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La bande à Baader

Titre original : Der Baader Meinhof Komplex
  • 2008
  • Tous publics
  • 2h 30min
NOTE IMDb
7,3/10
41 k
MA NOTE
La bande à Baader (2008)
A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s. Based on Stefan Aust's best-selling nonfiction book.
Lire trailer2:16
1 Video
99+ photos
True CrimeActionBiographyCrimeDramaHistoryThriller

Un regard sur la faction Armée rouge, le groupe terroriste allemand qui organisa des attentats, des braquages, des enlèvements et des assassinats à la fin des années 1960 et 1970.Un regard sur la faction Armée rouge, le groupe terroriste allemand qui organisa des attentats, des braquages, des enlèvements et des assassinats à la fin des années 1960 et 1970.Un regard sur la faction Armée rouge, le groupe terroriste allemand qui organisa des attentats, des braquages, des enlèvements et des assassinats à la fin des années 1960 et 1970.

  • Réalisation
    • Uli Edel
  • Scénario
    • Bernd Eichinger
    • Uli Edel
    • Stefan Aust
  • Casting principal
    • Martina Gedeck
    • Moritz Bleibtreu
    • Johanna Wokalek
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    41 k
    MA NOTE
    • Réalisation
      • Uli Edel
    • Scénario
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Casting principal
      • Martina Gedeck
      • Moritz Bleibtreu
      • Johanna Wokalek
    • 132avis d'utilisateurs
    • 166avis des critiques
    • 76Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 4 victoires et 22 nominations au total

    Vidéos1

    The Baader Meinhof Complex
    Trailer 2:16
    The Baader Meinhof Complex

    Photos141

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    + 135
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Martina Gedeck
    Martina Gedeck
    • Ulrike Meinhof
    Moritz Bleibtreu
    Moritz Bleibtreu
    • Andreas Baader
    Johanna Wokalek
    Johanna Wokalek
    • Gudrun Ensslin
    Bruno Ganz
    Bruno Ganz
    • Horst Herold
    Jan Josef Liefers
    Jan Josef Liefers
    • Peter Homann
    Nadja Uhl
    Nadja Uhl
    • Brigitte Mohnhaupt
    Alexandra Maria Lara
    Alexandra Maria Lara
    • Petra Schelm
    Heino Ferch
    Heino Ferch
    • Horst Herold Assistant
    Stipe Erceg
    Stipe Erceg
    • Holger Meins
    Niels-Bruno Schmidt
    Niels-Bruno Schmidt
    • Jan Carl Raspe
    • (as Niels Bruno Schmidt)
    Vinzenz Kiefer
    Vinzenz Kiefer
    • Peter-Jürgen Boock
    Tom Schilling
    Tom Schilling
    • Josef Bachmann
    Susanne Bormann
    Susanne Bormann
    • Peggy
    Simon Licht
    • Horst Mahler
    Daniel Lommatzsch
    Daniel Lommatzsch
    • Christian Klar
    Sebastian Blomberg
    Sebastian Blomberg
    • Rudi Dutschke
    Hannah Herzsprung
    Hannah Herzsprung
    • Susanne Albrecht
    Hans Werner Meyer
    Hans Werner Meyer
    • Klaus-Rainer Röhl
    • (as Hans-Werner Meyer)
    • Réalisation
      • Uli Edel
    • Scénario
      • Bernd Eichinger
      • Uli Edel
      • Stefan Aust
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    7,341K
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    Avis à la une

    8perica-43151

    Another interesting German movie

    Germans have a quality wave of movies that reached wold audience in the early 21st century, after the Run Lola Run hit. This movie is perhaps not the best of the best, but is interesting, original and gives a story of one turbulent era with great detail and precision.
    8TBJCSKCNRRQTreviews

    Never pleasant to watch

    I wish to clear up any mistake my summary for this might lead to: This is not poorly done. As for this being good or not, that is perhaps a little more subjective, as it may depend on your opinion of the RAF. This is another of the German films of recent years dealing with awful national situations of theirs, from a couple, to numerous, decades back. Whether it's therapeutic, apologetic, a third option or a mix of several that drives this trend, is up for debate. I find this and Der Untergang(or "Downfall") to be exceptionally well-done. As was also the case with that one, this requires you to pay close attention. The pace comes about as close to being outright overpowering - for two and a half hours straight, mind you - as it can, without crossing the line into it. This does also somewhat expect you to be familiar with the overall occurrences, otherwise, you may be confused and have trouble keeping track and following it. This is rather intense. It is a quite strong piece. Featured is an immense amount of violence, which is often graphic. The attitude towards nudity and sexuality is very relaxed. This is disturbing. It is by no means for the faint of heart, and mainstream audiences, if they give this a chance, should not expect it to be "enjoyable", in the traditional sense. It is not "funny". It is powerful. The cinematography and editing are excellent. The acting performances are beyond reproach. I don't know all the facts, but I understand that this isn't completely historically accurate, though it seems to come fairly close. The production values are incredible. I recommend this to anyone interested in an authentic drama based on the Rote Armee Fraktion. 8/10
    8giantpanther

    a great film that never could have been made in America

    I liked this film primarily of how much it seemed to buck the formulaic American plot system. Don't get me wrong some American movies are cool, but they mostly all adhere to the same boring standards.

    This film was incredibly bleak and honest, which I respected very much. Also it required that you think for yourself and develop your own opinions.

    The plot revolves around a group of young people who go out to try to make a difference and yet don't really accomplish anything at all. I can't give away too much but I thought this was just beautiful and complex film-making. Very intelligent, it never tried to be cute or force any ideas on you, it simply was.

    I know this is a vague review, but if you feel like seeing an intelligent complex drama then you must see this. Go German cinema!
    8Liedzeit

    Necessary

    First of all this is a very important film. Just like the other "Big" film by Eichinger "Der Untergang" it confronts the German audience (and the world should it care) with some aspect of German history that people should know about. In this case the "myth" of the RAF. To everyone who lived through the seventies in Germany it is clear that the influence of the RAF on Germany can hardly be exaggerated. I was a kid but my impression at the time was that both sides were wrong. There was a constant fear of terror coming from the terrorists but also from the state. (People did not get jobs if it was suspected they were "left".) So to make a blockbuster film, even if it does not really explain the motives of the main characters involved, at least gives us some facts. Not everyone is prepared to watch documentaries or read the book by Aust, but everyone should have some thoughts or maybe discussions on the subject.

    Okay, but does it succeed as a film? Not entirely. The actors as everyone agrees were excellent, the cinematography as well. You do think you are in the seventies. That in itself is amazing. The action scenes are done splendidly, especially at the beginning the riots during the visit of the Persian Shah which culminated in the shooting of a student which in turn was, at least to some extent, the origin of the rise of terror. Of course the film is episodic and there are too many characters in it, most of them are not introduced in any way and ten years of complex history cannot be told in an altogether satisfying way. But the film succeeds in giving us a sense of what was going on. The producer, Bernd Eichinger has been accused of vanity. Which is a funny thing. Of course, he is vain. He has the duty to be vain as long as he also feels a responsibility to make movies that try to tell something. And the challenge, he feels, is to say it to as many people as possible.
    rudymovie

    Action movie, leaves open many questions

    Being aged, knowing most about the R.A.F story from the news when it happened (1970s) including the events in 1968 (Berlin, Prague , Mexico , U.S.A.) I am much more disappointed in this " big production' on a major theme in post war German (European) history, than most other critics up till now. If you know little or nothing about the subject, like many younger people, this may seem a " cool movie". Just as an action pic, you're right. However, what I miss, is the ideological context in which all this was happening. There is some mention of sectarian leftist groups, we see major mass protests of university students, etc. And the starting scenes in Berlin (visit of Sjah) are the main " background" to the " movement". (by the way, how many under 30 people knew about the Sjah of Persia, anyway? I even remember first spouse Soraya from the early 60's...). What I miss, is , an explanation of what and how on the mass student meetings, they are just shown. Also missing are the deeper context of postwar BRD (Germany) not having come to terms with the Nazi past, especially in the situation of many former NSDAP - symp's having high places in society, government, industry, etc. As I remember, that was one of the main frustrations in leftist circles ( and not only there...). Etcetera. In this respect, seeing the first gen. members of R.A.F. speeding to an unexplained action in BMW's on the " autobahn" as if they were fun-cruising L.A. in a Tarantino muscle-car flic while having My Generation by the Who on the stereo this all is quite unbelievable for people informed about that era. I don't believe these guys were jet-set-emulators. Jet-set was capitalist and thus their opposite social stratum. Which they fought , with all fatal results. And, why the story ending with the death of the first four, how shocking it may be? This whole episode is too much for one movie. As a Dutch proverb says: " they took too much hay on their fork". (meaning the makers of B.M. Komplex). genomen".

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      As an immediate reaction to the movie, Ignes Ponto, widow of Jürgen Ponto, whose assassination is portrayed in the movie, returned her Federal Cross of Merit. She was angry that the Federal Republic of Germany has never even created a memorial for victims of the RAF, but instead helped to finance films like this one about the members of the RAF. Also, she said, she had not been warned about the graphic portrayal of Ponto's assassination when she was invited to the movie premiere and felt humiliated by the producers for making her sit through this without a warning. About a month later, she filed a lawsuit against the producers, who claimed that every scene is historically accurate, because the assassination of her husband, which she had to witness from the next room, was not portrayed as it happened. She demands the scene of the murder of her husband be cut from the movie. The filmmakers claim that they had tried to contact her during production to get the scene right but she had no desire to cooperate. Before this movie, there had been no portrayal of Ponto's assassination on film and she felt the staging of the movie was lurid and dishonoring to her husband. As of this writing, no decision has been reached about the lawsuit.
    • Gaffes
      Ulrike Meinhof's twin daughters Bettina and Regine first appear in the opening scene in 1967 when they are 9 years old. Yet 3 years later when living in Sicily and rescued by Stefan Aust, they haven't aged at all.
    • Citations

      Ulrike Meinhof: If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.

    • Connexions
      Featured in Guinness World Records - Die größten Weltrekorde: Épisode #5.1 (2008)
    • Bandes originales
      Mercedes Benz
      Written by Janis Joplin, Michael McClure

      Performed by Janis Joplin

      Produced by Paul A. Rothchild

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    FAQ21

    • How long is The Baader Meinhof Complex?Alimenté par Alexa
    • What are the differences between the Theatrical Version and the Extended German Television Version?
    • What is the scene at the beginning with the man being shot? How does it fit into the movie?

    Détails

    Modifier
    • Date de sortie
      • 12 novembre 2008 (France)
    • Pays d’origine
      • Allemagne
      • France
      • République tchèque
      • Maroc
      • États-Unis
    • Site officiel
      • Constantin Film (Germany)
    • Langues
      • Allemand
      • Anglais
      • Français
      • Suédois
      • Arabe
    • Aussi connu sous le nom de
      • The Baader Meinhof Complex
    • Lieux de tournage
      • Ouarzazate, Maroc
    • Sociétés de production
      • Constantin Film
      • Norddeutscher Rundfunk (NDR)
      • Bayerischer Rundfunk (BR)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 € (estimé)
    • Montant brut aux États-Unis et au Canada
      • 476 270 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 17 348 $US
      • 23 août 2009
    • Montant brut mondial
      • 26 937 355 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 30 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby SR
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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