Une jeune femme atteinte de la maladie de Parkinson se lie d'amitié avec un représentant en toxicomanie travaillant pour Pfizer dans les années quatre-vingt-dix à Pittsburgh.Une jeune femme atteinte de la maladie de Parkinson se lie d'amitié avec un représentant en toxicomanie travaillant pour Pfizer dans les années quatre-vingt-dix à Pittsburgh.Une jeune femme atteinte de la maladie de Parkinson se lie d'amitié avec un représentant en toxicomanie travaillant pour Pfizer dans les années quatre-vingt-dix à Pittsburgh.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Avis à la une
The backdrop of pharmaceutical sales may not be the best for a comedy. There are attempts at jokes especially some Viagra montages, but it's more eye opening than funny. Jake Gyllenhaal is a great actor who is trying to give humanity to this relatively unlikeable guy. Anne Hathaway adds on a layer of cynicism and anger. It's not an easy silly rom-com. Although I try to like this movie, the tone changes are just too difficult to take.
The movie can be divided into two halves: the first is a typical rom-com, complete with witty banter and charming flirtations between Jamie and Maggie. However, midway through the film, the tone takes a dramatic shift as the focus shifts to Maggie's struggles with her illness. The movie becomes intimate and shockingly raw as Jamie tries to cope with the future struggles he and Maggie will face together, while simultaneously portraying Maggie's struggle to let someone in and take care of her. This story really works and brought tears to my eyes near the end.
While the direction is pretty bland and lacks any real sense of style, the performances are strong. Both Hathaway and Gyllenhaal have excellent chemistry and play off each other perfectly. However, the real standout performance comes from Josh Gad, whose comedic timing is brilliant and whose scenes had me laughing out loud.
One aspect of the movie that detracts from its overall impact is the excessive use of nudity. Hathaway is shown topless in almost every scene, to the point where it feels quite predatory. While I am not sure if the choice to include this excessive nudity was made by the director or writing team, its frequency detracts from the intimacy of the characters' interactions and feels quite gratuitous.
Overall, Love & Other Drugs is a solid romantic comedy that attempts to do something a little different, which I can definitely appreciate. Its exploration of illness and its effects on relationships adds a layer of depth and emotion that the typical rom-com formula usually lacks.
Score: 70% 👍 Verdict: Good.
There's a lot to like about the relationship between Jamie and Maggie. They have a raw intensity and passion for each other that was a bit much for some viewers, but in my opinion it was there to show how connected they were both physically and mentally. I thought their banter and teasing nature was cute. Nobody got wounded or sulked when teased but just laughed and teased back. The initial attraction between them started as an understanding of each other's loneliness and vulnerability that allowed them to feel like someone else finally got them after easily charming others with nothing more than a fascade. Their relationship had passion, love, and a roller-coaster of emotions.
There was a scene midway through the movie where Maggie tells Jamie that even though she may have many other moments like the ones that she shared with him that it will never be as special or mean as much to her and my heart wanted to swell because I knew exactly what she meant and what it is like to love someone that much.
As they grew together, both characters changed and let go of their issues with commitment and love. They tore down the walls they'd built to protect themselves and just let themselves fall. It was beautiful to me and I really enjoyed Love & Other Drugs.
From the trailer and the posters to be found in many of the bus shelters of our town it would have been fair to have expected a routine rom-com. The pose struck by the leads Jake Gylenhall & Anne Hathaway on that poster just screamed "knock about rom-com,just like hundreds of others" It isn't though and that was a pleasant and engaging surprise.
Jake Gylenhall pulls off the role of super bright but super slacker son Jamie in a high achieving family well and is convincing as a magnetising presence that women find irresistible.
The absence of Anne Hathaway's character Maggie in the first segment of the film is the first suggestion that this will not be a routine paint by numbers romance and Maggie's introduction sets the scene for the complex character she successfully portrays.
This film covers a lot of ground and both of the leads are engaging and believable.
Issues such as serious illness, the workings of the big pharmaceutical companies and their attempts to influence the decision making of medical professionals, the struggle people have to pay for treatment and a believably complex love story are woven in without significant signposting or obvious plot twists.
Once again, the two lead actors were excellent and overall this made for an enjoyable and engaging film
When he meets the twenty-six year-old Maggie Murdock (Anne Hathaway), they have sex on the first date. Maggie is a free spirit that has stage one Parkinson's disease and does not want to have a steady relationship. However, after a period, they both have a feeling that they have never felt before: love. But Jamie is promoted and need to move to Chicago and Maggie is afraid of her degenerative disease.
"Sex & Other Drugs" is a pleasant romance where the former Disney movies' actress Anne Hathaway shines with a bold role of a young woman that loves sex having to deal with Parkinson disease. Her character is very hot and her love scenes have a high level of eroticism. The bitter criticism to the pharmaceutical industry and corrupted doctors is unusual in American films.
Jake Gyllenhaal is a good actor in action films but he has a wooden performance in the role of a wolf that uses his appeal to be an efficient salesman. Josh Gad is annoying and his inconvenient character is never funny. Oliver Platt has a minor participation. My vote is seven.
Title (Brazil): "Amor e Outras Drogas" ("Love and Other Drugs")
Le saviez-vous
- AnecdotesAt one point, director Edward Zwick jumped into bed with Anne Hathaway and Jake Gyllenhaal naked for a group shot to make them feel more comfortable. This shot was used for the film's poster, with Zwick digitally removed.
- GaffesJamie and Maggie are in Chicago. In the scene where they walk across the street after the unConvention, the street sign clearly shows "Seventh Avenue." There is no Seventh Avenue in Chicago.
- Citations
Jamie Randall: Hey, Lisa.
Bruce Winston: Her name's not Lisa.
Jamie Randall: I know. I know. But, if everytime I say "Hey, Lisa", then eventually she'll come up to me and she'll be like, you know, "My name's not Lisa it's... Jennifer"... whatever, and I'll do a big apology and I'll say, "I thought you were the Lisa who was mad at me for not calling". And, from then on Jennifer, or whatever her name is, will think that I dated a girl who looked just like her... who I rejected. She'll develop this unconscious need to win my approval and from then on, it's cake.
Bruce Winston: Damn!
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #19.28 (2010)
- Bandes originalesTwo Princes
Written by Chris Barron (as Christopher Gross), Eric Schenkman, Mark White,
and Aaron Comess
Performed by Spin Doctors (as Spin Doctors)
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- De amor y otras adicciones
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 367 005 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 739 161 $US
- 28 nov. 2010
- Montant brut mondial
- 102 820 008 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1