Ajouter une intrigue dans votre langueUschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in... Tout lireUschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in a bus, enjoying love, drugs and freedom.Uschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in a bus, enjoying love, drugs and freedom.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
- Mick
- (as Victor Norén)
- Lude
- (as Uwagboe 'Bo' Rydl)
Avis à la une
This time there's a big difference, though: Uschi survived her wild young days and is still doing well. If I may believe the 'making of'-chapter of my German DVD: the real Uschi has been involved in the process, improving authenticity. The DVD also includes a few nice shots of young Uschi in her Sixties & Seventies-days.
I've also read Uschi Obermaier's autobiography 'High Times', and conclude that actress Natalia Avelon plays her character well - all set up with true German thoroughness.
Both real Uschi and her film-copy are about a girl who imaged out the moods of her young days very well - just that. What remains untold in film and autobiography, is the history of the vibrating Sixties-youth culture.
-----------------------------------
Having lived through the thirties' economic depression and world war 2, Uschi's parents were strongly molded by these tragic times. Uschi and her generation, born shorty after the war, did not carry this emotional burden. They worried about a new danger their parents mostly ignored: environment pollution.
As a result, a wide generation-gap opened up. Youngsters like Uschi Obermaier felt a strong urge to liberate themselves from their parents' strong & strict moral rules. Add to that the new availability of anti-conceptive, greatly helping in experimenting with new lifestyles.
For Uschi's generation, the late Sixties and early Seventies were a time to develop a lifestyle they felt comfortable with. It is the German version of what happened in San Francisco's Haight-Ashbury neighborhood during the same period.
The unique viewpoint Uschi experienced during the social revolution makes for a very interesting film. Themes of growing up, life, learning to love, and experiencing loss all are major players. All in all, if you are looking for a film true to life, a film that doesn't gloss over the hardships and dull down the excitement of freedom, this is a movie for you.
This movie is not about all that. The way I see it, Das Wilde Leben is about a journey, it's about a girl who is free and is not afraid to break boundaries, it's about a girl who uses her beauty to have the adventure of her life. She falls in love with powerful men, she lives wildly, she sees the world. And, above all, this movie is about a powerful woman.
Is the movie true to the historical facts? Is it true to Uschi's life? That's not what's important. It's a movie, not a documentary. Beyond the cheap sets and the historical inaccuracies (if there are any) lays a beautiful and inspiring story.
Le saviez-vous
- AnecdotesToutes les informations contiennent des spoilers
- GaffesDuring the street riot scene following the arrest of the Kommune 1 members, an extra glances directly into the camera, notices it and vanishes quickly.
- Citations
[first lines]
Uschi Obermaier: In Paris that summer, the students wrote "Power to the imagination" on the walls. In San Francisco they danced in the streets, and fought for what had become their way of life. And I was at home in Sendling, a suburb of Munich. I felt I died a slow and never-ending death that day. The only thing that kept me alive was the music. Without that, I would have died. Or worse, I would have turned into my parents. But music alone wouldn't get me out of Senling. That much was clear to me. What I needed was a man. The wilder, the better.
- Bandes originalesTränen lügen nicht
Performed by Michael Holm
(Original title "Soleado")
Music: Ciro Dammicco / Bembo Baldan
Text: Maurizio Seymandi / Francesco Specchia / Alberto Salerno
German Text: Michael Holm
© 1974 by Belriver Edizioni Musicali, Milano
Rights for Germany, Austria, Switzerland and Eastern Europe (outside the Baltic)
Edition Accord Musikverlag GmbH & Co. KG, Hamburg
with kind permission of Sony BMG Music Entertainment (Germany) GmbH
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Eight Miles High
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 616 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 496 $US
- 13 juil. 2008
- Montant brut mondial
- 957 744 $US
- Durée
- 1h 54min(114 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1