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Ajouter une intrigue dans votre langueA portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.A portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.A portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.
- Nommé pour 5 Primetime Emmys
- 16 victoires et 32 nominations au total
Charlotte West-Oram
- Downing Street Secretary
- (as Charlotte West Oram)
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HBO has done it again and produced a film of superior quality. The films generally produced by HBO fall into the category of excellent independent movies except with much larger budgets that give them notable stars and superior production values. The DVD's that come from this cable channel are gifts to anyone who enjoys quality motion pictures.
Longford spans about forty years in the life of Frank Pakenham who was the 7th Earl of Longford. Pakenham was a very colorful character. He was basically conservative although one of his causes was examination of the treatment and sentences of criminals. He became notorious in England during the 1960's and 70's by calling for the release of Myra Hindley who - with her sadistic boyfriend - tortured and murdered five children during the years 1963-65.
Pakenham became convinced that Hindley was a basically innocent girl who came under the evil influence of her boyfriend Ian Brady. Pakenham visited Hindley numerous times in prison and convinced her to return to her religion. She totally convinced him that she was regretful of her part in the murders, and he vigorously campaigned for her parole.
All the while, Hindley was communicating with Brady and it soon came to light that she was basically pulling the wool over the eyes of a gullible man - Pakenham.
Disillusioned, Pakenham began to direct his efforts to the Nationwide Festival of Light which was a program of protest against commercial exploitation of sex and violence in Britain. Even though disillusioned, Pakenham stayed in contact with Hindley until his death in 2001.
Giving full credit to the superior production values, it is the acting in Longford that makes it an extreme pleasure.
Jim Broadbent is Lord Longford. I use "is" rather than "plays" because it appears that - from what I can determine - Broadbent so captured the personality and appearance of Longford that he even astounded those connected with the production who knew the real man. Broadbent shows us a man who is definitely a "kook" but one to be admired. He is a man who is so compassionate of his convictions that you cannot not like him even if his opinions are totally counter to your own.
Samantha Morton (nominated for an Emmy for this part) is outstanding as Myra Hindley, a woman who shows a surface of innocence above layers and layers of neurosis and evil. Viewing her interpretation of Hindley is fascinating.
Andy Serkis chills you to the bone as Ian Brady. It appears that Brady has been pretty much of a bad seed his entire life, and Serkis shows us that seed in full bloom. His is a performance not easily forgotten.
Longford is an enthralling character study of an equally enthralling real-life character. It is grand entertainment.
Longford spans about forty years in the life of Frank Pakenham who was the 7th Earl of Longford. Pakenham was a very colorful character. He was basically conservative although one of his causes was examination of the treatment and sentences of criminals. He became notorious in England during the 1960's and 70's by calling for the release of Myra Hindley who - with her sadistic boyfriend - tortured and murdered five children during the years 1963-65.
Pakenham became convinced that Hindley was a basically innocent girl who came under the evil influence of her boyfriend Ian Brady. Pakenham visited Hindley numerous times in prison and convinced her to return to her religion. She totally convinced him that she was regretful of her part in the murders, and he vigorously campaigned for her parole.
All the while, Hindley was communicating with Brady and it soon came to light that she was basically pulling the wool over the eyes of a gullible man - Pakenham.
Disillusioned, Pakenham began to direct his efforts to the Nationwide Festival of Light which was a program of protest against commercial exploitation of sex and violence in Britain. Even though disillusioned, Pakenham stayed in contact with Hindley until his death in 2001.
Giving full credit to the superior production values, it is the acting in Longford that makes it an extreme pleasure.
Jim Broadbent is Lord Longford. I use "is" rather than "plays" because it appears that - from what I can determine - Broadbent so captured the personality and appearance of Longford that he even astounded those connected with the production who knew the real man. Broadbent shows us a man who is definitely a "kook" but one to be admired. He is a man who is so compassionate of his convictions that you cannot not like him even if his opinions are totally counter to your own.
Samantha Morton (nominated for an Emmy for this part) is outstanding as Myra Hindley, a woman who shows a surface of innocence above layers and layers of neurosis and evil. Viewing her interpretation of Hindley is fascinating.
Andy Serkis chills you to the bone as Ian Brady. It appears that Brady has been pretty much of a bad seed his entire life, and Serkis shows us that seed in full bloom. His is a performance not easily forgotten.
Longford is an enthralling character study of an equally enthralling real-life character. It is grand entertainment.
'Longford' is the coming of age masterpiece of television and film director Tom Hooper. In it a transformed Jim Broadbent becomes walking-self-caricature Lord Longford, the famous, perhaps infamous, campaigner for civil rights and early release for prisoners - most notably Myra Hindley, the female murderer of five schoolchildren in Yorkshire, England in the 1960s.
Samantha Morton is Hindley, tightrope walking above potential seduction and deception of Longford as well as possibly very real repentance. Longford himself is viewed as a man perhaps blinded by Hindley's charms who may be equally as guilty of manipulating her plight in a hobbyist fashion.
Andy Serkis encapsulates the mythical monster and the man that is Ian Brady, yet still the film as a whole carries with it the seed of forgiveness as the way forward in the judiciary and paints the heart of mob rule as blackly as perhaps the hearts of the Moors murderers in fact were.
A compelling film, with no easy answers, and the showcase of some of the most magnetic acting performances ever lensed.
Samantha Morton is Hindley, tightrope walking above potential seduction and deception of Longford as well as possibly very real repentance. Longford himself is viewed as a man perhaps blinded by Hindley's charms who may be equally as guilty of manipulating her plight in a hobbyist fashion.
Andy Serkis encapsulates the mythical monster and the man that is Ian Brady, yet still the film as a whole carries with it the seed of forgiveness as the way forward in the judiciary and paints the heart of mob rule as blackly as perhaps the hearts of the Moors murderers in fact were.
A compelling film, with no easy answers, and the showcase of some of the most magnetic acting performances ever lensed.
10mimi-137
I thought this was one of the most powerful pieces of television drama I have seen for a long time. It rates up there both in content, production and fantastic casting and acting with the wonderful Conspiracy (Ken Branagh and others a few years back). I wonder if Longford may come to be seen as Jim Broadbent's finest portrayal. It bears many more than one viewings and I think (as I did of an earlier drama programme this year about the Moors Murders) that it is brave and correct for skilled directors/writers etc to tackle this incredibly difficult subject. Well done to all involved and I look forward to the next project coming from this talented team.
This surely is one of the best made for TV dramas you are likely to see, superbly written and featuring a stunning performance from Jim Broadbent as Lord Longford. I had only ever regarded Longford as an eccentric old fool until watching this film which reveals what great humanity and compassion the man had. He finds Myra Hindley does not appear to be the monster the media built her up to be and Longford believes there may be some good in her but she is eventually shown to be as devious and manipulative as Ian Brady said she was. Brady is portrayed by Andy Serkis in a performance of incredibly raw and shocking power and you are left in no doubt that the only place for this dangerous man is behind bars, away from the public at large. It is only when Longford finds out he has been deceived that he finally listens to a copy of the infamous tape of the murders that has been sent to him anonymously through the post and thereafter he begins to question his own faith. Towards the end of both their lives Longford meets Hindley once more and in a truly shocking scene Hindley reveals her own spirituality and repentance, although not in the manner that he or anyone else could have expected. The film mixes documentary film with staged scenes to great effect and feels thoroughly authentic, capturing the era to perfection. I came away from this film feeling great admiration for this man, who may have been misled, but who only had good in his heart and did not know the meaning of hate.
The Myra Hindley/Ian Brady Moors murders of 1963, one of the most heinous crimes in England since Jack the Ripper, has been beautifully transcribed to the screen by writer Peter Morgan and Director Tom Hooper. And though the story is basically about Longford's relationship with the incarcerated Myra Hindley, the film paints a rather complete portrait of a strange man who vacillated during his lifetime among religious beliefs and spoke out strongly for the rights of prisoners and 'unfortunates' who fall out of line with the law all the while riling against pornography and other vices.
Jim Broadbent creates a wholly credible Lord Longford in this amazing performance. Transformed physically to resemble Longford's bizarre appearance, Broadbent manages to convey the spectrum of trust, self-doubt, pity, outrage, compassion and blind religious belief in a manner few actors could match. The remainder of the cast is equally excellent: Samantha Morton finds every nook and cranny of the enigmatic murderess Myra while Andy Serkis gives a chilling depiction of Ian Brady, her accomplice who knew how to manipulate the government and people as well as the infamously wily Myra.
The story is in many ways grounded by the strong forces of Lady Longford (beautifully realized by Lindsay Duncan) and the Lady Tree of Sarah Crowden and Harold Wilson of Robert Pugh. Hooper knows how to magnify the class differences between the gentry and the working class and his choices of locations and pacing of confrontations both in the prison and in the home and in the court are spot on.
This is one of those films for television that teaches us what really fine films can still be. It is a tremendously moving piece of work and Jim Broadbent will long be remember for this classic role. Highly recommended for repeated viewing. Grady Harp
Jim Broadbent creates a wholly credible Lord Longford in this amazing performance. Transformed physically to resemble Longford's bizarre appearance, Broadbent manages to convey the spectrum of trust, self-doubt, pity, outrage, compassion and blind religious belief in a manner few actors could match. The remainder of the cast is equally excellent: Samantha Morton finds every nook and cranny of the enigmatic murderess Myra while Andy Serkis gives a chilling depiction of Ian Brady, her accomplice who knew how to manipulate the government and people as well as the infamously wily Myra.
The story is in many ways grounded by the strong forces of Lady Longford (beautifully realized by Lindsay Duncan) and the Lady Tree of Sarah Crowden and Harold Wilson of Robert Pugh. Hooper knows how to magnify the class differences between the gentry and the working class and his choices of locations and pacing of confrontations both in the prison and in the home and in the court are spot on.
This is one of those films for television that teaches us what really fine films can still be. It is a tremendously moving piece of work and Jim Broadbent will long be remember for this classic role. Highly recommended for repeated viewing. Grady Harp
Le saviez-vous
- AnecdotesTo look as much as possible like the real Lord Longford, Jim Broadbent wore a prosthetic nose and chin that took two hours to apply each day. A prison guard who had known the real Lord Longford was once very startled when Broadbent entered the prison door in costume. To make himself walk very slowly and lamely when Longford sees Myra Hindley for the last time in the movie (when the character is 92 years old), Broadbent put small, painful stones inside his shoes.
- GaffesOpening scene: clock in radio studio reads 2:17; radio host announces time check as 2:15. Same scene at end of movie: clock is the same, radio host's time check is 2:20.
- Citations
Myra Hindley: I'm trying Frank, to know the God that you know. But if you had been there, on the moors, in the moonlight, when we did the first one, you'd know, that evil can be a spiritual experience too.
- ConnexionsFeatured in The 59th Annual Primetime Emmy Awards (2007)
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