Samuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables ... Tout lireSamuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables dans le monde entier.Samuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables dans le monde entier.
- Réalisation
- Scénario
- Casting principal
- Hog Tied Man
- (as Jeffrey Hallman)
Avis à la une
BUT... Well, if the director had made a movie out of the book, it would have been amazing. If the movie had any of the most notable and required pieces of the plot it would have been amazing. If the director had even read anything to do with the book, even the dust jacket, it would have been amazing. But he didn't, he didn't, he didn't.
SO... The movie sucked. I don't like to use that type of "language" when reviewing anything, but there is no other choices here. Everything about the movie was wrong and I gave it a lot of room, a lot of space to make errors and not flow the same. Because ultimately you want to be surprised by the movie. You ultimately want the director to make it his own just a little bit, put his spin on something and have it shine even more. And I did, I watched the movie to the very end. Checked behind the credits and everything. And now I wish I would have gone on for the rest of my life without knowing this movie existed.
IF... Now one might think by my review that had you not read the book, you might have liked it but sadly that is not true. This is not only the worst adaptation of a book ever, but it is also just poorly put together, scripted, acted, and there is no redeemable quality anywhere.
Such as... The sound effects were horrible, the video tried to be dark and creepy, but it was just bland. There was very little action or scare factor other than some BOO moments from the "zombies type people." If you didn't see something coming from a mile away it is because it made no sense. The ending was a little baffling on how horrible it was. I mean I am actually trying to think of one thing. Just one that I can say and would take this movie from a 1 star to at least a 1.5 star. But I can't. I can't think of a single thing that I can look back on and say that was cool/nice/awesome/not terrible.
Lastly... So I will leave you with this. I am actually praying that I reach you before you watched this movie. I am hoping one of your not nice friends didn't play a prank on you and made you pay for this movie. It is my desire that this review has reached you before you have wasted one single heartbeat within the vicinity of this horrible, horrible film mistake. And I thank you for reading my review and I am sorry to those that I did not reach in time.
Joshua Kyte
At first I thought it was some kinda B movie despite the big names (maybe Samuel L. Jackson and John Cusack have taken the path of Nicolas Cage?) and the level of production. Then, to my surprise, I discovered this was a Stephen King adaptation, and not the brainchild of some wannabe King.
Something's extremely off. Hard to put a finger on it at first look, but the director seems to have forgotten to set a particular mood and pace for the material in hand. This is so rushed it fails to be taken seriously. Even less credible an outcome than Zombie parodies.
And to top it: I believe it requires some kind of special talent to have Samuel L. Jackson as a lead in a movie and still not even manage to make the outcome even moderately entertaining.
I may not even make it till the end.
This movie is the closest we're going to get to a sequel to Maximum Overdrive from Stephen King, and it's actually pretty close. Instead of a bunch of disparate stragglers surviving in a world where humanity is overrun by machines being controlled by an alien force, we get a bunch of disparate stragglers surviving in a world where humanity is overrun by people being controlled by an alien force. So it also dips into Walking Dead knock-off territory, where everyone who uses their phone basically becomes a fast zombie; but on the plus side, this still has a lot of King vibes in it.
Do you ever think about horror movies after seeing them and realize, if you view the film from the evil supernatural side of things, its motives make no sense? Like, "if the demon spirit wanted to possess the little girl before anyone could figure out what was going on and stop it, why did it spend the first 45 minutes terrorizing the babysitter and attracting needless attention to itself?" Well, this movie is like that: if you think about whatever mysterious intelligence is behind what's happening, what it decides to make the people it controls do doesn't really add up. But this movie goes the extra step, where you don't even have to do the thought experiment and shift perspectives to see that this movie regularly makes no sense.
It's like King wrote down his dream and these people filmed it. And that's kinda cool if you're prepared to view this film like Kurosawa's Dreams or Fulci's The Beyond. If broken and contradictory logic is going to bother you, you're going to be kicking a hole in your monitor. And for all the fun King brings to his work, there's also his usual flaws. In this case: hokey characters. DJ Liquid? The "you're cute" lady? The King Of the Internet? But it's also kind of charming in a "King's our lovable grandpa who writes these crazy stories" kinda way, and this film gets past them easily enough with plenty of fast paced action and shocking violence.
Other pros: Sam Jackson and John Cusack give their roles more weight than the script deserves. You actually care if they survive and worry for them in a way most lesser films don't manage. Stacy Keach shows up for a bit of fun, too. The story's also ambitious, playing with big ideas and isn't afraid to get pretty dark and cynical, which is nice to see in a more mainstream horror film with a name cast.
Other cons: Most of the down to Earth effects are fine (zombies, gore), but it tries to depict some very big things that clearly just aren't in its budget. There's a scene right in the very beginning where an airplane explodes, which they really should've left off-camera, because it really looks super fake. And some shots in the film's climax look like a cartoon.
Look, this is a heavy-handed movie for technophobes. Everyone who uses their cellphone turns into a mindless zombie. Characters walk through a brand new movie theater with a giant sign advertising "now with digital Projection," and then immediately into a drive-in movie lot. Keach gives a big dramatic reading to the line, "you can't stop progress, but you're never too old to fight it" before firing a bow and arrow. There's nothing subtle for miles around, and I'm sure we all know someone, probably older, who'll applaud the scene where people throw their smart phones into a fire, thinking finally someone else understands that change and technology are evil.
But for the rest of us, it's a pretty amusing, entertaining time so long as you're willing to not question anything it throws at you. Fast paced, loads of thrills, our protagonists walk around with armfuls of weapons and ammo; and yet the film takes itself seriously enough that it never starts to feel like a bad joke. Silly sure, but earnest. All it needed was a rockin' AC/DC soundtrack.
We were getting John Cusack and Samuel L Jackson. How could they not make an amazing movie.
I waited eagerly to view this long anticipated adventure and thought the day would never arrive when I could get the chance to see it.
Then I did.
Firstly it has very little in common with the book I read. the book is very clever and draws you into the story. The movie is not clever and the story is thrown at us.
In The book we care about all the characters. In the movie we don't.
I have to admit I walked out before the end. I just couldn't take anymore.
Why oh why did they not just stick to the books narrative.
I know you have to cut corners but they didn't cut corners, they invented new corners that had nothing to do with the story.
I love Stephen King and have read all of his books but I'm tired of seeing them butchered by Movie makers who just don't understand the story.
Save your money. Don't even bother renting this movie.
Watch TV instead.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
Le saviez-vous
- AnecdotesAmong many differences from the source material, in the book, the zombie-like infected continue to have their brains re-written every night and evolve further psychic abilities, including telekinesis, which allows them to fly. This is explained as the infection having unlocked the human brain's latent supernatural potential. This idea is only vaguely alluded to in the film when the survivors of the boys school explain that the human brain is like a computer and that this could be the next stage in human evolution.
- GaffesOn Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
- Citations
Tom McCourt: Clay, I'm really sorry about your family.
Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.
- Crédits fousAfter the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
- ConnexionsFeatured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
- Bandes originalesI am glad, I am very glad, because i'm finally returning back home
aka "Trololo song"
Music by Arkadiy Ostrovskiy
Performed by Eduard Khil
Meilleurs choix
- How long is Cell?Alimenté par Alexa
- What is the title of the poem recited by Samuel L. Jackson's character in the office of open air cinema?
- What is 'Cell' about?
- Is 'Cell' based on a book?
Détails
Box-office
- Montant brut mondial
- 1 323 012 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39:1