Meet Bill

Bill or Meet Bill is one of the most entertaining movies I've seen lately and it goes a bit beyond entertainment... So, who is Bill? Bill is someone who suddenly realizes he has a miserable life, he's in his 40's married to a beautiful woman, but who is cheating on him,his body is seriously unfit which causes a major lack of confidence and self esteem and on top of that he hates his job and the fact that he is working to his father-in-law. Not hard to relate,right?Bill almost against his will ends up joining a mentoring program and becomes the mentor of a 15 year old kid and that's when it all starts.Obviously the kid turns out to be the real mentor in the relationship, he is smart, he is sexy, he is absolutely confident and like bill says in the end he has it all figured out. The cast is great, but Aaron Eckhart and Logan Lerman are undeniably amazing and so is their chemistry on screen. I am not sure what Eckhart does but the audience(myself included) always love his characters, just watch Thank You For Smoking. And Logan, wow, the kid is talented, he acts like he is 18, not 15 or 16.I have to mention the BEAUTIFUL Elizabeth Banks, she was very good in her role and of course,Jessica Alba, who lightened up the screen.

Bill doesn't fit into comedy neither into drama .It has many elements of both genres and its exactly what a movie should be. Surprises me the poor rating...

8.5/10

I'm not much of a comedy fan, mostly because in recent years they've strayed too far into smart-ass one-liner dumb-formula potty-humor cardboard-cutout territory, which is fine if you like that sort of thing, but I don't.

This, though, is an old-fashioned comedy with heart. Can Bill make his life better with the help of a precocious teen? Sure he can. But the way he gets there isn't just the standard formula, and that makes it a fun watch.

It also helps that the technical work is all top-notch, and the supporting cast is pitch perfect, from the staid father-in-law to the somewhat manic doughnut franchisers.

This isn't a movie that will make you guffaw and belly laugh for an hour and a half, but it does make you feel inspired and offers a few chuckles along the way. In that regard, it reminds me of "Charlie Bartlett," "Juno" and "Rocket Science."

I'm glad this style of comedy didn't die out because of the Farrelly Brothers' success. Their kind of comedy is redundant and dumb -- this type leaves you happy for a while. And Hollywood should do that more often.

Aaron Eckhart, suave and manicured, is surprisingly effective in role as middle-aged sad sack Bill, a disgruntled, directionless human resources executive at his father-in-law's bank who's stuck in a loveless marriage to cheating spouse Elizabeth Banks. The tone of this character portrait is half black comedy and half satire, but Eckhart almost makes the lumpy journey worthwhile (he's an extremely courageous and focused actor, flexible but not a ham). Jessica Alba is fun as a friendly neighborhood salesgirl, but a subplot involving a mouthy teenage boy who chooses Bill to be his "mentor" is excruciating (a duck-hunting sequence with Bill's wife's family is also flabby). Screenwriter Melisa Wallack, who also co-directed with Bernie Goldmann, is careful to let Bill be his own person, but their ultimately victorious "I don't know where I'm going but I'm happy to be here" theme doesn't wash in the end. ** from ****

I attended the World Premiere of "Bill" at the Toronto International Film Festival. That fact alone is actually surprising to me, as my viewing habits tend to lean towards dramas, and this is anything but. In fact, festivals this year have been weighed down by heavy films that are about as dark as they come. "Bill" could not be more different, and what a refreshing change and much-needed uplift is this all-out, unabashed comedy. Co-directed by the husband-wife team of Bernie Goldmann and Melissa Wallack (who penned the script), "Bill" has all the elements required of the genre: characters to whom we can relate, a clever storyline, and laughs aplenty.

Aaron Eckhart ("Any Given Sunday," "Erin Brockovich," "Thank You for Smoking") is Bill, smack dab in the middle of a life becoming all-too familiar. His job is falling apart (he begrudgingly works for his irascible father-in-law), his marriage is going to pieces, his body is going to pot, and, perhaps most horrifying, his hair is rejecting his head. Bill needs a change, fast, and is not-so-voluntarily signed up for a mentoring program at the local high school. He is teamed up with young Logan Lerman ("The Butterfly Effect," "Hoot," "3:10 to Yuma"), who plays The Kid, literally (Lerman's character is never identified by name), and the two join together in battle to fight the demons at the heart of Bill's midlife crisis.

A magnificent ensemble cast including Elizabeth Banks, Timothy Olyphant, Jessica Alba, and Kristen Wiig (and far too many more to mention) are all up to the task of providing enough comedic fodder to fill several films. Discussing their characters in depth would be too revealing, and my policy is to allow the reader to find a synopsis elsewhere if desired. Ultimately the partnership between Bill and The Kid is what drives the story, and the chemistry between Eckhart and Lerman is central to the success of the film. And it works. The Kid is smart, streetwise, sexy (or so he thinks), and has the self-confidence of someone thrice his age. In short, he's everything Bill aspires to be. It's a role-reversal device that's at the heart of many classic comedies, and Wallack's brilliant writing makes it work.

Despite being an independent film (read: low budget) "Bill" has the look of a Hollywood movie. The design is bright and the sound and editing give it a crisp, bouncy feel. Best of all, the cinematography with Peter Lyons Collister at the helm is second to none. He's one of the best in the business, a classic comedy veteran, and it shows.

It's always hard to single anyone out in a fine ensemble cast but in both screenings I attended Lerman stole the show. He unquestionably got the biggest laughs and was the crowd favorite. I hesitate to call him a newcomer, as at the tender age of 15 he already has 10 movies and 23 television episodes under his belt, but he's one to watch for and has a bright career ahead of him. But this is Eckhart's film to make or break, and his sense of comedic timing and puppy-like ability to elicit just the right amount of empathy from the audience create those touching moments that leave the viewer wanting more. And so I attended the second screening as well, and enjoyed it even more. And that's the true test of a comedy. From this writer's perspective, "Bill" not only hits its mark but is also sure to be a winner for years to come.

If you like Aaron Eckhart then you'll like this film. It's a departure from anything he's done in the past. Elizabeth Banks plays his wife, a beautiful, self obsessed, spoiled, rich bitch with no redeeming qualities except her looks and body. (It's VERY much the same role as she played in "The Baxter". She's really got this character type down and is carving a niche for herself in indie films.)

As I watched this movie, I thought that it reminded me of those indie films that I loved from the late 90's and early 2000's and how they just don't make them like this anymore. I didn't laugh all the way through this movie, but there were places where I chuckled (considerably) and I did have a smirk on my face for a good bit of the movie. (Think "The Ex" but not as funny.)

It a great Friday night, too tired to think, order a pizza and veg movie. And if you like indie films from a decade ago, then you'll be glad you rented this one.