Mon Führer - La vraie véritable histoire d'Adolphe Hitler
Titre original : Mein Führer - Die wirklich wahrste Wahrheit über Adolf Hitler
- 2007
- Tous publics
- 1h 29min
NOTE IMDb
5,5/10
4,7 k
MA NOTE
Hitler apparaît comme une personne mentalement détruite qui suit les conseils de Goebbels et se rend dans un camp de concentration juif pour y recevoir des leçons d'éloquence afin d'inspirer... Tout lireHitler apparaît comme une personne mentalement détruite qui suit les conseils de Goebbels et se rend dans un camp de concentration juif pour y recevoir des leçons d'éloquence afin d'inspirer le peuple allemand à continuer à se battre.Hitler apparaît comme une personne mentalement détruite qui suit les conseils de Goebbels et se rend dans un camp de concentration juif pour y recevoir des leçons d'éloquence afin d'inspirer le peuple allemand à continuer à se battre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Leo Altaras
- Benny Grünbaum
- (as Leonard Altaras)
Avis à la une
As I heard, that there will be a new comedy about the king of villains, I was positively surprised. In Addition to that, Helge Schneider, a discussable but in my eyes brilliant comedian was chosen to play the "Führer". Unfortunately, I had to recognize, that this movie was not, what I had in mind. Instead of creating an outstanding satire about the history of Germany and its development in our minds, they just couldn't manage to cross the border of moral standards founded in our own history school lessons. Not able to make real fun out of it, it seems that they just shot another movie to strengthen old-fashioned prejudices and long lasting jokes about the misuse of the word "Heil", at which has been laughed for about nearly 60 years now. Concerning these redundant lacks in satire, it is necessary to warn especially German viewers: it's not really funny, believe me !
A different take on the Hitler history in World War II - strong performances by the lead actors and a straight plot line mixed with tragedy and humour make for an engaging film. Like the later movie JoJo rabbit the fuhrer depicts Hitler in a way that can make it sympathetic and humanize him. The Dilemma of Grunbaum and his family provides juxtaposition to be empathetic portrayal, the ending gives a gravitas to the story
Imagine this as a big piece of cake top with comedy and end with drama.
This movie wants to be a funny satire, but it's just a piece of embarrassing garbage.
Camera, music and set design are very good, yet each of the actors seems to have another definition of comedy and the director was unable to communicate them HIS sense of it. Topsy-Turvy in the ensemble, although some good German actors do their best (esp. Ulrich Mühe).
The absolute disaster is the screenplay. Neither comedy nor drama, it keeps searching for an identity. That's why the whole movie fails - Neither fish nor meat - just another silly joke-ridden but unfunny, pseudo-operatic flop by Dany Levy as so many before.
Chaplin (The Great Dictator) and Mel Brooks (The Producers - Frühling für Hitler) have achieved with ease, what this movie tries hard but doesn't convey at all.
Dany Levy still has to learn a very important film school lesson - screen writing (and in part directing) is just not his cup of tea.
He's much better in fund raising money for (his) movies than making them.
As most Levy movies, they are a waste of the German taxpayers money, funded by costly German TV-stations and funds of various state-departments.
Camera, music and set design are very good, yet each of the actors seems to have another definition of comedy and the director was unable to communicate them HIS sense of it. Topsy-Turvy in the ensemble, although some good German actors do their best (esp. Ulrich Mühe).
The absolute disaster is the screenplay. Neither comedy nor drama, it keeps searching for an identity. That's why the whole movie fails - Neither fish nor meat - just another silly joke-ridden but unfunny, pseudo-operatic flop by Dany Levy as so many before.
Chaplin (The Great Dictator) and Mel Brooks (The Producers - Frühling für Hitler) have achieved with ease, what this movie tries hard but doesn't convey at all.
Dany Levy still has to learn a very important film school lesson - screen writing (and in part directing) is just not his cup of tea.
He's much better in fund raising money for (his) movies than making them.
As most Levy movies, they are a waste of the German taxpayers money, funded by costly German TV-stations and funds of various state-departments.
The movie poster and description might lead you to believe that this was a joke-a-minute "Springtime for Hitler" comedy. But it's not. It's really more like the Nazi version of "The King's Speech," with a supposedly famed Jewish actor being forced to help Hitler make a key speech in Berlin late in the war.
I suppose there might have been a way to make this succeed as a drama, but the creators chose to go the comedy route, and there are far too many squirm-inducing scenes of questionable taste for it to be genuinely funny. I will admit that there are some humorous bits: Hitler playing with a battleship in the tub, Hitler singing a love song while accompanying himself on the Hammond organ, Hitler giving a speech in a "borrowed" mustache; but they don't make up for the "jokes" about gas chambers, "dirty Jews," etc. The writer also seems to think that watching guys say "Heil Hitler" is funny in itself. There are poignant moments involving the Jewish actor's family, and one especially good scene in which he talks on the phone to a friend who's in a concentration camp. But then we jump back to more tasteless humor.
The climactic scene has some funny lines, but the way it plays out throws a bucket of cold water on the entire project. Don't watch this if you are expecting a light comedy, or even a well-made dark comedy. If you want to laugh at Nazis, watch Mel Brooks.
I suppose there might have been a way to make this succeed as a drama, but the creators chose to go the comedy route, and there are far too many squirm-inducing scenes of questionable taste for it to be genuinely funny. I will admit that there are some humorous bits: Hitler playing with a battleship in the tub, Hitler singing a love song while accompanying himself on the Hammond organ, Hitler giving a speech in a "borrowed" mustache; but they don't make up for the "jokes" about gas chambers, "dirty Jews," etc. The writer also seems to think that watching guys say "Heil Hitler" is funny in itself. There are poignant moments involving the Jewish actor's family, and one especially good scene in which he talks on the phone to a friend who's in a concentration camp. But then we jump back to more tasteless humor.
The climactic scene has some funny lines, but the way it plays out throws a bucket of cold water on the entire project. Don't watch this if you are expecting a light comedy, or even a well-made dark comedy. If you want to laugh at Nazis, watch Mel Brooks.
Le saviez-vous
- GaffesIn one scene they refer to Blondi as a boy but Blondi was a girl.
- ConnexionsEdited into Il est de retour (2015)
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Détails
Box-office
- Budget
- 1 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 2 465 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 197 $US
- 16 août 2009
- Montant brut mondial
- 7 785 273 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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