La jeune écrivaine Briony Tallis, âgée de treize ans, change irrévocablement le cours de plusieurs vies lorsqu'elle accuse l'amant de sa soeur aînée d'un crime qu'il n'a pas commis.La jeune écrivaine Briony Tallis, âgée de treize ans, change irrévocablement le cours de plusieurs vies lorsqu'elle accuse l'amant de sa soeur aînée d'un crime qu'il n'a pas commis.La jeune écrivaine Briony Tallis, âgée de treize ans, change irrévocablement le cours de plusieurs vies lorsqu'elle accuse l'amant de sa soeur aînée d'un crime qu'il n'a pas commis.
- Réalisation
- Scénaristes
- Stars
- Récompensé par 1 Oscar
- 52 victoires et 150 nominations au total
Felix von Simson
- Pierrot Quincey
- (as Felix Von Simson)
Charlie von Simson
- Jackson Quincey
- (as Charlie Von Simson)
Avis à la une
We are such a fragile race, so affected by the shifts of a societal breeze. A child misinterprets what she sees and brings about the destruction of people she actually loves. So caught up in her dramatic wants and angry, she lies, and that lie haunts her for her remaining days. This is a movie version of a wonderful book, the best I read that year. It captures the pain and the need to make true restitution. The truth of the matter is that sometimes it just doesn't work that way. The characters come to realize that. It's a slice of life in wartime and all the chickens come home to roost. Probably the most gut wrenching thing is that the character that causes the most damage has great success in life, but carries around her guilt to her dying day. She is never allowed to truly enjoy things. This is a really fine movie and, except for some breaks in editing, does a nice job of presenting the issues in the novel.
I saw a preview of this film yesterday and felt privileged to be one of the first people to see the film. It was also a pleasure to see a film before reading any other critical review or opinion. I am a great fan of Ian Mcewan and was concerned that it would not be possible to capture the subtleties and nuances of Mcewan's writing but I needn't have had any worries. The director, Joe Wright and screenplay writer Christopher Hampton have done a superb job and the complexities of the novel are superbly captured with real imagination. The story is set in three main areas, an English country house in 1935, war torn France 1940 and London 1940. The atmosphere in of all three are wonderfully captured by the director, cinematographer, costume design and score and I am sure that there are going to be some Oscar nominations for these. James McAvoy as lead man gives a tremendous performance of a restrained but passionate man. I was not as convinced by Keira Knightley's performance and am not sure that her acting has the mature edge to capture the social nuances of the times that McAvoy did so successfully. Do not see this film if you like fast paced films and rapid plot development! This is not a film for the pop video generation. If however you like character development and a plot that unravels at a pace that allows you to be immersed in the atmosphere of the film then I can highly recommend Atonement as one of the best films that I have seen this year.
I usually don't like watching novels turned into movies (specially when I liked the novel as much as I liked McEwan's "Atonement") but this was a really pleasant surprise. The plot is extraordinarily well adapted, leaving out what cannot possibly be included in a two-hour film, changing very few details to translate literary language to cinematographic language but sticking to the essence and the spirit of the novel.
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
Comprising recognisable, realistic and outstandingly beautiful performances, set within an uncomfortably believable and heartbreakingly tragic story, it will leave a mark, a scar, a wound on your soul; especially if you have an ounce of humanity, understanding and empathy for the circumstances within which it is told.
Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.
Le saviez-vous
- AnecdotesDirector Joe Wright had wanted Keira Knightley to play the role of Briony in her late teens, but Knightley immediately liked the character of Cecilia, and also wanted to get away from playing girls on the brink of womanhood and play a more mature character for once.
- GaffesAny apparent continuity errors in the fountain scene - the position of the vase, the tennis shoes, Robbie's sitting position, Cecilia's strap slip, the buttons on her blouse etc. - are not what they seem: we are seeing the same event in different ways through different pairs of eyes.
- Citations
Cecilia Tallis: I love you. I'll wait for you. Come back. Come back to me.
- Crédits fousThe title types itself out like on a typewriter.
- ConnexionsEdited into Atonement: Deleted Scenes (2008)
- Bandes originalesClair de Lune
Written by Claude Debussy
Performed by Gordon Thompson
Courtesy of Sanctuary Records Group Ltd
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Expiación, deseo y pecado
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 927 067 $US
- Week-end de sortie aux États-Unis et au Canada
- 784 145 $US
- 9 déc. 2007
- Montant brut mondial
- 129 266 061 $US
- Durée
- 2h 3min(123 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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