Un homme d'affaires respecté est parfois contrôlé par son alter-ego meurtrier et diabolique.Un homme d'affaires respecté est parfois contrôlé par son alter-ego meurtrier et diabolique.Un homme d'affaires respecté est parfois contrôlé par son alter-ego meurtrier et diabolique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Sarah Leaves
- (as Traci Dinwiddie)
- Dance Couple
- (as Megan Brown)
Avis à la une
Mr. Brooks, Mr. Citizen, is a soft spoken, highly intelligent man of the community, always in control of his job and family, despite the adversities he faces throughout the movie. Very enjoyable is the intricacy, detail, and discipline he is able to maintain throughout the chaos that befalls him throughout the entire plot. His total control of all of the challenges almost makes him a super hero in terms of skill and control in the performance of his self assigned, gruesome tasks at hand. The blending of his alter-ego, bad conscience side, Marshall, is seamlessly accomplished in this psychological escapade, to the point that one almost has to root for "them". Marshall, although the psychopathic side of Brooks, is almost likable, in a twisted sort of way. The ongoing dialog between the two is perfect, in that almost everyone can relate to conscience issues at some point in their lives.
The added sub-plots concerning detective Demi Moore, the would be wanna be killer Mr. Smith, and the ex-gold digging husband and his attorney, are extra, intriguing elements that are very well done. Though told with a considerable dark tonality because of the theme, one finds himself cheering for Mr. Brooks and his incredible ability as a master craftsman. Ironically, one can also cheer for the detective that is out to capture him.
If you are ready for a story that is intriguing, suspenseful, gripping, and present day, then this movie is a good place to start. Costner, Moore, Cook, and Hurt are all splendid. Each one is intense, tormented, fun, and believable in his respective role. Another positive feature about the storyline, and it's conclusion, is that it lends itself to, perhaps, a very interesting sequel potential. Kudos to the directors, producers, and entire cast.
Kevin Costner having always been one of the most wooden actors in contemporary movies, I am very impressed that he hit the nail on the head with this very challenging and multi-layered character of Mr. Brooks, and in understanding him completely knew just how much of him to reserve for William Hurt's share, Hurt playing a figure nonexistent to anyone in the film other than Costner, representing the deepest, darkest thoughts of Mr. Brooks. The script and direction are very clear-cut and discern the dialogue between Costner and Hurt as the same character and not a split personality.
Demi Moore is affecting in her portrayal of a cop whose personal life calls upon the part of a personality that would urge with anger towards thoughts of murder and is able to suppress them. It's maybe my favorite of all the performances I've seen of hers. There is lots of subtext in what appears to be a token cop role.
The most interesting casting choice, aside from the impressive comebacks by two aging former box-office magnets, is of comedian Dane Cook as a blackmailing witness to one of Mr. Brooks's murders. His character is a creative blend of voyeuristic and eagerly putzy, and Cook pulls it off very becomingly.
As well as being a very gripping and unpredictable celebration of evil, I think a lot of extra credit is due to this film especially for holding its own at the box office during a summer of conglomerate box-office hogs like the second sequels to Pirates of the Caribbean, Shrek, Ocean's Eleven, and Spider-Man when it is actually very edgy and takes a lot of risks as a mainstream film.
I don't want to spoil exactly what Mr. Brooks is (even though it's revealed in the early part of the movie), but let's just say he's not a good guy. He is cold, brilliant, methodical, and heartless. Definitely not the traits we normally expect from Kevin Costner. And yet, it's fascinating to watch. I found myself rooting for him, and then had to kick myself because his character is so despicable. Top notch acting from him.
Dane Cook seems an odd casting choice for a suspense thriller, and yet he is believable in his role as a cowardly average joe trying to get the better of Mr. Brooks.
This movie is surprisingly graphic and brutal in some scenes. Yet it is so engrossing that you will be hooked on every twist and turn (and there are some good ones).
Not for the faint of heart, not your normal Costner flick, but a very good movie.
Le saviez-vous
- AnecdotesEarl Brooks was written with Kevin Costner in mind to play him.
- GaffesIn the firefight at the hotel with Atwood, Meeks fires his Colt M1911, with its 7-round clip, 23 times without reloading.
- Citations
[last lines]
Marshall: [voice-over] Why do you fight it so hard, Earl?
Mr. Earl Brooks: [whispering to himself] God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference. Living one day at a time and enjoying one moment at a time, accepting hardships as the pathway to peace. Taking, as He did, this sinful world as it is and not as I would have it, trusting that He will make all things right if I surrender to His will, that I may be reasonably happy in this life, and supremely happy with Him forever in the next. Amen.
- Crédits fousA thumbprint forms the backdrop for the end credits.
- Bandes originalesTransgression
Composed by Burton C. Bell, Raymond Herrera, Christian Olde Wolbers
Performed by Fear Factory
Courtesy of Liquid 8
Meilleurs choix
Détails
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 28 549 298 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 017 067 $US
- 3 juin 2007
- Montant brut mondial
- 48 443 734 $US
- Durée
- 2h(120 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1