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En fuite

Titre original : Die Flucht
  • Téléfilm
  • 2007
  • 3h
NOTE IMDb
6,4/10
629
MA NOTE
Maria Furtwängler and Stella Kunkat in En fuite (2007)
DrameGuerreL'histoireThriller

Ajouter une intrigue dans votre langueIn 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russ... Tout lireIn 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russian Red Army. He didn't and they had to flee.In 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russian Red Army. He didn't and they had to flee.

  • Réalisation
    • Kai Wessel
  • Scénario
    • Gabriela Sperl
  • Casting principal
    • Maria Furtwängler
    • Jean-Yves Berteloot
    • Tonio Arango
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    629
    MA NOTE
    • Réalisation
      • Kai Wessel
    • Scénario
      • Gabriela Sperl
    • Casting principal
      • Maria Furtwängler
      • Jean-Yves Berteloot
      • Tonio Arango
    • 10avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 1 nomination au total

    Photos

    Rôles principaux38

    Modifier
    Maria Furtwängler
    Maria Furtwängler
    • Lena Gräfin von Mahlenberg
    Jean-Yves Berteloot
    • Francois Beauvais
    Tonio Arango
    Tonio Arango
    • Heinrich Graf von Gernstorff
    Gabriela Maria Schmeide
    • Babette
    Jürgen Hentsch
    • Berthold Graf von Mahlenberg
    Hanns Zischler
    Hanns Zischler
    • Rüdiger Graf von Gernstorff
    Angela Winkler
    Angela Winkler
    • Sophie Gräfin von Gernstorff
    Max von Thun
    Max von Thun
    • Ferdinand, Graf von Gernstorff
    Josef Mattes
    • Fritz
    Stella Kunkat
    • Victoria 'Vicky'
    Michael Ginsburg
    • Mikolai
    Barbara Morawiecz
    • Oma Herta
    Marie-Luise Schramm
    • Waltraud
    Frédéric Vonhof
    • Louis
    Beate Abraham
    • Frau Meister
    Winfried Glatzeder
    Winfried Glatzeder
    • Dietrich, the Butler
    Fritz Karl
    • Stv. Gauleiter Herrmann
    Hans Brückner
    • Stabsfeldwebel Jobst
    • Réalisation
      • Kai Wessel
    • Scénario
      • Gabriela Sperl
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    6,4629
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    Avis à la une

    ennismj

    Haven't seen it yet...

    But be weary of the only review to-date.

    One should be skeptical of any claim that a film fails in that it references the crimes of Germans during WWII. While it is high time to openly talk about the refugees from the eastern territories, the sinking of the Gustloff, the allied air raids, the non-Jewish victims of the Holocaust, and the tragic fates of individual Germans, (etc.), one must do everything to prevent collectivizing Germans as victims or undermining the last 40 years of dealing with the crimes. If Germans of the war generation are victims of anything collectively, it is of their own ignorance and aggression. While German suffering must be brought into official histories and representations of that era, so as to not collectivize Germany as a nation of absolute perpetrators (then and now), we cannot lose sight of the greater picture: the majority of Germans welcomed the rise of the Nazi party and Hitler; very few did anything to resist the regime, even after they were disillusioned by the horrors of war and the crimes of the Nazis; the crimes were silenced immediately after the war, as the average German sought to move on and rebuild. Increasingly since the 1970s, and some argue not adequately until the 1990s, Germans have attempted to come to terms with these immense failures. The price has been de-emphasizing their own suffering. But focusing on the suffering they caused first is not only commendable, but the real reason they have become a leader and example in the international community! (Imagine if our president publicly apologized to the leader of another country for past crimes he/she had no involvement in, and even bowed before him!!) Germans must avoid sentimentalization and reductionism when dealing with such topics. They must maintain a critical distance and account for the greater context of WWII, or they run the risk of oversimplifying, catering to nationalistic and xenophobic entities still present, and/or undermining all they have accomplished in the way of coming to terms with their very complicated past!! If this film manages to incorporate suffering into the greater context of perpetration, all the power to it! Those who criticize it for not being comparable to a sentimental Hollywood war film in which there is a clear distinction between victim and perpetrator/ hero and villain... well, read up on German history and stop and think about your own... The world isn't that simple, why should serious, seemingly historically accurate films be????
    8goedbier

    Worth Viewing, But Missed the Mark

    This film deals with the plight of Germany's former eastern population at the end of World War II. Most Americans are unaware of the brutal and criminal expulsion of some 14 million Germans from their homes in what is now Poland. Millions of innocent men, women and children were murdered by the advancing Red Army. The Germans tried to flee, but their treks were rolled over by Soviet tanks and they were mowed down by a hail of machine gun fire. We will not discuss how the Russians treated German women. Those Germans who did not flee were forced to either become Polish or leave their homeland. Most of them decided to leave since they were already being treated like second-class citizens (examples: German language forbidden, economic sanctions, etc).

    Many people have been waiting for a film like this to break the silence. For years no one dared mention the expulsion of the Germans. German war crimes got plenty of air time, but the evil that was brought down on innocent German civilians never seemed to be of much importance.

    The film is about a woman who, at the start, is living in West Germany. She has a daughter, and after hearing that her father is sick, she moves back to East Prussia to help him. As the story moves forward, the Russians are getting closer and closer to Eastern Germany. The family decides to build a wagon and flee, which is against the law. The Nazis did not want the people to show any signs of defeatism, so they forbade the population any type of retreat.

    The film could have shown more Soviet atrocities to show what hell it really was for these poor people. The film shows some of the horror, but a couple of times it focuses back on German crimes, which we hear about every time we turn on the History Channel.

    That should suffice for a general idea of what the film is about. No spoilers are needed here. Spoilers really do ruin a film.

    Watch the movie and learn something about German history.
    2newjersian

    A soap opera instead of a tragedy

    Some people here write about Soviet "barbarism" and "genocide" against the Germans. Really? Almost 14 million Soviet civilians died in that war.

    German soldiers committed inhuman atrocities in the Russian land.

    On the other side, German civilian population losses were about 2 million, mostly from the American-British airstrikes.

    This movie doesn't show much suffering. I was 4 years old when my family fled Moscow in October 1941. I can tell the creators of this soap opera what REAL suffering means.

    Germans claim that Soviet soldiers raped about 2 million German women. Maybe next time when Germans are poised to start another war they will think more about the plight of their wives and daughters.
    10wvisser-leusden

    Epic and historically correct

    In 1933 Germany elected Adolf Hitler as Reichschancellor, and with him came the downright criminal Nazi-government. Among many other atrocities, Hitler started the most devastating war in history of mankind: his campaign against Stalin's Communist Soviet Union. The year was 1941.

    Inspired by genuine racism, the Germans behaved terribly in the part of the Soviet Union occupied by them. Consequently Soviet revenge was equally terrible when in January 1945 Stalin's victorious army invaded East Prussia, Germany's most Eastern province. To make things worse, Hitler stubbornly refused to evacuate East Prussia's civil population.

    'Die Flucht' (= German for 'the flight, the escape') is about this invasion. I am impressed by the historical correctness applied by the German filmmakers: after all, for many Germans the loss of East Prussia still is a highly emotional issue. Add to that the excellent quality of its shooting and acting, and all these ingredients make 'die Flucht' an epic and excellent film.
    8wind_highlander

    Why are we so ashamed to understand that we are humans too?

    You see, it is different to be an American than to be a German. Americans won the war. Germans lost it. I've had to deal all my life with my father's flight from Silesia to South America running away from the Russians. You never had bombs falling on your head. You were not an East Prussian, A Silesian... You didn't live in Dresden when the bombers came. You didn't loose your home, your parents, your sons, your neighbors, your country. But my family does know because it was there.

    When I read your words, as well intentioned as they may be, I understand why the History Channel shows so many American and British WWII aces shooting down German pilots to bring peace and order to the world. Because they were right. Because they were good. Because there's no doubt that their goodness and rightness was the real goodness and the real rightness that, thank God, won over evil and reigns victorious in the world today...

    Because that's what you think, isn't it? It gives you peace and so does it to many millions more. How good you can sleep at night and teach those that were directly underneath your bombs how to behave today. Because, that's all too clear, they have still a lot to learn, a lot not to forget. Keep your righteous words coming. The world needs them. We Germans need them. We are eager to hear them. Thank you so very much! By the way... I loved the film. Though it saddened me deeply to watch it.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The drama's first part drew an audience of 11.18 million viewers in Germany, making it the network's most successful movie for the last 10 years.
    • Gaffes
      When riding with Magdalena in January 1945 Berthold Count von Mahlenberg quotes Hans von Lehndorf by saying "Never was the light so strong, the sky so high, the distance so powerful". These words however are in the introduction of his book "East Prussian Diary" which was released in 1961.
    • Connexions
      Referenced in Neues aus der Anstalt: Jahresabschluss-Therapie (2007)

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    Détails

    Modifier
    • Date de sortie
      • 2 mars 2007 (France)
    • Pays d’origine
      • Allemagne
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • March of Millions
    • Lieux de tournage
      • Bavaria, Allemagne
    • Sociétés de production
      • ARD Degeto Film
      • ARTE
      • Bayerischer Rundfunk (BR)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 3h(180 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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