada in English?
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