Puccini et moi

Written and directed by Maria Maggenti, "Puccini For Beginners" is a tres chic romantic comedy set in a movie-spawned Manhattan where virtually everyone we meet is Caucasian, trendily upscale and sexually conflicted.

The strained setup lands somewhere between a labored screwball sex farce and a recycled Woody Allen angst-fest: Allegra (Elizabeth Reaser) is an opera-loving, afraid-of-commitment lesbian who finds herself inadvertently and simultaneously dating both a man (Justin Kirk) and his longtime girlfriend (winningly played by Gretchen Mol). As Allegra bounces back and forth between her two oblivious paramours, the characters talk out the issues of their relationships as if they were channeling left-over bits from "Annie Hall" or "Manhattan."

"Puccini for Beginners" is one of those small-scale independent features that thinks it's being smarter and more insightful about romantic relationships than it really is. Actually, after all those really sharp Woody Allen exposes on the same subject, very little in this film feels like fresh observation. To be truthful, with the exception of Mol's winsome Grace, most of the characters here are more annoying than they are appealing. Not only are the plotting and much of the writing too cutesy by half, but so is Maggenti's directorial style, which relies heavily on smart-alecky narration, freeze-framing, and dopey fantasy sequences to generate laughs.

"Puccini for Beginners" offers a few genuinely funny moments within its blessedly short 81-minute running time, but throughout we're plagued by the nagging and irreverent suspicion that the film might have been more accurately entitled "Puccini for Idiots."

This is one of the most delightful romantic comedies I've seen in a long time and one which should get wide distribution and a crossover audience in major cities as well as out-of-the-way communities. The San Francisco Lesbian & Gay Film Festival audience last night were stamping their feet and whistling along with the bravos as Maggenti attended the premiere...While it has yet to find a distributor, I'm confident, if last night was any indication, that one will be ringing her phone any minute...funny, witty, smart, a New York scene with wonderful actors, Justin Kirk, the adorable Gretchen Mol and beautiful Elizabeth Reasor...wait till you see it...you'll fall in love with all the characters...congrats, Maria, another success (The Incredibly True Story of Two Girls in Love; The Love Letter, Without a Trace (TV)...)

Nice NYC comic romp with a fatal flaw: central character just isn't likable. She's cheating, she's lying, she's whining, she only talks about herself -- so why is everyone falling all over her, aside from sex...

Ms. Mol was a true bright spot in this film. Central character needed some of her charm and warmth -- both in writing and delivery.

This was Closing Night film of a very successful 11th Seattle Lesbian and Gay Film Festival with director and star Justin Kirk in attendance. It received a very warm reception.

Filmed in 18 days 9/05 and doesn't look nearly as low budget as it was.

Directed and written by Maria Maggenti ("The Incredibly True Adventures of Two Girls in Love"), this disheveled 2007 romantic triangle comedy has several likable elements, but it never seems to coalesce into something more resonant. The chief problem is that the protagonist, a neurotic, opera-loving lesbian writer appropriately named Allegra, is so perpetually self-absorbed that her dilemma never elicits much sympathy. Elizabeth Reaser is an appealing character actress but frankly not charismatic enough to get away with the commitment-phobic shenanigans that Maggenti throws her way in the acerbic script. The gap causes an odd imbalance with her more intriguing co-stars Justin Kirk and Gretchen Mol. Kirk, who soared as Prior Walter in Mike Nichols' epic 2003 adaptation of Tony Kushner's "Angels in America", harnesses his quirky persona effectively to play Philip, a bored philosophy professor who becomes attracted to Allegra.

In turn, Allegra finds herself drawn to Philip but is still reeling from a break-up with her conflicted girlfriend of nine months. Meanwhile, Mol (refreshingly frank as "The Notorious Bettie Page") seems to be channeling a bit of Meg Ryan's flaky self-righteousness in playing Grace, a pert glass-blower who just broke up with Philip. Grace meets Allegra, and the standard complications ensue. Even with the lesbian angle, which Maggenti handles with aplomb, the indie movie feels more like a throwback to a 1930's screwball farce, especially seen in a hectic party scene where all three principals converge in a most haphazard way. Emotional isolation is a worthy theme to explore, but Maggenti can't make the film snap with the strength of her witty observations. One would have also expected a reference to Puccini, in particular, his tragic opera "Turandot", to be reflected more fully than it does here through the plodding plot structure. The 2007 DVD has an insightful commentary track from Maggenti and editor Susan Graef, as well as a couple of deleted scenes.

"Puccini for Beginners" is yet another independent relationship comedy. I remember a long line of them coming out probably around the same time this one did. We have love triangles and writers waxing on neurotically about love and relationships.

The lead is a writer, a lesbian who is unable to admit her true feelings, and she goes from a break up to a man. He's a philosophy professor who loves everything about her that it doesn't matter that she's a lesbian. In addition to their differences in sexual orientation, there are other love entanglements that get in their way - "with all the twists and turns of a classic Puccini" as the DVD case says. I would agree with that if the twists and turns in Puccini operas are obvious and uninspired with contrived culminations.

I enjoyed the casting, Elizabeth Reaser has a fresh face and isn't your typical romantic comedy lead. I fell in love with Justin Kirk as Andy Botwin in "Weeds" and I fell in love with him again here. The actresses who play her friends actually look like regular friends. But the cast wasn't able to save the characters. We have a lesbian with the prosaic name of Allegra, a writer whose neurotic, and a philosophy professor who pontificated on her vocabulary and the virtues of love and relationships. And none of them had interesting character traits.

The characters, the love triangles and the imperious dialogue were all flat. And the references to Puccini? Allegra likes going to the opera. So does Philip. I think that sums up all the imaginative aspects of "Puccini for Beginners".