Après une panne de courant, les appareils électroniques émettent un signal insupportable. Ceux qui les utilisent se transforment alors en meurtriers sanguinaires. A Terminus, ville en désola... Tout lireAprès une panne de courant, les appareils électroniques émettent un signal insupportable. Ceux qui les utilisent se transforment alors en meurtriers sanguinaires. A Terminus, ville en désolation, une femme, son mari et son amant tentent de survivre face à lhorreur la plus absolue... Tout lireAprès une panne de courant, les appareils électroniques émettent un signal insupportable. Ceux qui les utilisent se transforment alors en meurtriers sanguinaires. A Terminus, ville en désolation, une femme, son mari et son amant tentent de survivre face à lhorreur la plus absolue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Rod
- (as Sahr)
- Jerry
- (as Matt Stanton)
- Janice
- (as Suehyla El-Attar)
- Jim Parsons
- (as Chadrian McKnight)
- Screaming Man
- (as Dave Bruckner)
- Deaf Woman
- (as Nikki Hansen)
- …
Avis à la une
The middle part is the "funniest", with the other two being more disturbing. But the "mood" change isn't really fitting into the whole thing. Not to mention, that some jokes are just plain stupid. A shame, because the overall thematic (technological horror with social commentary -> TV) is a good one. But for a first-time movie it's still pretty good/impressive.
When i saw this for the first time, i found it to be surreal n a different take on the "crazies". But aft revisiting it recently, i found it to be a bit lengthy with some irritating flickering lights n non linear approach and a not so cool ambiguous ending.
The film has lots of gore, some scary situations n a hilarious decapitated head talking scene.
The idea is very cool, and the first two acts are solid. The first act feels like a tense horror film, which is what I expected. The second act was very funny and had a totally different tone, which was a cool change.
The third act, however, was a total mess. It honestly felt like the writer had a pretty tenuous grasp on what they wanted the story to be. They couldn't commit to what they wanted the signal to actually do, so some people were effected in a drastically different way than every other character had been previously.
Act 3 started fine, but quickly felt forced, and confusing in a non-mysterious way. Every character becomes an unreliable narrator, and you have no idea what's actually happening. That sounds cool, but it wasn't done well, so the entire ending feels like a chaotic mess. The answers you want aren't provided, and the story you get isn't good.
Additionally, Act 3 jumped the shark when it comes to over the top lighting. Expect every moment for the last 20+ minutes to be 90% bright, blinking lights, full of quick cuts to different bright, blinking lights and loud noises.
Let's hope that with "The Signal" however, this doesn't happen.
Why? Because this movie is powerful, thoughtful and downright terrifying in its execution.
The movie opens with a young couple, Mya and Ben, in a tryst where it soon becomes apparent that Mya is married but very much not in love with her husband, Lewis.
Suddenly the TV is blasted on, transmitting a noisy psychedelic signal which is echoed throughout every other media form from radio to mobile phones.
Mya leaves Ben to return home to her husband only to find everyone going crazy... possibly even her own husband. Thrown into a violent and chaotic world, the story focuses on the three of them and the truth about their intertwining relationship as the city of Terminus literally goes to hell around them.
The film's three directors each take on board a different aspect of the overlapping narrative, with the running time evenly divided into 3 parts. Transmission 1 examines the initial outbreak and its effects on the main protagonists. Transmission 2 looks at the ensuing madness from the perspective of one of the afflicted (a very creepy concept which is notoriously tough to execute, but is worked to almost perfection here), and laces it with more than just a smattering of very black humour. Transmission 3 ties up the loose ends of the plot and weaves them all together in order that all main characters collide in a chaotic but much needed denouement.
Brutal, dark and completely absorbing, this grainy DV effort is always believable and therein lies its power. In a society where media has taken over every facet of our lives, technology is rife for abuse, and this movie exploits that paranoia to great dividends.
This original chiller is the American equivalent of "28 Days Later" mixed with Romero's "The Crazies" via Stephen King's novel "Cell".
Some visual and plot aspects may have suffered due to budgetary constraints, but therein also lies its charm.
"The Signal" will surprise, thrill and terrify. In short, another example of modern horror at its brutal and most thoughtful best.
This film is split into 3 for some unknown reason and unfortunately this not only breaks the tension and flow, it also changes the tone entirely. Had the film continued in the vein of the first segment, it would have been brilliant, but by the halfway point I was wishing for it to end.
The cast are good, the idea is great...unfortunately the execution tailed off into a disappointing mess that I no longer cared about and wanted to end. There is something incredibly sad about so much promise coming to nothing.
Le saviez-vous
- AnecdotesThe name of the city in the film is Terminus. The movie was filmed entirely in Atlanta, Georgia which was originally called Terminus when it was settled in 1837.
- GaffesWhen Mya and Rod flee the building and head to the car you can see the corpse with the yellow blouse breathe and move. However, it is never established that it is a corpse. It could very well be someone dying, but not yet dead.
- Citations
Anna: What if my party guests show up?
Clark: Anna, I don't know if you know this, but there is some seriously insane shit going on out there right now. People are losing their minds.
[Clark goes to turn off the TV]
Clark: There's a bad sector in the electromagnetic spectrum which is causing a rift in logical thinking. Rational behavior has given way to primal... primordial action.
[Anna sees someone on fire outside]
Clark: We've reached a critical juncture in the consistency of everyday living. Societal norms are being completely abandoned. Anarchy has replaced etiquette. Chaos is the ruling class of this civilization, so I think coming to a goddamn New Years Eve party is the last thing on people's minds!
[doorbell rings]
- Crédits fousAbout 1 minute into the credits, a video effect similar to "the signal" is shown for a few seconds, and then the credits roll on.
- ConnexionsReferenced in Film Junk Podcast: Episode 291: Red (2010)
- Bandes originalesAtmosphere
Written by Ian Curtis (as Ian Kevin Curtis), Peter Hook, Stephen Morris (as Stephen Paul David Morris) & Bernard Sumner
Published by Universal-Polygram International Publishing, Inc. on behalf of Universal Music Publishing Ltd.
Performed by Ola Podrida
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La señal - The Signal
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 251 150 $US
- Week-end de sortie aux États-Unis et au Canada
- 144 836 $US
- 24 févr. 2008
- Montant brut mondial
- 1 040 386 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1