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Evening

  • 2007
  • PG-13
  • 1h 57min
NOTE IMDb
6,4/10
14 k
MA NOTE
Evening (2007)
Trailer for this drama
Lire trailer1:57
17 Videos
35 photos
DrameRomance

Ajouter une intrigue dans votre langueSuffering from a terminal illness, an elderly woman recalls in delirium a tragedy from her youth, when her brief romance with a young doctor has unforeseeable consequences for a mutual frien... Tout lireSuffering from a terminal illness, an elderly woman recalls in delirium a tragedy from her youth, when her brief romance with a young doctor has unforeseeable consequences for a mutual friend secretly in love with her.Suffering from a terminal illness, an elderly woman recalls in delirium a tragedy from her youth, when her brief romance with a young doctor has unforeseeable consequences for a mutual friend secretly in love with her.

  • Réalisation
    • Lajos Koltai
  • Scénario
    • Susan Minot
    • Michael Cunningham
  • Casting principal
    • Vanessa Redgrave
    • Toni Collette
    • Claire Danes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    14 k
    MA NOTE
    • Réalisation
      • Lajos Koltai
    • Scénario
      • Susan Minot
      • Michael Cunningham
    • Casting principal
      • Vanessa Redgrave
      • Toni Collette
      • Claire Danes
    • 117avis d'utilisateurs
    • 94avis des critiques
    • 45Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos17

    Evening
    Trailer 1:57
    Evening
    Evening
    Trailer 0:49
    Evening
    Evening
    Trailer 0:49
    Evening
    Evening
    Trailer 2:58
    Evening
    Evening
    Clip 0:42
    Evening
    Evening
    Clip 1:07
    Evening
    Evening Scene: Ann's Past
    Clip 0:43
    Evening Scene: Ann's Past

    Photos35

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    + 29
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    Rôles principaux53

    Modifier
    Vanessa Redgrave
    Vanessa Redgrave
    • Ann Lord
    Toni Collette
    Toni Collette
    • Nina Mars
    Claire Danes
    Claire Danes
    • Ann Grant
    Patrick Wilson
    Patrick Wilson
    • Harris Arden
    Hugh Dancy
    Hugh Dancy
    • Buddy Wittenborn
    Natasha Richardson
    Natasha Richardson
    • Constance Haverford
    Mamie Gummer
    Mamie Gummer
    • Lila Wittenborn
    Eileen Atkins
    Eileen Atkins
    • The Night Nurse
    Meryl Streep
    Meryl Streep
    • Lila Ross
    Glenn Close
    Glenn Close
    • Mrs. Wittenborn
    Ebon Moss-Bachrach
    Ebon Moss-Bachrach
    • Luc
    Barry Bostwick
    Barry Bostwick
    • Mr. Wittenborn
    David Furr
    David Furr
    • Ralph Haverford
    Sarah Clements
    Sarah Clements
    • Lizzie Tull
    • (as Sarah Viccellio)
    Cheryl Lynn Bowers
    Cheryl Lynn Bowers
    • Peach Howze
    Chuck Cooper
    Chuck Cooper
    • Ray
    Timothy Kiefer
    • Karl Ross
    Jon DeVries
    • Deaver Ross
    • (as Jon Devries)
    • Réalisation
      • Lajos Koltai
    • Scénario
      • Susan Minot
      • Michael Cunningham
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs117

    6,414.2K
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    Avis à la une

    9marcslope

    Texture

    Saw this Saturday night at the Provincetown Film Festival, and it's a stick-to-your-bones movie -- it's really stayed with me. Adapted very smartly from what is probably an excellent novel, it's a back-and-forth-in-time drama with fully rounded characters, thoughtful rumination on life choices, and, I'm not exaggerating. one of the greatest casts ever assembled in 100+ years of movie-making. Wonderful work from everyone, led by a luminous Vanessa Redgrave as a dying, deluded Newport matron, and Claire Danes as her much younger self. Meryl Streep's daughter Mamie Gummer is, like Mama, the real deal; Patrick Wilson looks like Paul Newman circa 1958 and doesn't overplay the charm; and what a pleasure to see such excellent stage actors as Barry Bostwick and Eileen Atkins contributing sharp, detailed cameos. Hugh Dancy, also from the stage, doesn't bring much edge to the somewhat clichéd role of an unhappy rich wastrel, and the family issues are resolved perhaps more neatly than real life would allow. But it's a deliberately paced, visually gorgeous meditation on real life issues, and you can cry at it and not feel like you're being recklessly manipulated. Also, what a sumptuous parade of 1940s/50s automobiles.
    7janos451

    'Evening' Shines

    Halfway through Lajos Koltai's "Evening," a woman on her deathbed asks a figure appearing in her hallucination: "Can you tell me where my life went?" The line could be embarrassingly theatrical, but the woman speaking it is Vanessa Redgrave, delivering it with utter simplicity, and the question tears your heart out.

    Time and again, the film based on Susan Minot's novel skirts sentimentality and ordinariness, it holds attention, offers admirable performances, and engenders emotional involvement as few recent movies have. With only six months of the year gone, there are now two memorable, meaningful, worthwhile films in theaters, the other, of course, being Sara Polley's "Away from Her." Hollywood might have turned "Evening" into a slick celebrity vehicle with its two pairs of real-life mothers and daughters - Vanessa Redgrave and Natasha Richardson, and Meryl Streep and Mamie Gummer. Richardson is Redgrave's daughter in the film (with a sister played by Tony Collette), and Gummer plays Streep's younger self, while Redgrave's youthful incarnation is Claire Danes.

    Add Glenn Close, Eileen Atkins, Hugh Dancy, Patrick Wilson, and a large cast - yes, it could have turned into a multiple star platform. Instead, Koltai - the brilliant Hungarian cinematographer of "Mephisto," and director of "Fateless" - created a subtle ensemble work with a "Continental feel," the story taking place in a high-society Newport environment, in the days leading up to a wedding that is fraught with trouble.

    Missed connections, wrong choices, and dutiful compliance with social and family pressures present quite a soap opera, but the quality of the writing, Koltai's direction, and selfless acting raise "Evening" way above that level, into the the rarified air of English, French (and a few American) family sagas from a century before its contemporary setting.

    Complex relationships between mothers and daughters, between friends and lovers, with the addition of a difficult triangle all come across clearly, understandably, captivatingly. Individual tunes are woven into a symphony.

    And yet, with the all the foregoing emphasis on ensemble and selfless performances, the stars of "Evening" still shine through, Redgrave, Richardson, Gummer (an exciting new discovery, looking vaguely like her mother, but a very different actress), Danes carrying most of the load - until Streep shows up in the final moments and, of course, steals the show. Dancy and Wilson are well worth the price of admission too.

    As with "Away from Her," "Evening" stays with you at length, inviting a re-thinking its story and characters, and re-experiencing the emotions it raises. At two hours, the film runs a bit long, but the way it stays with you thereafter is welcome among the many movies that go cold long before your popcorn.
    JohnDeSando

    Try to remember Gatsby.

    For of all sad words of tongue or pen, The saddest are these: "It might have been!" John Greenleaf Whittier

    Evening is dominated by regret, saturated so completely I regret having seen the film. Well, not quite, but rarely has a film had such an accomplished cast and high-class writing pedigree and disappointed me so thoroughly. The regret theme is hammered home so superficially I was driven to try to remember lines from The Great Gatsby to mitigate my growing anger at being treated by the filmmakers as if I could not endure subtlety or ambivalence.

    In other words, I got it from the first scene where Vanessa Redgrave looks out over her Newport memory at her young self (Claire Danes) and begins what have to be the easiest lines she's ever had playing an aging romantic: "Why didn't I marry Harris?" The variations on this theme in the movie are legion, even when it's not the young doctor, played by Patrick Wilson, whom her friend, Lila (Mamie Gummer—looking very much like her aunt, Meryl Streep), also regrets not marrying.

    One of my major problems is that it's never clear why these substantial women spent so much emotional coin on a character we never get to know, except for his Paul Newmanish good looks. But like the rest of the regret-laden characters, this film spends no dramatic coin on depth—all is skating on the surface, letting us do the sub-textual work rather than the dialogue. In the coda, Old Lila (Streep) makes an attempt at character deconstruction by saying about women, "We are mysterious creatures." Give me a break; could I have a bit more than platitude?

    A regrettable life is Buddy's (Hugh Dancy), Lila's drunken, poetic brother, who tries to prevent Lila from marrying the wrong man (not Buddy), whom Buddy loves also, but then this gay sub-theme is never explored beyond a drunken kiss. Nothing in this film is explored except maybe its shameless borrowing from Gatsby without a modicum of understanding that his loss was not just of a woman but of a class struggle, a dying age, and self worth. For Ann, it's just Harris.

    The cars are shiny period antiques, the house is beyond the reach of anyone in the audience, and the insights into smart women facing loss are none. Thank goodness for the arrival of evening, when the real stars are the lights in the firmament, not the rich wailing for their lost loves.
    8laraemeadows

    A great chick flick

    Evening is the beautiful story of the flawed love of a mother. The movie split in time, is magically shot, amazingly acted and has a touching script. Vanessa Redgrave plays Anne Grant Lord, a woman sun-setting out of life. Lying in her bed, her mind remembering and misfiring, she recalls her first mistake. Claire Danes plays the young Anne, giving a youthful vitality to dying bed ridden woman. Daughters Nina (Toni Collette) and Constance (Natasha Richardson) try to decipher the real story from the disheartening dementia. Her first mistake revolves around Harris Arden (Patrick Wilson); the man her best friend Lila (Mamie Gummer) deeply loved. The daughters must come to terms with their mother's past, and their futures. The cast is glowing in Evening. The collective acting energy of this movie could have powered the equipment for the production of this entire film. I am so glad to see Claire Danes working again, especially in this role. She is so young, and alive, fully living the joys, mistakes and heartbreak of young Anne's first mistake. This is a true feat when you realize she is playing a woman, dying in bed. When her life overwhelms her, you can feel her desire to crack and her hopeless hope that she won't. Some of her facial expressions grinded on me a little, but over all her performance was so radiant, I was left with that only as a side note. Toni Collette continues to prove that you can be a powerful actress without being a super model. She plays the black sheep of the family; a little lost. Nina finds a great deal of strength in her mother's mistake. Collette delicately avoids creating a cruel character who revels in the mistakes of her mother, instead choosing the wiser path of learning from her mother's mistakes. There is a great deal of infighting between Nina and her sister Constance. Their fights remind me of ones I have with my sister all the time. Mamie Gummer, who plays Anne's youthful best friend, is wonderful. Her character is stuck between her heart and her status in society. Even when she is crying and her heart is breaking, she is incredibly regal and charming. I can't wait to see her act in something else in the future. Vanessa Redgrave's performance is very hard for me to describe. Her talent at making her mental status ambiguous without being wacko or even especially tragic is why it is so powerful. The audience does not know if she is making up the story because she is slipping away or if these events truly happened. Physically and emotionally speaking, Redgrave is acting in a box. Not much physical space and limited emotional range might have been a stunner to a lesser actress but she makes the limitations work for her. I was constantly amazed. The movie is definitely woman-focused but the men in the movie are not just accessories. Patrick Wilson is mesmerizing as Harris. It is no wonder that everyone in the movie is in love with him, I sure was. Buddy Wittenborn is Lila's brother, spiraling out of control. Hugh Dancy spirals Buddy out of control without sending his acting down the drain. Glen Close has my favorite scene in the movie. It reminded me of the famous scene from Monster's Ball. It is terrible and jaw dropping grief. I was utterly stunned. The one acting disappointment was Natasha Richardson. While her fight scenes were memorable, most of her acting reeks of melodrama. It would have suited her to take an acting bath before we had to breathe her stink. It's a good thing she wasn't in charge of the visuals. The visuals of the movie are sparkling. Cinematographer Gyula Pados couldn't make a film richer in color, light so perfectly matched to mood and emotion. The visual concepts of the flash back sequences are powerful and resonating. There were many scenes that could have been stopped, printed, mounted and sold as art. I admit it, I cried. Evening is a powerful movie. Evening is defiantly a chick flick but a really great chick flick. If you want to impress a woman with a movie choice, pick Evening.
    8Dragoneyed363

    Genuinely enthralling

    A lot of times, throwing a bunch of A-list actors and actresses together results in an overshadowing of everything, including plot. All the actors trying to out-act each other and shine, when it all just ends up having potential and failing immensely. With Evening, this is not the case. I love the opening shots of the film, and from the beginning, the atmosphere is simplistic and beautiful enough to visually and emotionally capture my attention. The story begins slowly and builds into a very elegant love/tragedy that is only bettered by the actors and actresses.

    Like I said, the actors and actresses in this film are pretty well known, but not all of them are generally considered "A-list". They all pull off their parts to the fullest, of course Meryl Streep and Claire Danes do, and everyone brings to the movie something on a level of calm, refined art. It's a very nicely put together movie with a solid storyline and overly appeasing acting chops. I would recommend it to anyone who looks for movies that are hidden gems.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Spouses-to-be Claire Danes and Hugh Dancy met for the first time during this shoot.
    • Gaffes
      Ann points out her star, chosen by Buddy, to Harris as one of the Seven Sisters. The Seven Sisters is the Pleiades, which (in addition to Orion, which is also mentioned) is a winter constellation and could not possibly have been in the sky during the summer, when the wedding took place.
    • Citations

      Harris Arden: I have to tell you something... I still know what stars are ours.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Live Free or Die Hard/Eagle vs. Shark/Evening/Ratatouille/La Vie En Rose (2007)
    • Bandes originales
      Time After Time
      Written by Sammy Cahn and Jule Styne

      Arranged by Andy Farber

      Performed by Claire Danes, Patrick Wilson and Andy Farber & His Swing Mavens

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    FAQ

    • How long is Evening?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 juin 2007 (États-Unis)
    • Pays d’origine
      • États-Unis
      • Allemagne
    • Site officiel
      • Focus Features (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Le temps d'un été
    • Lieux de tournage
      • Newport, Rhode Island, États-Unis
    • Sociétés de production
      • Hart Sharp Entertainment
      • MBF Erste Filmproduktiongesellschaft
      • Twins Financing
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 12 492 481 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 513 000 $US
      • 1 juil. 2007
    • Montant brut mondial
      • 20 016 753 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 57 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 2.35 : 1

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