Ajouter une intrigue dans votre langueA supersleuth bishop investigates a suspicious insurance business; an elderly couple construct a house that has no walls.A supersleuth bishop investigates a suspicious insurance business; an elderly couple construct a house that has no walls.A supersleuth bishop investigates a suspicious insurance business; an elderly couple construct a house that has no walls.
- Réalisation
- Scénario
- Casting principal
- Announcer
- (voix)
- …
- Buzz Aldrin
- (générique uniquement)
- Woman with Chest Rash
- (non crédité)
- Hench-vicar
- (non crédité)
- Man at Chemist's
- (non crédité)
- Hench-vicar
- (non crédité)
- Godparent at Baptism
- (non crédité)
- Nude Lady
- (non crédité)
- Hench-vicar
- (non crédité)
- Godparent at Baptism
- (non crédité)
- Hench-vicar
- (non crédité)
Avis à la une
The rest of the episode is a riot of connected bits, including a poet installed in a suburban home and, of course, The Bishop. This is the Flying Circus at its most chaotic, and yet it's consistently funny. Why end with a tribute to Buzz Aldrin? Why not?
Le saviez-vous
- AnecdotesSemprini was the surname of Alberto Semprini who was an English pianist, composer and conductor.
- GaffesDuring the 'Architects Sketch' the window behind Graham Chapman is open slightly when he looks out at the 'idiots', but closed when he starts speaking to the 'clients' again.
- Citations
Second City Gent: Are you proposing to slaughter our tenants?
Mr. Wiggin: Does that not fit in with your plans?
First City Gent: No, no, we wanted a simple block of flats.
Mr. Wiggin: Ah, I see. I hadn't fully divined your attitude towards your tenants. You see, I mainly design slaughterhouses, yes, pity. Mind you, this is a real beaut, none of your blood caked on the walls and flesh flying out of the windows incommoding the passers-by with this one, I mean my life has been leading up to this one.
Second City Gent: Yes, and well done. But we did want a block of flats.
Mr. Wiggin: Well, may I ask you to reconsider? You wouldn't regret it, think of that tourist trade.
First City Gent: No, no, it's just we wanted a block of flats and not an abattoir.
Mr. Wiggin: Yes, that's just the sort of blinkered, philistine, pig-ignorance I've come to expect from you non-creative garbage, you sit there on your loathsome, spotty behinds, squeezing blackheads, not caring a tinker's cuss about the struggling artist. You excrement! You lousy, hypocritical, whining toadies! With your lousy color T.V sets and your Tony Jacklin golf clubs! And your bleeding masonic handshakes! You wouldn't let me join, would you, ya black-balling bastards! Well, I wouldn't become a Freemason now, if you went down on your lousy, stinking, purulent knees and begged me!
Second City Gent: Well, we're sorry you feel like that, but we did want a block of flats. Nice though, the abattoir is.
Mr. Wiggin: Oh
[Scoffs]
Mr. Wiggin: the abattoir, but, if any of you could put in a word for me I'd love to be a mason. Freemasonry opens doors, I'd be very quiet, I was a bit on edge just now, but if I was a mason I'd just sit at the back and not get in anyone's way.
First City Gent: Thank you.
Mr. Wiggin: I've got a second-hand apron.
First City Gent: Thank you.
Mr. Wiggin: [Heads for the door] I nearly got in at Hendon.
First City Gent: Thank you.
- Crédits fousIn the closing credits: Script by Buzz Aldrin and Neil "One Giant Step for Mankind" Armstrong.
- ConnexionsFeatured in La première folie des Monty Python (1971)