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Jonestown: The Life and Death of Peoples Temple

  • 2006
  • 1h 26min
NOTE IMDb
7,8/10
5,7 k
MA NOTE
Jim Jones in Jonestown: The Life and Death of Peoples Temple (2006)
Home Video Trailer from PBS
Lire trailer1:57
3 Videos
8 photos
DocumentaryHistory

Ajouter une intrigue dans votre langueFeaturing never-before-seen footage, this documentary delivers a startling new look at the Peoples Temple, headed by preacher Jim Jones who, in 1978, led more than 900 members to Guyana, whe... Tout lireFeaturing never-before-seen footage, this documentary delivers a startling new look at the Peoples Temple, headed by preacher Jim Jones who, in 1978, led more than 900 members to Guyana, where he orchestrated a mass suicide via tainted punch.Featuring never-before-seen footage, this documentary delivers a startling new look at the Peoples Temple, headed by preacher Jim Jones who, in 1978, led more than 900 members to Guyana, where he orchestrated a mass suicide via tainted punch.

  • Réalisation
    • Stanley Nelson
  • Scénario
    • Marcia Smith
    • Noland Walker
  • Casting principal
    • Rebecca Moore
    • Janet Shular
    • Tim Carter
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    5,7 k
    MA NOTE
    • Réalisation
      • Stanley Nelson
    • Scénario
      • Marcia Smith
      • Noland Walker
    • Casting principal
      • Rebecca Moore
      • Janet Shular
      • Tim Carter
    • 29avis d'utilisateurs
    • 29avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos3

    Jonestown: The Life and Death of Peoples Temple
    Trailer 1:57
    Jonestown: The Life and Death of Peoples Temple
    Jonestown Scene: Clip 2
    Clip 3:06
    Jonestown Scene: Clip 2
    Jonestown Scene: Clip 2
    Clip 3:06
    Jonestown Scene: Clip 2
    Jonestown Scene: Clip 1
    Clip 1:26
    Jonestown Scene: Clip 1

    Photos7

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    Rôles principaux35

    Modifier
    Rebecca Moore
    • Self
    Janet Shular
    • Self
    Tim Carter
    Tim Carter
    • Self
    Stanley Clayton
    • Self
    Hue Fortson Jr.
    • Self
    Garrett Lambrev
    • Self
    Claire Janaro
    • Self
    Neva Sly Hargrave
    Neva Sly Hargrave
    • Self
    Deborah Layton
    Deborah Layton
    • Self
    Phyllis Wilmore Zimmerman
    • Self
    Chuck Wilmore
    • Self
    John R. Hall
    • Self
    Tim Reiterman
    Tim Reiterman
    • Self
    June Cordell
    • Self
    Eugene Cordell
    • Self
    Garnett Day
    • Self
    • (as Rev. Garnett Day)
    Fielding McGehee
    • Self
    Joyce Shaw-Houston
    • Self
    • Réalisation
      • Stanley Nelson
    • Scénario
      • Marcia Smith
      • Noland Walker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

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    Avis à la une

    10mattmwagar

    powerful

    I saw this film Tuesday afternoon at the San Francisco International Film Festival and it was amazing. It had a running time of approx. 90 minutes but I'm not really sure because I couldn't take my eyes off of the screen. The film unfolds chronologically and covers the formative years of Jim Jones' life and the birth, rise and eventual demise of the People's Temple. The story is told through interviews with the surviving members of the People's Temple, their family members and the survivors of Congressman Leo Ryan's ill-fated trip to Guyana. The director of the film forces us to look at the People's Temple on it's own merits and set aside the preconceived notions we have regarding the "mass suicide" and the tired notion that the members of the church were cult members who enthusiastically drank cyanide laced kool-aid to ascend to heaven. The former members of the church come off as enlightened idealists who were searching for a life with meaning in a society that ignored them because of their poverty or the color of their skin and they found their champion in Jim Jones. This film doesn't ask questions and answer them; it provides you w/ information and you are forced to disseminate it yourself. We get to see Jones for what he was: a father, a political power broker, old time preacher, son of a dysfunctional family, molester, savior, integrationist and killer.The camera doesn't pass judgment on history it just records it. This documentary fills in the gaps of a story that we thought knew. The music, archival photos and film footage used are amazing. I would highly recommend this film to anyone who is interested in the subject. The documentary unfolds like a dream and takes you on ride through the history of the People's Temple, it grabs you and doesn't let go.
    7roland-104

    Chilling tragedy: over 900 cult members follow their leader's order to take part in a mass suicide

    This is a sad, chilling documentary about the rise and fall of psychopathic cult leader Jim Jones's People's Temple. Back home in Indiana, Jones had a morbid fascination with death and charismatic religion as early as age 5. He displayed an admirable acceptance of people of color, but he also killed small animals to serve as subjects for death rituals he conducted, a disturbing trait not uncommonly associated with adult personality leanings toward callous violence.

    Untrained in the ministry, he nonetheless started his own church in Indiana - an offshoot of the Christian Church (Disciples of Christ) - while still in his early 20s, later, in 1965, moving it west to a rural commune-like setting in Ukiah, in Northern California, when he was 34, where he also renamed the church People's Temple Full Gospel Church.

    After 9 years, in 1974 he moved the church again, this time to San Francisco, where he ingratiated himself with local politicos like George Moscone and Willie Brown, and, in return for his support of Moscone for Mayor, Jones was appointed to the city's housing commission. By 1977 Jones had the itch to move again, and this time his church bought a large tract of land in the interior of Guyana, in northwestern South America. There a settlement, Jonestown, was rapidly established to permanently house over 1,000 church members. In November, 1978, after receiving complaints that all was not well in Jonestown, that people were being forcibly separated from loved ones back home and more or less held hostage, a California Congressman, Leo Ryan, made a trip to Jonestown to see for himself what was going on.

    Ryan never returned, for he was shot and killed on the aircraft runway at Jonestown by armed stooges of Jones's, on orders to do so because Jones feared that Ryan would bring trouble if allowed to return to the States. Later that same day, November 18, 1978, Jones used his extensive PA system to order all of his supplicants to take a cyanide drink, to escape the misery that would befall Jonestown once authorities came in large numbers, to go on over to the other side, i.e., presumably to Heaven, where they would find peace.

    911 church members died that day, many infants and children given poison by their parents, who then also took the poison drink to create possibly the largest mass suicide in history. Some who did not take poison were, like Rep. Ryan, shot to death. This was also the apparent cause of death for Jones himself. Another 80 members were away on some sort of field trip and were spared.

    This is the fifth and perhaps most unusual of director Stanley Nelson's documentaries, which always concern race and the African-American condition (his prior feature films have taken up black press journalists; Marcus Garvey; Oaks Bluff, a black summer community on Martha's Vineyard; and the musical group Sweet Honey in the Rock).

    Nelson's interest in Jonestown is connected with the fact that a majority of Jones's supplicants were black. Jones pandered to the suffering of poor blacks and whites alike. He also had sex with many women in the church, and even offered to sodomize anyone - female or male - who asked for or wanted this kind of connection to him, and apparently many did.

    Nelson's approach here is intensely personal. He intercuts archival footage - of Jones's life, his activities and various stages in the development of his church - with contemporary interviews of persons who lost loved ones in Guyana. There are no talking heads: no sociologists, no academics who study religious cults, not a single mental health professional to educate us here. Nelson doesn't want us to understand the root causes of this tragedy; he wants us to feel the pain, the grief that this horrible and senseless loss of life wrought, just to feed the craving for power that was obviously Jones's main source of sustenance. It is an agonizing story to witness. My grades: 7/10, B (Seen on 11/25/06)
    7londonviewer

    illuminating, but leaves so many questions ...

    I saw this at the London Film Festival, and was impressed by what appeared to be a balanced picture - of both the Peoples Temple church and Jim Jones himself. The film is captivating in its chronological story telling, leading up to the tragic events in Guyana.

    However I did find the repeat use of some archival footage a bit weak, and unless I missed it, it was never explained that the "Planning Commission" was part of the Peoples Temple itself.

    Like any good documentary, it left me wanting to find out more, but I did think that it was an omission not to attempt any consideration of what led Jones to turn what had been a beneficial organisation, into a murderous one. Neither does the film attempt to look into how the organisation was run - presumably Jones couldn't have directly controlled the 1,000 inhabitants of Jonestown? The source of the poison and weapons is also a subject that doesn't feature, or the question of what happened to the money afterwards?

    Overall this is a really interesting film, especially for those of us who were too young to remember the events.
    YNOT_at_the_Movies

    A compelling story

    I have heard about the cult "Peoples Temple" before, but I knew little about it. Through large amount of rare footages and in depth interviews of the Peoples Temple survivors and family members of the members of Peoples Temple, the documentary takes a deep look into this cult and tries to find out why 909 people committed "mass murder/suicide" on November 18, 1978 in Jonestown, Guyana.

    This film is what a great documentary looks like. It goes beyond the headline and dig deep into the story. I begin to understand whom Jim Jones was. I begin to understand why so many people crossed the racial and social boundaries to come together and even devoted their lives to this cult leader and their "church." Many of the cult followers were struggling with the social injustice and racial discrimination in the 60s and 70s. Jim Jones offered them equality and sense of belonging that the society didn't offer. So Peoples Temple becomes their utopia where they could be so happy and united. Only the sad part is that later some of them realize they were betrayed and they had no way out.

    This is definitely a great documentary I have seen this year and I surely hope it will get an Oscar nomination.
    dreverativy

    Jonestown

    This is a very accomplished documentary. It reveals, via its interviewees, a level of despair and dismay that the past twenty eight years have yet to efface. Whole families - indeed an entire community were liquidated in minutes on November 18, 1978. Jim Jones was a conventional mid-western preacher in every respect bar one - his empathy for African Americans, and therefore his commitment to the idea of a racially integrated church. Of course many conventional churches - Catholics, Episcopalians, Lutherans, Presbyterians, etc., reached out to marginalised communities, but this tendency was perhaps less pronounced in the southern evangelical tradition, which was highly influential in Jones' home state of Indiana (which had been the epicentre of Klu Klux Klan activity in the decade before Jones' birth under the leadership of Ed Jackson and the infamous David Stephenson). The fact that Jones was a little ahead of the curve on the most sensitive and essential issue in American society, and since he was cursed by an unusual sense of self-belief, it led him to believe that he was special, and that his message and the principles by which he operated his church, were unique. Once he comprehended the uniqueness of his mission there was really no limit to his ambitions - he could be anything - he could be the son of God or he could be an avenging angel. In fact he was also a huckster and con-man of the first order with a vastly inflated sense of his own importance, and his relative ignorance of ecclesiastical history prevented him from acknowledging that there have been several important communistic sects in the Christian tradition - not least in America (viz. the early Anabaptists in Reformation Germany, the Diggers/True Levellers in Commonwealth England, the Shakers and certain aspects of Mormonism, etc.).

    As Jones staked out ever greater claims for himself, he placed himself on a trajectory of spiritual fraud that was so steep that any mis-step or retreat might bring his whole house of cards to the point of collapse. He therefore became hopelessly compromised: he could either become the messiah or another one of California's many prison inmates. The stress of this might explain the paranoia, the abuse of those in his power and the self-abuse that occurred as his 'ministry' progressed. In the end he had taken his loyal and long-suffering congregation so far (both emotionally and physically) that he must have reasoned that the only way of evading an wretched reckoning was by some form of abdication - which took the form of his own suicide and the murder of almost all of his followers. Jones was all of a piece with the likes of Charles Manson or David Koresh.

    In view of his increasingly outré behaviour, it was almost inevitable that he should have gravitated towards San Francisco and that he should have become prominent in local politics under the aegis of the well-meaning (but arguably misguided) George Moscone. The film does not mention the close connections between the doomed Leo Ryan and Moscone, nor the imminent assassination of Moscone and Harvey Milk by Dan White. That was unfortunate, because it underscored the strangeness of this remarkable story. However, it is by no means a fatal omission. I would have appreciated some detail on the attitude of the Guyanese authorities to this strange Temple in the jungle. Did the government of Forbes Burnham and Arthur Chung know anything about it and the danger that cult members were in? Did they make any attempt to intervene?

    I saw this film as part of the 2006 Times/BFI London Film Festival, and it is regrettable that it did not receive more publicity (not least in The Times itself). The story was told dead straight with little of the ostentatious editing that is now so common in documentaries, and is all the more effective for it. The audience left the theatre in something approaching a state of utter desolation - a tribute to the terrible nature of the story, the integrity of the witnesses and the ability of Stanley Nelson and his colleagues.

    The film contains many scenes (footage of services in People's Temple) that seem joyous - and they are all the more tragic for that. Yet I could never quite tell what was in the eyes of all these doomed worshippers (many of whom were otherwise helpless, lonely and frail). Was it rapture or was it...terror?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Based on the same real life events as Jonestown Cult Suicide (2012), Jonestown Massacre: As We Watched (2018), Jonestown: Terror in the Jungle (2018), Jonestown (2013), Jonestown: Paradise Lost (2007), Jonestown: The Women Behind the Massacre (2018), Guyana Tragedy: The Story of Jim Jones (1980), The Jonestown Haunting (2020), Jonestown: The Life and Death of the Peoples Temple (2007), The Jonestown Massacre (2016) and Truth and Lies: Jonestown, Paradise Lost (2018).
    • Citations

      Deborah Layton: [on Jim Jones's brainwashing of his followers at Jonestown] Every night at some point, his voice would come over the loudspeaker, and he'd say, "I'm sending somebody out tonight. Somebody you know. Somebody you trust. And they're gonna act like they wanna leave. But this is a loyalty test, and you need to turn them in."

    • Connexions
      Edited into American Experience: Jonestown: The Life and Death of the Peoples Temple (2007)
    • Bandes originales
      Welcome
      Performed by the People's Temple Choir

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    FAQ17

    • How long is Jonestown: The Life and Death of Peoples Temple?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 janvier 2008 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Jonestown - Från början till slutet
    • Société de production
      • Firelight Media Inc.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 148 292 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 482 $US
      • 22 oct. 2006
    • Montant brut mondial
      • 148 292 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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