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Une jeunesse chinoise

Titre original : Yi He Yuan
  • 2006
  • Tous publics
  • 2h 38min
NOTE IMDb
7,2/10
4,8 k
MA NOTE
Une jeunesse chinoise (2006)
This is the U.S. theatrical trailer for Summer Palace, directed by Ye Lou.
Lire trailer1:44
1 Video
15 photos
DramaHistoryRomance

Ajouter une intrigue dans votre langueYu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and ... Tout lireYu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.Yu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.

  • Réalisation
    • Ye Lou
  • Scénario
    • Ye Lou
    • Yingli Ma
    • Feng Mei
  • Casting principal
    • Lei Hao
    • Xiaodong Guo
    • Xueyun Bai
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    4,8 k
    MA NOTE
    • Réalisation
      • Ye Lou
    • Scénario
      • Ye Lou
      • Yingli Ma
      • Feng Mei
    • Casting principal
      • Lei Hao
      • Xiaodong Guo
      • Xueyun Bai
    • 34avis d'utilisateurs
    • 38avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    U.S. trailer: Summer Palace
    Trailer 1:44
    U.S. trailer: Summer Palace

    Photos15

    Voir l'affiche
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    Rôles principaux11

    Modifier
    Lei Hao
    Lei Hao
    • Yu Hong
    Xiaodong Guo
    Xiaodong Guo
    • Zhou Wei
    Xueyun Bai
    • Wang Bo
    Lin Cui
    Lin Cui
    • Xiao Jun
    Yihong Duan
    Yihong Duan
    • Tang Caoshi
    • (as Long Duan)
    Yu Hou
    Yu Hou
    Ling Hu
    • Li Ti
    Chi Le
    • Woman
    Chloe Maayan
    Chloe Maayan
    • Dongdong
    Thomas Wingrich
    Thomas Wingrich
    • Thomas
    Xianmin Zhang
    • Ruo Gu
    • Réalisation
      • Ye Lou
    • Scénario
      • Ye Lou
      • Yingli Ma
      • Feng Mei
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs34

    7,24.8K
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    Avis à la une

    9tavira

    A movie about love (and time?)

    This film is about several Chinese people, about how they grow up and how time changes them. It is focused on one couple, the very intense passion that they feel for each other and the paths that life shows them in relation of what they feel in each step of their lives...

    This movie is centered in love. More exactly, it is centered in the romantic view of life, which is destined to collide with the fact of growing up, because the characters in the film just can't manage to keep their passionate feelings while they start living other things after leaving university. It is as if life and circumstances pushes them to leave behind their memories, the anchor that seems to keep the characters living and knowing that they are someone. I think it is interesting how this is managed as the film goes by, because I recognized this feeling in myself and among my friends: about how, by leaving school, you have the feeling to be adrift in the universe of life.

    Also, the passion that the characters feel becomes sedated by the tedium of their lives after school. I think the director tries to communicate that feeling: after university, the characters start to get bored with their lives, compared with what they lived in school. It is sad to look how the woman character struggles to keep that feeling alive, but always feeling depressed because she can't grasp that passion that just goes away. They travel, they meet other people, they get jobs, but simply it's not the same. This is also related to the student's protests in China, all the feelings and expectations they generate, and the disillusion they found when they have to confront the real world.

    Finally, I think what the film communicates, is that every emotion, love, feeling or whatsoever, is seized by time. This is something that the characters just don't get and the reason of why they suffer: they can't accept that they are different from the ones that were young and passionate. Even in long marriages, couples have to reinvent themselves to keep together each other, or simply they fall in the arms of custom. This last thing is what the characters refuse to do, always trying to keep their feelings alive. But that's also the reason of why they suffer, especially the woman character: they live attached to their memories and they leave part of their identity in the past. I think that a phrase that is showed in the french movie "Irreversible" could fit perfectly on this one: TIME DESTROYS EVERYTHING. But in this film, this phrase applies in a more subtle way, in something that involves people's identities.

    I liked the movie. It was one of those which you can't get out of your head for the rest of the day. The acting is good and the music is great. If there is something to criticize, is that the film is a little bit too long for what it express, specially at the second part of the film. I found other criticism unfounded: sex is an important part of the film, since it express passion, and it's definitely NOT a soap opera, because it doesn't have a happy ending and it has a message that you have to discover by thinking and feeling the film.

    I recommend this one.
    10Moviespot

    made by a genius

    This film caught me from the moment it started at my screen. we see a young girl encountering her first experiences with love and sex.set at the decor of the huge changes China is undergoing in the mid-eighties.She is excepted at university and meets a handsome guy she's so overpowering in love with , it's scary...wow , the acting , directing ,editing, photography...is breathtaking..the story sometimes heartbreaking..trough sidesteps we are witnessing the student uproar at tianamen square etc.the 2 main characters loose sight of each other and we follow moments of their separate lives.. A breathtaking lovestory about love so strong , it hurts. definitely worth watching.
    7janos451

    Banned in China: What Now, Lou Ye?

    Lou Ye's "Summer Palace" ("Yihe yuan") has plenty of frontal nudity and a fair number of (not very attractive) sex scenes, but that's not why the movie was banned by Beijing, and Ye forbidden to work in the film industry for five years.

    More likely, official displeasure was incurred by the film's powerful recreation of the Tiananmen events of 1989, from the students' point of view - and, coincidentally, equaling Tolstoy's representation of the chaos of war in the Borodino scenes of "War and Peace." And yet, all that is besides the point.

    Rather, after tonight's screening of "Summer Palace" in the Castro, at the 25th annual San Francisco International Asian American Film Festival, your bewildered and overwhelmed reporter is positing this central question: whither Lou Ye? After those five years (or making movies elsewhere) will Ye become the new Zhang Yimou and China's best or just an imitator of the loathsome Tsai Ming-liang, teasing and torturing the audience... just because he can?

    My money - and hope - is on the better scenario. However strange and convoluted and bizarre and frustrating "Summer Palace" may be, it appears "sincere" and not reaching for effect. It's a magnificent failure or a miserable masterpiece, a stupid soap opera or a splendid insight into the human condition - the choice is up to you; for me, it was all that, and more. Seen so far only at film festivals (Cannes, Toronto, Mill Valley, Pusan and Oslo), the film is due for release in France next month and not, so far, in the U.S.

    Lack of commercial exposure may not be a bad thing. This is a "festival film," if there was ever one, and watching it on DVD may be the next best thing. If it came to theaters in this country, few people would go to see it, and of those, many would leave long before its conclusion 2 hours and 20 minutes later. And yet, and yet...

    The script - also by Ye, apparently heavily autobiographical - follows a group of young people from their Beijing University days in the 1980s through the present. The central character is Yu Hong, a teenager from the countryside. As played by Lei Hao - with little of Zhang Ziyi's physical charms and a hundred times her acting ability - here is a cinematic heroine for the ages: a complex, puzzling, neurotic young woman with touching aspirations and scary unpredictability. Lei Hao becomes the character in a naked, unselfconscious, totally believable way - she alone make "Summer Palace" a must-see film (except that you can't).

    Ye's way of telling the story is personal, iconoclastic, dragging here, speeding up there, taking us to Berlin (?!), unintentionally nonlinear, showing Yu Hong is similar situations time and again - and yet slowly spinning an intelligent, poetic subtext in the background.

    Hard as it may be to imagine, "Summer Palace" has something in common with Alain Resnais' "Last Year in Marienbad," in its wistfulness, lack of specific believability and yet presenting a feeling that makes perfect "sense." There are a hundred things "wrong" with Ye's work and yet it's one of the more memorable films in years.
    7jhm7758521

    LouYe niubi

    Whether there is freedom and love or not, in death everyone is equal. I hope that death is not your end. You adored the light, so you will never fear the darkness.

    Recently, I had a sudden urge to watch the banned film "The Flowers of War" by director Lou Ye. After watching it, I still couldn't figure out why it was called that, as it has nothing to do with the Summer Palace. During the search for resources, I found both a 134-minute and a 140-minute version, and ultimately chose the latter. My mental journey during the viewing was as follows: What the heck is this? It's all about love and sex. So Lou Ye is into this? He likes to use sex to express the confusion and aimlessness of young people? I always consider myself a down-to-earth person, and I admit that I really couldn't understand what the director was trying to convey. So I will look for other materials to help me understand. I feel that Lou Ye wanted to capture the fate of individuals in the historical tide. I can sense the director's ambition, but it's really hard to understand. Without professional explanations, I admit that I really couldn't get it! Why can't the director just tell a clear story? Not everyone can understand metaphors, of course, that's the charm of art films. It's endlessly intriguing and captivating, making one want to explore further. This is the allure of the unknown, and curiosity drives us to meet. Alright, Lou Ye, you win!
    9ridleyrules

    Beijing student girl in love - for romantics and young of heart

    I saw this movie at the 2007 International Film Festival of Rotterdam. The director was present at the screening for a Q&A.

    Plot Summary (beginning only): China in the late 1980's. Yu Hong, a 17-year old girl leaves her boyfriend and father to go studying in Beijing. She befriends a girl who stays in a dorm across the hall. They go out dancing with her boyfriend and another friend, Zhou Wei. She soon knows: this is the love of her life.

    This is the start of a story about love, mostly from the viewpoint of Yu Hong, the girl. We get insight into her thoughts as she reads from her diary in a voice-over. The love story is set against the student protests on Tiananmen Square. The protests and riots set off a change in the lives of all the main characters. We skip through time and return with them in the late 1990's.

    Summer Palace has a lot to say during its 140 minutes. Becoming an adult in the 80's and 90's in China, student life, friendship, sex and most of all love. The language alternates between high-sounding diary thoughts and realistic taken-from-life dialogs. The photography varies from poetic "print it and hang it on the wall" quality to a grittier style, e.g. during the riots.

    I really liked how the director fit love making scenes so integral into the movie. In most movies, scenes suddenly stop to ensure a good MPAA-rating. Or the camera pans and zooms unnaturally to keep the 'dirty parts' out of view. Here, director Lou Ye keeps things flowing to simply tell the full story of two people during all stages of their relation. Notice for instance how Yu Hong's love making changes as the story progresses.

    This, and other elements such as "defining love" and the background of political turmoil brought back memories of Philip Kaufnan's The Unbearable Lightness of Being, based on Milan Kundera's book. I must admit that TULoB (the 1988 movie) made more impact on me when I first saw it than Summer Palace does now. But this different ranking may also be the result of my cultural background (I am European), age or maturity.

    This movie may speak more to the young of heart and the romantics. A bit to my surprise, the few people that I saw leaving the theater prematurely were all 50+. This movie can split audiences, I guess. Some will ravingly love it, but it may leave others unaffected. People who belong to the latter group, will probably also think that the movie is too slow or too long. I base this on comments that I have read and heard at the festival.

    I probably want to see this movie again. some time soon. The images and music are worth experiencing another time. Also, at times the pace of events is quite high, so it may help me to capture all of it better.

    I rate this movie as one of the highlights of the festival: It's probably also the best movie from China that I have seen in the last two years: 9/10.

    Crew Trivia: Cinematographer Qing Hua was a classmate in film school of Yu Wang, the director of photography of Suzhou River (the director's breakthrough film). Qing Hua was recommended by Yu Wang when he was unavailable.

    Title Trivia: Summer Palace is the name of one of the buildings at Tiananmen Square. According to the director, the events at the square mark a change in the lives of the main characters.

    Connection Trivia: Asked about being influenced or inspired by "The Unbearable Lightness of Being", director Lou Ye says that he is a big admirer of Kundera's novel, not so much the film adaptation.

    Screenplay Trivia: Asked about the possible difficulty of having a young woman being the center of the story, director / screenwriter Lou Ye says that it made it actually easier. With a female main character, it was more natural for him to talk about love and emotions.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In September of 2006, director Lou Ye was barred from making movies for five years because the film incorporated footage of the Tiananmen Square demonstrations and wasn't approved by Chinese officials. The Chinese government also demanded that all copies of the film be confiscated.
    • Gaffes
      There were no nightclubs or bars in 1980's Beijing such as the ones portrayed in Summer Palace. Despite the presence of a few underground bars in Beijing at that time, it is highly improbably that any university students would patron such establishments. Moreover, those bars did not play American pop music, did not allow dancing, did not stock western liquor, and certainly did not admit foreigners. Any clubs or bars like the ones shown in Summer Palace did not begin appearing in Beijing until the late 1990s and did not gain popularity amongst middle-class college students until after the new millennium.
    • Citations

      Yu Hong: I want us to break up.

      Zhou Wei: Why?

      Yu Hong: Because I can't leave you.

    • Connexions
      Features Les Quatre Cents Coups (1959)
    • Bandes originales
      In Yeon
      Performed by Ha Dong-jin

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    FAQ18

    • How long is Summer Palace?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 avril 2007 (France)
    • Pays d’origine
      • Chine
      • France
    • Sites officiels
      • Océan Films (France)
      • Productor's official site
    • Langues
      • Mandarin
      • Allemand
    • Aussi connu sous le nom de
      • Summer Palace
    • Lieux de tournage
      • Pékin, Chine
    • Sociétés de production
      • Centre national du cinéma et de l'image animée (CNC)
      • Dream Factory
      • Flying Moon Filmproduktion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 63 045 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 717 $US
      • 20 janv. 2008
    • Montant brut mondial
      • 143 027 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 38 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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