Océans

It's important to note there are TWO versions of this film. Jacques Perrin's original runs 104 minutes and is narrated by Perrin in French. Disney bought the film, cut 20 minutes (much of it critical of human activity endangering the oceans and animal habitats), junked Perrin's spare narration, which lets you wonder at the sights on view, and substituted a gabby but emotionally chilly commentary by Pierce Brosnan.

Perrin's original version is not available in the US, per contract with Disney. The original is available in Europe on DVD and Blu-Ray (but unplayable on most US machines) but it seems to lack English subtitles. So you're pretty much stuck with Disney edition.

The original, however, is to my mind better and much more in line with Perrin's "Winged Migration" than the Disney version. The best that can be said for the US edition is that plays down the "humanizing" of animal life that was an annoy hallmark of Disney's True-Life Adventures of the 1950s.

There is a sequence in Oceans that blows my mind. A stone crab emerges from the seabed and crawls along. Another follows. And then a few more follow. The camera then trails these creatures as they make their way to somewhere in the middle of nowhere. The stone crabs are joined by more of their own. Suddenly, in an establishing shot that continues to baffle me, the camera reveals what seems like hundreds of thousands of stone crabs in "a great big orgy". The sandy seabed that stretches for miles and miles could not have been more alive.

That is only one of a number of spectacular scenes on show. Another highly memorable sequence shows deft skill in quick cutting as hundreds of predatory birds dive headfirst into the water at startling speeds as the camera captures their assault on small fishes through above water and underwater shots. The latter is quite incredible, and eerily reminiscent of bullets ripping through the water in the Normandy beach scene of Spielberg's Saving Private Ryan (1998).

Jacques Perrin, whose previous film credits famously include acting as the adult Toto in Tornatore's Cinema Paradiso (1988), director of the excellent Oscar-nominated documentary Winged Migration (2001), and producer of Z (1969) and The Chorus (2004), now has Oceans in his resume, a documentary that explores in amazing detail what happens under the sea, bright day or still night, stormy or fine weather. The result is like nature washing over you as you drown in its unrivalled beauty. There is no gasping for air but the taking in of the vitality of life.

Oceans surprisingly works well as "a thriller". In certain sequences, Perrin opts for suspense, such as the one involving baby turtles as they evade hungry birds, making their way into the sea from the shore in their own version of Normandy. Many of them are eaten while the lucky ones try to survive in the big blue ocean. Even though collectively the turtles represent a faceless mass, we fear for each one of them because Perrin focuses on one or two of them at any one time, heightening the sense of vulnerability.

It is not surprising, however, to see Oceans preaching the ecological message. "Save the planet! Save the animals!" become the general plea for viewers to do their part in protecting their only home in this vast universe. But the plea is not as strong and specifically targeted as what is felt in The Cove (2009), the Oscar-winning documentary that secretly chronicles the slaying of hundreds of dolphins by Japanese fishermen in a hidden lagoon, and has now been controversially and unfairly labeled as "anti-Japanese".

Oceans is lightly-narrated. This is a good move as the stunning underwater cinematography is left to do all the talking, or in this context, to speak in silence to the viewer. Perrin films in cinema verite style; his camera is unbiased, objective, and unobtrusive. His use of original music by Bruno Coulais (The Chorus) is also spot on. Very often, the marrying of melody and motion (that of sea creatures) is a joy to experience, alternating between the subtle and the grandeur.

It's weird to say this but Oceans may leave your forearms bruised. Now, you may wonder why. Well, every once in a while, you might just pinch yourself to see if those beautiful imageries are really real or created with a green screen. Of course, no CG effect could ever replicate nature's beauty. Oceans shows why and that's quite something to think about.

SCORE: 8/10 (www.filmnomenon.blogspot.com) All rights reserved!

First, if you want to watch a movie featuring incredible cinematography, this is the movie to watch. This is the movie that will cause you to ask: "How DID they get that shot?" The ocean is a big place and there's lots to photograph. The denizens of the deep are portrayed in a respectful and almost reverential manner. One scene in which one of the divers is swimming WITH a great white shark was both spectacular and emotional. This is the first movie this reviewer can recall where a great white shark is portrayed as something other than a wanton killer. The majesty of the sea creatures is awe inspiring. They deserve our protection; they must be preserved and they warrant our undivided admiration and respect. Objects for our amusement in captivity and considered a source of food, this movie shows the audience a different side of these sea creatures, a side that we rarely if ever notice or care about, but nevertheless is there. This movie is a definite must-see for children of all ages.

I like nature documentaries just as much as the next person, likewise with my sister, and I found Oceans to be visually stunning and fascinating to watch. Oceans contains the best underwater photography I have seen in a long time and the colours are so sharp and vivid. The animals are a joy, ranging to cute to menacing it was fascinating learning about them. The narration while occasionally having the odd overly-sentimental pang, is intelligently written, with a strong emotional impact with me either biting my nails or being moved by some of the events, and Pierce Brosnan's delivery of it is both inspired and understated.

Overall, fascinating and a feast visually. 9/10 Bethany Cox

I was looking forward to seeing this, since I've always been a fan of quality nature films, however, I found myself very disappointed with this film. If you have ever seen the truly beautiful, artistic, and utterly poetic nature film "Deep Blue", which came out from the English a few years ago, you are going to see far too many ironic similarities in this Disney production. Yes, they are both ocean films, and there are bound to be similarities, of course, but you will notice that Disney seemed to follow far too closely in their footsteps, even down to whom they chose to narrate (Pierce Brosnan)!! There are several actors one can choose to do a compelling narration - you do not have to choose the very same one. I'm not sure I understand why a company like Disney, who once were the masters of imagination, uniqueness, & fantasy, fail so miserably over these past 2 decades. Also, this film had approximately 1/4 of what "Deep Blue" had. If you want to watch a truly remarkable ocean film, see "Deep Blue", and pass over this one.