Ong-Bak 2, la naissance du dragon

This followup to the hit Ong Bak has nothing to do with the original Ong Bak, and it seems like the producers were simply trying to cash in on the name, but boy- why did they have to? This movie stands upto itself on its own. Tight editing, lots of superb fight sequences, lots of innovative battle techniques, minimal storyline meaning minimal time wasted on anything but the raw action that we are there to see; all makes it a great movie impossible to miss. You get glued to your seat and wont even blink. Somebody wrote he was bored, which I tried hard to understand- but couldn't. Man, action movies don't get bigger or better than this. Its like Gladiator meets Apocalypto meets Rambo, only better. Raw gut wrenching intensity makes it a pleasure to watch. Don't miss this.

Normally I would open with a plot summary when I write a review – not always but a lot of the time. With Ong Bak 2 I'm not sure I can be bothered or even that I should be because the plot here is so thin and so uninvolving that it is hardly worth the text. Essentially a child is rescued by pirates and grows up to be a great fighter, robbing and killing as they do. However when memories are triggered of his past he sets out for revenge , bringing secrets out into the open. In fairness, in those last two sentences I have made it sound more interesting than it actually is because I have suggested there is a flow to the narrative whereas in actuality the film is two of three "stages" that just suddenly move between one and the other. It is remarkably basic and, in terms of plot, remarkably poor. It isn't helped either by the fact that the entire film has a very serious dark tone to it – making it almost a weighty revenge tragedy. Now, I have no problem with that in theory but the problem here is that it doesn't do anything to justify that tone, nor does it do much to make it fit.

It really needed the characters to be engaging and real for the audience to care but there are no characters to talk about. Amazingly even the main character of Tiang is poorly developed. A massive part of this is the small amount of dialogue in the film – indeed by the time you have read to the bottom of this review you will have read more words than are spoken in this film. Of course silent films could still make a plot a character so it is not the end of the world but it does hurt the film because with a weak plot and weak characters the lack of dialogue is even more telling. Fortunately the one saving grace of the film fills the vast majority of the running time – the action. Aside from the "sombre" moments between scenes there are plenty of great action sequences involving weapons of all types. They are impressive and quite exciting at times and the only rider I would put on that is that they are not as much "fun" as the action has been in some of Jaa's other films. That said, it is worth seeing the film for the action alone – which, when you think about it, is just as well.

In terms of Jaa himself one really has to wonder what he is doing with his career because if films are to be his thing moving forward, then why does he appear to be going backwards in all of the aspects this involves excepting the action? In his previous films I have noted he is not very comfortable with lines and that any comic moment escapes him. Here it feels like those working with him have just given up totally and have allowed him to do little other than fight – he barely has a line in the film and any "plot/character development" stuff is done by the child playing his character while Jaa himself looks into a fire in a "remembering" pose. It is weird but it is part of the reason the film doesn't engage as much as I had hoped – because the main character is little other than a stunt man, albeit a very good stunt man. I'm sure fans will hate me for that and not see my point but the thing is, if he is going to continue making films in Thailand (far less films that can perform abroad) then he needs more than the impressive martial arts skills he has. He needs good vehicles, he needs to work on his many weaknesses as an actor and he needs to have a supporting cast that can fill the gaps that he cannot (such as in Ong Bak). At the moment Ong Bak 2 just looks like they are happy to film him fighting and leave it at that, which I think is a real shame because this only makes for great action – not a great film. Although he did a good job directing the film in some regards, this is probably a mistake because he cannot do anything about his own failings as a performer.

Ong Bak 2 is a technically brilliant martial arts film with plenty for the weapons fan to love. However as a film it is really quite poor thanks to a thin plot, little dialogue and even less in the way of characters. The action makes it worth seeing but even fans will be hoping for a bit of a better product built around this. I continue to pay out to import Jaa's films because he is great at what he does but I hope that he can improve in other areas to make better total films rather than this type of thing again.

The movie is wonderful, to the point and did not mess-up up with too much story and dialogs.

The movie shows tony ja's wish to cover the major martial art skills such as Chinese kung fu, Japanese Samurai, Ninja, Muay Thai, Drunken kungfu etc.,

The fight sequences are brilliant, rough and the art of Drunken fighting is shown perfectly as you will see the real essence unlike that of older movies which have portrayed it as a funny martial art. tony ja's love for elephants is obvious(Thailand's national animal).

overall 9/10 (-1 if there is no sequel) one can obviously see that even though the movie is tony ja's first direction it is very maturely taken and it's sure that it makes you feel like there should be some more at the end but The movie is unfinished as tony and the producers had some unknown clashes behind the scenes.

Yet the movie is full of brilliant fights and you will surely be satisfied while expecting for a sequel.

Set in 15th Century Thailand, the subtitled "Ong Bak: 2" brings little that is new to the martial-arts genre - but a barrel load of impressive fight scenes and an authentic look make it worthwhile viewing for the aficionado. It's the oldie about a young boy who is trained to become a righteous warrior, standing up for the innocent and the helpless against a cruelly oppressive regime.

As noted, there isn't much in the way of storytelling, dialogue and characterization to distinguish "Ong Bak: 2" from the countless other films in this category, but the battle scenes are impressively staged and mounted, with a brutality that, while it makes them hard to watch at times, seems an accurate reflection of the era in which it's set. Moreover, directors Panna Rittikrai and Tony Jaa (who plays the lead role) never feel the need to prettify the setting, offering up a screen full of snaggle-toothed, matted-locked extras to go along with all the muck and mud.

Tien, ace martial arts fighter and tamer of elephants, takes on a half-a-dozen opponents at a time, slicing-and-dicing and karate-chopping them into the dust, only to have them rise again to face a second, third, even fourth humiliating go-round at his punishing hands. It's 100% absurd and just about everything a die-hard martial arts fan could wish for from such a film.

Tony Jaa is back in his first directorial effort (co-directing to be more specific) and the man delivers everything you would expect from a solid martial arts flick, and then some more.

The spiritual sequel to Ong Bak is quite an ambitious film, showing a wide diversity of fighting styles, using ancient thai history as the background. Jaa has certainly done his homework, because the movie has a strong old school HK vibe, but with a crude and gritty look. The plot is pretty much your standard martial arts/shaw bros 101 premise: hero takes revenge of his fallen comrades/family and so on, he begins as a weak victim to transform into a kick-ass machine. Nothing that any respectable MA movie aficionado haven't seen before, but the movie does it right and believable enough to engage the viewer. Not a complex story, but the motivations of the characters are convincing enough to move things on.

The fight sequences are effective, never repetitive and quite intense. I mean, if you can't enjoy a movie that has everything from crocodile fights to ninjas, samurais, elephants, people fighting like crows and leopards, a guy that throws daggers and another guy that uses explosives then you might want to report back to mother ship, because the goods of this planet are just too much for you. The abrupt ending, while anti-climatic, doesn't kill the mood of the film.

Far better from what anyone could expect, no idea why this go trashed by some people. Is no classic but it's a perfectly decent time waster. Which is more from what it can be say about other movies stuffing multiplexes these days.