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Ajouter une intrigue dans votre langueTwo brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.Two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.Two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 10 nominations au total
Tikva Dayan
- Rabbinit
- (as Tiki Dayan)
Seffy Rivlin
- Rabbi Hess
- (as Sefi Rivlin)
Hayah Shalit
- Seminary Girl
- (as Ilayah Shalit)
Avis à la une
Ha-Sodot (2007), is an Israeli film, shown in the U.S. as "The Secrets." It was co-written and directed by Avi Nesher. Noemi (Ania Bukstein) is a young woman who loves to study Torah with her father. She knows that, as a ultra-orthodox Jew, she can never be a rabbi, and she accepts that fact. However, she cannot accept the traditional role of wife and mother that's expected of her by her culture. She's given permission to study at a women's seminary. The school is operated by an older woman who is trying to bring learning to Orthodox women, while working within the Orthodox culture.
It's a good school, where the students are treated well and where learning and good works are emphasized. The plot revolves around one type of good works--bringing food to people in the area who cannot afford to purchase what they need. The person to whom the food is brought is a woman named Anouk, played by Fanny Ardant. Noemi is chosen to take the food because she's extremely competent, and Anouk's situation is complex and difficult. Anouk's first language is French, so the Headmistress assigns Michal, a French-speaking student, to accompany Noemi.
One of the major plot threads revolves around the relationship of the two young women with the older woman. Another plot thread is the growing tenderness between Noemi and Michal. A third thread is the difficulties for women who want to exercise their judgment in a society where the judgments are traditionally made by men.
We saw two movies at the Rochester Jewish Film Festival. The first was "Noodle." When I reviewed that film I noted that it could have been made in any developed nation--not just Israel. "The Secrets" could probably only be made in Israel. Obviously, patriarchal societies exist in many countries. However, I think that only in Israel could a film be made about people who live within such a society, and yet be shown in theaters with scenes that include full frontal nudity. That is the paradox of Israeli society--the ancient and orthodox exist in parallel with the modern and liberated.
The acting in the film was outstanding. Both Bukstein and Shtamler are extraordinarily attractive and capable actors. However, when Fanny Ardant is on the screen, her beauty and acting skill make you forget everyone else.
"The Secrets" is an unusual and compelling film. If the movie is released for theatrical distribution, watch for it and see it. Otherwise, try to find it on DVD. This is a fascinating film--don't miss it!
It's a good school, where the students are treated well and where learning and good works are emphasized. The plot revolves around one type of good works--bringing food to people in the area who cannot afford to purchase what they need. The person to whom the food is brought is a woman named Anouk, played by Fanny Ardant. Noemi is chosen to take the food because she's extremely competent, and Anouk's situation is complex and difficult. Anouk's first language is French, so the Headmistress assigns Michal, a French-speaking student, to accompany Noemi.
One of the major plot threads revolves around the relationship of the two young women with the older woman. Another plot thread is the growing tenderness between Noemi and Michal. A third thread is the difficulties for women who want to exercise their judgment in a society where the judgments are traditionally made by men.
We saw two movies at the Rochester Jewish Film Festival. The first was "Noodle." When I reviewed that film I noted that it could have been made in any developed nation--not just Israel. "The Secrets" could probably only be made in Israel. Obviously, patriarchal societies exist in many countries. However, I think that only in Israel could a film be made about people who live within such a society, and yet be shown in theaters with scenes that include full frontal nudity. That is the paradox of Israeli society--the ancient and orthodox exist in parallel with the modern and liberated.
The acting in the film was outstanding. Both Bukstein and Shtamler are extraordinarily attractive and capable actors. However, when Fanny Ardant is on the screen, her beauty and acting skill make you forget everyone else.
"The Secrets" is an unusual and compelling film. If the movie is released for theatrical distribution, watch for it and see it. Otherwise, try to find it on DVD. This is a fascinating film--don't miss it!
10janet-f
"Secrets" is a film about everything. Just when you think you know what the main theme of the film is, it shifts direction subtly. I think you have to know at least one person who is like a character in this film to find it believable, or you possibly might just be interested in unfamiliar cultures. Practically every event in this film could not possibly happen in the US, but the movie is not a fantasy.
What are the secrets that the viewer gradually comes to understand? They are things people don't tell other people. They are things that people don't know about themselves. They are a culture's basic assumptions that normally go unquestioned. They are ancient Jewish mystical practices that are not supposed to be talked about. They are insights into biblical writings that were never uncovered before. They are little twists of language, like how many M's are in a sentence. They are what happens to people when they face death.
And the secrets of what makes this an amazing film? They are the uniformly great performances, the cinematography that lovingly caresses the city of Sfat (or Zefat, as the Israel road signs say), the beautiful and moving music, and the the questions that haunt the viewer emotionally and intellectually afterward.
What are the secrets that the viewer gradually comes to understand? They are things people don't tell other people. They are things that people don't know about themselves. They are a culture's basic assumptions that normally go unquestioned. They are ancient Jewish mystical practices that are not supposed to be talked about. They are insights into biblical writings that were never uncovered before. They are little twists of language, like how many M's are in a sentence. They are what happens to people when they face death.
And the secrets of what makes this an amazing film? They are the uniformly great performances, the cinematography that lovingly caresses the city of Sfat (or Zefat, as the Israel road signs say), the beautiful and moving music, and the the questions that haunt the viewer emotionally and intellectually afterward.
The orthodox religious and studious Jewish Naomi (Ania Bukstein) is the daughter of a prominent rabbi and is promised to marry the arrogant yeshiva student Michael (Guri Alfi). Naomi secretly dreams on becoming a rabbi and after the death of her mother, she succeeds in convincing his father to postpone her marriage and be sent to the traditional Seminary of Knowledge and Truth in the ancient city of Safed in the mountains. The grieving Naomi shares a room with the outcast and free-spirited Michelle (Michal Shtamler) and two other roommates. Naomi and Michelle are assigned by the headmistress to help Anouk (Fanny Ardant), a woman that spent fifteen years in prison for killing her lover, and is terminal with cancer. Anouk asks for the purification Kabalistic ritual Tikkun to reach God, and the girls decide to help her. Meanwhile Naomi falls in love for Michelle and she finds in the Bible that their desire is not considered a sin in the eyes of God. While assisting Anouk, Naomi tries to convince her beloved friend that their relationship is not wrong in a repressive society ruled and judged by men.
"Ha-Sodot" a.k.a. "The Secrets" is a beautiful, sensitive and transgressor romance in a society ruled by conservative rabbis and extremely repressive with women. I immediately recalled Peter Jackson's "Heavenly Creatures" and the platonic love of Juliet Hilme and Pauline Parker. Further, Ania Bukstein and Michal Shtamler slightly resemble Kate Winslet and Melanie Lynskey in the beginning of their careers. It is engaging to see in 2009 such different society when compared with the western culture, and a director exposing this situation without any judgment or manipulation. My vote is eight.
Title (Brazil): "Segredos Íntimos" ("Intimate Secrets")
"Ha-Sodot" a.k.a. "The Secrets" is a beautiful, sensitive and transgressor romance in a society ruled by conservative rabbis and extremely repressive with women. I immediately recalled Peter Jackson's "Heavenly Creatures" and the platonic love of Juliet Hilme and Pauline Parker. Further, Ania Bukstein and Michal Shtamler slightly resemble Kate Winslet and Melanie Lynskey in the beginning of their careers. It is engaging to see in 2009 such different society when compared with the western culture, and a director exposing this situation without any judgment or manipulation. My vote is eight.
Title (Brazil): "Segredos Íntimos" ("Intimate Secrets")
It may be a honor to be nominated, but there can only be one winner. Unfortunately this great 2007 film had the misfortune to be competing with The Band's Visit, and outstanding film. Fortunately, it is eligible this year for a GLADD award for a feature film in limited release.
The performances by Fanny Ardant as Anouk, Ania Bukstein as Noemi, and Michal Shtamler as Michel (That's Michelle!) were outstanding.
It was a powerful and fascinating look at a very patriarchal society, and a glimpse that even Jews have differences of opinion on their religion (Are they Protestant?).
Funny, compelling, sure to anger you over the treatment of women, warm and tender: it is an excellent film.
The performances by Fanny Ardant as Anouk, Ania Bukstein as Noemi, and Michal Shtamler as Michel (That's Michelle!) were outstanding.
It was a powerful and fascinating look at a very patriarchal society, and a glimpse that even Jews have differences of opinion on their religion (Are they Protestant?).
Funny, compelling, sure to anger you over the treatment of women, warm and tender: it is an excellent film.
But the ending is a tad dated on the choices available or i might be too presumptuous.
Covers a lot of life choices on what's right and wrong and the in between. And how a book written 2000 years and more ago could dictate ones life action and false righteousness.
Film for thought!
Covers a lot of life choices on what's right and wrong and the in between. And how a book written 2000 years and more ago could dictate ones life action and false righteousness.
Film for thought!
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- ConnexionsFeatured in Sharon Amrani: Remember His Name (2010)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Les secrets
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 122 094 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 536 $US
- 30 nov. 2008
- Montant brut mondial
- 264 006 $US
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