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Cell Phone

Titre original : Cell
  • 2016
  • 16
  • 1h 38min
NOTE IMDb
4,4/10
32 k
MA NOTE
John Cusack and Samuel L. Jackson in Cell Phone (2016)
At the Boston airport, Clay witnesses a scene of chaotic mayhem when an electronic signal turns hundreds of cell phone users into rabid killers. Desperate to find his estranged wife and son, Clay teams with a train driver to battle the horde of murderous "phoners" as the city descends into apocalyptic madness.
Lire trailer2:31
4 Videos
47 photos
Dystopian Sci-FiZombie HorrorActionAdventureHorrorSci-FiThriller

Samuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables ... Tout lireSamuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables dans le monde entier.Samuel L. Jackson et John Cusack prennent les armes dans ce thriller apocalyptique de Stephen King sur un mystérieux signal qui reprogramme l'esprit des utilisateurs de téléphones portables dans le monde entier.

  • Réalisation
    • Tod Williams
  • Scénario
    • Stephen King
    • Adam Alleca
  • Casting principal
    • John Cusack
    • Samuel L. Jackson
    • Isabelle Fuhrman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,4/10
    32 k
    MA NOTE
    • Réalisation
      • Tod Williams
    • Scénario
      • Stephen King
      • Adam Alleca
    • Casting principal
      • John Cusack
      • Samuel L. Jackson
      • Isabelle Fuhrman
    • 345avis d'utilisateurs
    • 142avis des critiques
    • 38Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos4

    Official Trailer
    Trailer 2:31
    Official Trailer
    Cell: Airport Outbreak
    Clip 1:49
    Cell: Airport Outbreak
    Cell: Airport Outbreak
    Clip 1:49
    Cell: Airport Outbreak
    Cell: Meeting Alice
    Clip 1:53
    Cell: Meeting Alice
    Cell: Middle Of The Night
    Clip 0:35
    Cell: Middle Of The Night

    Photos46

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    + 41
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    Rôles principaux99+

    Modifier
    John Cusack
    John Cusack
    • Clay Riddell
    Samuel L. Jackson
    Samuel L. Jackson
    • Tom McCourt
    Isabelle Fuhrman
    Isabelle Fuhrman
    • Alice Waxman
    Clark Sarullo
    Clark Sarullo
    • Sharon Riddell
    Ethan Andrew Casto
    Ethan Andrew Casto
    • Johnny Riddell
    Owen Teague
    Owen Teague
    • Jordan
    Stacy Keach
    Stacy Keach
    • Charles Ardai
    Joshua Mikel
    Joshua Mikel
    • Raggedy
    Anthony Reynolds
    Anthony Reynolds
    • Ray
    Erin Elizabeth Burns
    Erin Elizabeth Burns
    • Denise
    Jeffrey Lee Hallman
    Jeffrey Lee Hallman
    • Hog Tied Man
    • (as Jeffrey Hallman)
    Mark Ashworth
    Mark Ashworth
    • Bartender
    Wilbur Fitzgerald
    Wilbur Fitzgerald
    • Geoff
    Catherine Dyer
    Catherine Dyer
    • Sally
    E. Roger Mitchell
    E. Roger Mitchell
    • Roscoe
    Alex ter Avest
    Alex ter Avest
    • Chloe
    Gaby Leyner
    Gaby Leyner
    • Maddy
    Rey Hernandez
    Rey Hernandez
    • Cop (Rick)
    • Réalisation
      • Tod Williams
    • Scénario
      • Stephen King
      • Adam Alleca
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs345

    4,432.1K
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    Avis à la une

    5cosmo_tiger

    Not terrible and this is worth seeing, but I just feel it could have been so much more than another in the line of zombie movies

    "Quite a problem these cell phones have caused." Clay Riddell (Cusack) has just landed and is talking to his wife about getting together with his kid again. When his phone dies he begins to look for change when all of a sudden he hears screaming and everyone in the airport falls to the ground. What happens next is unthinkable and now, in a type of post apocalyptic world Clay and a small group of survivors try to make it back to his family, before it's too late. I had no idea what to expect from this movie. I liked the fact that it was a Stephen King book, though I never read it, and the idea of technology leading to some sort of downfall is scary in its possibility. All of the excitement started to slowly fade away when the movie fell into what it really was… another zombie movie. The symbolism of cell phones turning people into zombies wasn't lost on me and the movie did have a message in that sense, but it essentially became just another generic zombie movie. Overall, not terrible and this is worth seeing, but I just feel it could have been so much more than another in the line of zombie movies. I give this a B-.
    1joshuakyte-60400

    Worst Adaptation Ever

    First... I did not know anything about this awesome, and I can't say that enough, awesome book becoming a movie. I have had to read this book at least 10 times over the last few years and some of my most favorite life quotes came from this book. So when I saw this as a movie and John as the main role I knew it was going to be amazing. I mean if I could cast the main character myself it would be John.

    BUT... Well, if the director had made a movie out of the book, it would have been amazing. If the movie had any of the most notable and required pieces of the plot it would have been amazing. If the director had even read anything to do with the book, even the dust jacket, it would have been amazing. But he didn't, he didn't, he didn't.

    SO... The movie sucked. I don't like to use that type of "language" when reviewing anything, but there is no other choices here. Everything about the movie was wrong and I gave it a lot of room, a lot of space to make errors and not flow the same. Because ultimately you want to be surprised by the movie. You ultimately want the director to make it his own just a little bit, put his spin on something and have it shine even more. And I did, I watched the movie to the very end. Checked behind the credits and everything. And now I wish I would have gone on for the rest of my life without knowing this movie existed.

    IF... Now one might think by my review that had you not read the book, you might have liked it but sadly that is not true. This is not only the worst adaptation of a book ever, but it is also just poorly put together, scripted, acted, and there is no redeemable quality anywhere.

    Such as... The sound effects were horrible, the video tried to be dark and creepy, but it was just bland. There was very little action or scare factor other than some BOO moments from the "zombies type people." If you didn't see something coming from a mile away it is because it made no sense. The ending was a little baffling on how horrible it was. I mean I am actually trying to think of one thing. Just one that I can say and would take this movie from a 1 star to at least a 1.5 star. But I can't. I can't think of a single thing that I can look back on and say that was cool/nice/awesome/not terrible.

    Lastly... So I will leave you with this. I am actually praying that I reach you before you watched this movie. I am hoping one of your not nice friends didn't play a prank on you and made you pay for this movie. It is my desire that this review has reached you before you have wasted one single heartbeat within the vicinity of this horrible, horrible film mistake. And I thank you for reading my review and I am sorry to those that I did not reach in time.

    Joshua Kyte
    muratmihcioglu

    Y'know what's missing? The correct mood and the correct pace

    Watching it right now on Rai2, dubbed in Italian.

    At first I thought it was some kinda B movie despite the big names (maybe Samuel L. Jackson and John Cusack have taken the path of Nicolas Cage?) and the level of production. Then, to my surprise, I discovered this was a Stephen King adaptation, and not the brainchild of some wannabe King.

    Something's extremely off. Hard to put a finger on it at first look, but the director seems to have forgotten to set a particular mood and pace for the material in hand. This is so rushed it fails to be taken seriously. Even less credible an outcome than Zombie parodies.

    And to top it: I believe it requires some kind of special talent to have Samuel L. Jackson as a lead in a movie and still not even manage to make the outcome even moderately entertaining.

    I may not even make it till the end.
    5DVDExotica

    For Us, It's a Horror Film. For Our Grandparents, It's a Documentary

    Okay, people are going to tell you that this movie is dumb and corny and frustrating. Don't listen to them. Admittedly, they're absolutely right, but don't listen to them anyway.

    This movie is the closest we're going to get to a sequel to Maximum Overdrive from Stephen King, and it's actually pretty close. Instead of a bunch of disparate stragglers surviving in a world where humanity is overrun by machines being controlled by an alien force, we get a bunch of disparate stragglers surviving in a world where humanity is overrun by people being controlled by an alien force. So it also dips into Walking Dead knock-off territory, where everyone who uses their phone basically becomes a fast zombie; but on the plus side, this still has a lot of King vibes in it.

    Do you ever think about horror movies after seeing them and realize, if you view the film from the evil supernatural side of things, its motives make no sense? Like, "if the demon spirit wanted to possess the little girl before anyone could figure out what was going on and stop it, why did it spend the first 45 minutes terrorizing the babysitter and attracting needless attention to itself?" Well, this movie is like that: if you think about whatever mysterious intelligence is behind what's happening, what it decides to make the people it controls do doesn't really add up. But this movie goes the extra step, where you don't even have to do the thought experiment and shift perspectives to see that this movie regularly makes no sense.

    It's like King wrote down his dream and these people filmed it. And that's kinda cool if you're prepared to view this film like Kurosawa's Dreams or Fulci's The Beyond. If broken and contradictory logic is going to bother you, you're going to be kicking a hole in your monitor. And for all the fun King brings to his work, there's also his usual flaws. In this case: hokey characters. DJ Liquid? The "you're cute" lady? The King Of the Internet? But it's also kind of charming in a "King's our lovable grandpa who writes these crazy stories" kinda way, and this film gets past them easily enough with plenty of fast paced action and shocking violence.

    Other pros: Sam Jackson and John Cusack give their roles more weight than the script deserves. You actually care if they survive and worry for them in a way most lesser films don't manage. Stacy Keach shows up for a bit of fun, too. The story's also ambitious, playing with big ideas and isn't afraid to get pretty dark and cynical, which is nice to see in a more mainstream horror film with a name cast.

    Other cons: Most of the down to Earth effects are fine (zombies, gore), but it tries to depict some very big things that clearly just aren't in its budget. There's a scene right in the very beginning where an airplane explodes, which they really should've left off-camera, because it really looks super fake. And some shots in the film's climax look like a cartoon.

    Look, this is a heavy-handed movie for technophobes. Everyone who uses their cellphone turns into a mindless zombie. Characters walk through a brand new movie theater with a giant sign advertising "now with digital Projection," and then immediately into a drive-in movie lot. Keach gives a big dramatic reading to the line, "you can't stop progress, but you're never too old to fight it" before firing a bow and arrow. There's nothing subtle for miles around, and I'm sure we all know someone, probably older, who'll applaud the scene where people throw their smart phones into a fire, thinking finally someone else understands that change and technology are evil.

    But for the rest of us, it's a pretty amusing, entertaining time so long as you're willing to not question anything it throws at you. Fast paced, loads of thrills, our protagonists walk around with armfuls of weapons and ammo; and yet the film takes itself seriously enough that it never starts to feel like a bad joke. Silly sure, but earnest. All it needed was a rockin' AC/DC soundtrack.
    1carlcasso

    What Book Did They Read ???????

    I remember reading this book and thinking what an amazing Movie it would make. With the right cast and script I knew this could be a winner. I waited for someone to make it and finally they did.

    We were getting John Cusack and Samuel L Jackson. How could they not make an amazing movie.

    I waited eagerly to view this long anticipated adventure and thought the day would never arrive when I could get the chance to see it.

    Then I did.

    Firstly it has very little in common with the book I read. the book is very clever and draws you into the story. The movie is not clever and the story is thrown at us.

    In The book we care about all the characters. In the movie we don't.

    I have to admit I walked out before the end. I just couldn't take anymore.

    Why oh why did they not just stick to the books narrative.

    I know you have to cut corners but they didn't cut corners, they invented new corners that had nothing to do with the story.

    I love Stephen King and have read all of his books but I'm tired of seeing them butchered by Movie makers who just don't understand the story.

    Save your money. Don't even bother renting this movie.

    Watch TV instead.

    Stephen King Movies Ranked by IMDb Rating

    Stephen King Movies Ranked by IMDb Rating

    See how IMDb users rank the feature films based on the work of Stephen King.
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Among many differences from the source material, in the book, the zombie-like infected continue to have their brains re-written every night and evolve further psychic abilities, including telekinesis, which allows them to fly. This is explained as the infection having unlocked the human brain's latent supernatural potential. This idea is only vaguely alluded to in the film when the survivors of the boys school explain that the human brain is like a computer and that this could be the next stage in human evolution.
    • Gaffes
      On Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
    • Citations

      Tom McCourt: Clay, I'm really sorry about your family.

      Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.

    • Crédits fous
      After the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
    • Connexions
      Featured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
    • Bandes originales
      I am glad, I am very glad, because i'm finally returning back home
      aka "Trololo song"

      Music by Arkadiy Ostrovskiy

      Performed by Eduard Khil

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    FAQ

    • How long is Cell?
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    • What is the title of the poem recited by Samuel L. Jackson's character in the office of open air cinema?
    • What is 'Cell' about?
    • Is 'Cell' based on a book?

    Détails

    Modifier
    • Date de sortie
      • 10 juin 2016 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • L'appel des zombies
    • Lieux de tournage
      • Atlanta, Géorgie, États-Unis
    • Sociétés de production
      • The Genre Co.
      • Benaroya Pictures
      • 120dB Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 1 323 012 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39:1

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