Black Sheep

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.

I saw this for the first time in 2007 on a dvd which I own. Revisited it recently with my nephew.

The film has beautiful n serene landscapes juxtaposed by oodles of gore n unpleasant stuff.

The girl named Experience reminded me of a very young Amber Heard.

While revisiting it, the haggis scene reminded me of a dialogue from Prime Cut where Lee Marvin taunts Gene Hackman about offal.

I haven't the opportunity to follow many New Zealand movies, besides the recent memory of Sione's Wedding and In My Father's Den, both of which were of different genres, and mighty enjoyable. Written and directed by Jonathan King (who is also writing the Raintree produced movie The Tattooist), Black Sheep takes the well-established genre of zombie movies, and with its fusion of local flavour, presents its own worthy take in giving us the attack of the killer sheep.

Meh!

It's a crazy idea, but heck, I admit it was sheer wicked and twisted fun watching the usually docile (and may I say dumb?) animals turn the tables on us humans, and start going on a berserk rampage to munch on our flesh. Watching them hunt in packs was surreal, and happens to be one of the nightmares of Henry Oldfield (Nathan Meister), who develops a phobia of our woolly friends after his brother Angus (Peter Feeney) played a cruel joke on him. The film fast forwards to the adult brothers, where the latter is planning to unveil his new "perfect" Oldfield sheep, and selling off the farm - why need the space when you can genetically engineer them?

Before you say, oh this is yet another movie which warns about the dangers and questions the ethics behind tinkering with genetics, you would probably think again when it made the environmental activists folks look like social outcasts, and totally bumbling, indirectly contributing to the zombie sheep phenomenon. I liked how the problem became two- pronged, in that the sheep became infected of course, and how its bite is now its worst weapon. And I'd bet you'll never look at another sheep, especially the baby ones, in the same light again, ha!

The plot's fairly straightforward to follow, with its villains (the scientists and of course, the raging sheep) and its heroes clearly spelt out - Henry, his farm hand Tucker (Tammy Davis), housekeeper Mrs Mac (Glenis Levestam), and an activist with an interest in Asian fengshui and zen sayings, called, check this out - Experience (Danielle Mason), who together actually form quite a lovable team whom you'll root for to get out of this mess.

With the animatronics and special effects done by Weta Workshop, you can expect some top notch gore, though I thought that despite it being a zombie flick, it lacked copious amounts of blood splatter. Chewing raw flesh may be stomach curling, especially when the details of such dastardly deeds are not spared, and the camera lingers. Transformational scenes were also fun yet eerie to watch, and if you think you've seen the best of these scenes from various werewolf movies, wait till you get a load from this one!

Black Sheep makes no apology to its violence, sexual innuendoes or toilet humour. In fact, it celebrates them, to tragic-comedic effect. However it knew how to rein itself in, and the farting-sheep-shagging jokes never goes into overdrive. The acts of violence too had a fair share left to the imagination, though I thought there probably was some scrimping in expected chase and attack sequences. If you're in for some light entertainment, then Black Sheep is probaaably your wicked choice for the week.

Black sheep is a New Zealand film about a farmer who's been conducting genetic experiments on sheep in a weird breeding programme, when two activists accidentally release some of the radioactive material all hell breaks loose. With effects provided by Peter Jackson's Weta studios this is a daft horror much like his early work 'Braindead' and 'Bad Taste'. There is blood galore, mutant flesh eating sheep, human-ram hybrids and silly jokes and it definitely doesn't take itself too seriously. Packed full of clichés and homage's to other films, look out for the 'American Werewolf in London' take off, it is at times quite funny but ultimately the story is nothing new and only just manages to hold your interest between sheep attacks. If you want a no-brainer and a bit of a laugh and a groan then you will probably like this movie but stay away if you want highbrow because Shakespeare this isn't. They are coming to get ewe so get out the mint sauce.

This woolly New Zealand splatter comedy hasn't got quite the same wit and originality as Jackson's Braindead, but in itself, it's a fun ride, no matter whether you love sheep or detest them.

The director finds the right balance between spoofing the genre and taking it seriously, which results in scenes being both mordantly funny and comically repulsive at the same time.

The plot's mere window-dressing to present one hilarious sheep incident after another. And some jokes work wonders in a childish sort of way.

A silly fun movie through and trough.

6 out of 10 were-sheep