À coeur ouvert

I would never have expected much from a film starring Adam Sandler, Saffron Burrows, Liv Tyler and Jada Pinkett Smitn. Not that they're bad actors by any means. It's just that I have hardly found any movie that centred around their characters interesting at all. This is Sandler's first dramatic performance I've seen (mind you, I have not seen 'Punch Drunk Love' yet). The addition of Don Cheadle makes a difference where expectations were concerned but it is Sandler who springs a surprise with a very effective performance of a former dentist suffering from a severe form of post-traumatic stress disorder while coping, or more correctly, not coping with the loss of his family and living in a self-imposed isolation. His nuanced performance is a combination of restraint and subtle comedy. There are moments when he 'explodes' but it applies well to the context and Sandler stays within character. This is not to say that Cheadle was less impressive. The reason why he's less surprising is that one can almost always expect a good performance from this actor. What makes 'Reign Over Me' work most is Sandler and Cheadle's on screen camaraderie as they share the right chemistry. Cheadle's character too is suffering a difficult marriage and complications at work and his reunion with Sandler's Charlie provides a form of escape but at the same time helps him to deal with his own problems. This way both friends gradually find that pieces of themselves which they have long lost. Liv Tyler does well as Alon's (confidant) friend. Jada Pinkett Smith is quite adequate. Saffron Burrows is weird in an odd role but her sequences do provide comic relief. Melinda Dillon has a small but complex role and she shines. I liked the soundtrack very much. Not only are the tracks impressive, it also gives a voice to New York (a city which suffered the same tragedy as Charlie) and flows brilliantly with the film. Binder's direction is solid for the most part. However, the inclusion of a courtroom sequence (including the whole Donald Sutherland track) seems forced and makes 'Reign Over Me' slightly clichéd. Perhaps this integral sequence could have been done a little different, without involving a courtroom. Nonetheless, 'Reign Over Me' has heart and it does tackle several different concepts in a subtle and suitable way. The way the comedy was wonderfully layered into the screenplay is quite an achievement for Binder. Strongly recommended.

I can't say I'm a fan of Adam Sandler, the comedian, but I CAN say, the fact that I stayed up until 1 in the morning to finish watching this film means that I was totally caught up in it and in Sandler's surprisingly mature and moving performance. The end kind of drags on a bit, like they weren't quite sure how to wrap it up. Ironically reminiscent of most current SNL skits; they just don't know when to quit. But for Sandler to exercise the restraint he did (as a comedian) was no small feat and I was thoroughly impressed by his skill as a serious actor (I couldn't believe how effortlessly he seemed to be able to emote with real tears). Good for him! It might be nice to see him try his hand at other serious roles. If you happen to see it on TV, don't pass it up.

Reign Over Me (2007)

This might be the best movie to deal with the 9/11 attacks out there. At first that isn't clear, but once you are done you realize that's all that matters. Out of nowhere, a tragedy and its personal consequences.

Of course, this is also a movie about a very unselfish friendship. Don Cheadle leads this movie top to bottom (this is the Adam Sandler movie that is really a Don Cheadle movie). And his unshakeable kindness and patience with ex-roommate Sandler is beautifully rendered. Cheadle's acting has a whole range of subtle gestures and hesitations that are clearly his, beyond what any director might offer. As the successful dentist in his late model Volvo wagon, he represents what Sandler, the man suffering from loss and psychological instability, once had.

Sandler is sort of perfect as a choice in this role partly because he's cast against type and that's the dynamic of the movie--a man who should be very different from what you see. The whole time you can picture the lively loving Sandler, and not the wreck before you. He plays the part with the quirks and inwardness you might expect, and it's not quite brilliant. He ends up supporting the shine of Cheadle's lead.

Another aspect to the movie, probably not unintended, is the beauty of New York, and the romantic lure of its ordinary streets. There are no landmarks here, just regular life in regular Manhattan.

The one slight drag on the whole affair, and I'm not sure how this could have been avoided without a wholly different plot, is the attempts to bring Sandler out of his hole. One aspect is professional psychiatry, which makes sense, and is pretty well done. (I found the depiction of an accomplished shrink by Liv Tyler really good.) But the other aspect, meant I suppose to add some spice to the cast, is the nutty and sharply beautiful presence of an outlier character, a woman who just happens along first into Cheadle's world and then by extension (and some unbelievable coincidence) into Sandler's. Saffron Burrows plays the part well but it seems forced into the scene--at times funny and poignant but, as with several other minor characters like the in-laws, mostly caricatured or out of place.

Not that anything is ever quite out of place in fiction. Fiction with a strong strain of truth giving it its depth. Director and writer Mike Binder has managed to pull together a gem that refers, ever so gently, to 9/11, and to some deeply caring New Yorkers who all, as a larger group, all suffered from the attacks. "Reign over Me" did not get the attention you might have expected. It's possibly because it's such a depressing movie, whatever its upbeat moments. But it's beautifully sad, like maybe we imagine some of the best European films to be, and I really recommend it on those terms.

Greetings again from the darkness. How rare it is for a film to examine the lost soul of men in pain. Adam Sandler stars as Charlie, a man who lost his family in the 9/11 tragedy, and has since lost his career, his reason to live and arguably, his sanity. Don Cheadle co-stars as Sandler's former Dental School roommate who appears to have the perfect life (that Sandler apparently had prior to 9/11).

Of course the parallels in these men's lives are obvious, but it is actually refreshing to see men's feelings on display in a movie ... feelings other than lust and revenge, that is. Watching how they actually help each other by just being there is painful and heartfelt. Writer/Director Mike Binder ("The Upside of Anger", and Sandler's accountant in this film) really brings a different look and feel to the film. Some of the scenes don't work as well as others, but overall it is well written and solidly directed.

Sandler and Cheadle are both excellent. Sandler's character reminds a bit of his fine performance in "Punch Drunk Love", but here he brings much more depth. Cheadle is always fine and does a nice job of expressing the burden he carries ... just by watching him work a jigsaw puzzle.

Support work is excellent by Jada Pinkett Smith (as Cheadle's wife), Liv Tyler (as a very patient psychiatrist), Saffron Burrows (in an oddly appealing role), Donald Sutherland as an irritated judge and Melinda Dillon and Robert Klein as Sandler's in-laws.

The film really touches on how the tragic events of that day affected one man so deeply that he is basically ruined. In addition to the interesting story and some great shots of NYC, you have to love any film that features vocals from Chrissy Hynde, Bruce Springsteen and Roger Daltrey ... as well as Eddie Vedder impersonating Daltrey. Not exactly a chipper upbeat film, but it is a quality film with an unusual story.

The feel of this movie was amazing. Adam Sandler's performance was very inspiring. As he played a very rattled and fragile character, he took his ability to the very edge and really worked the role. His character was really interesting. I can see myself reading the script for this movie and not being half as interested in the part as Sandler made me. For someone who plays primarily comedy roles, he pulled off a serious role with what seemed to be his own quirks and input. I especially loved the scene in which Adam and Don's characters rode the motorized scooter around the city. I familiarized with the moment, because it seemed like Don was witnessing one thing Adam does to get away from it all. With his video games, music, and many other things he does to keep him from thinking about the past, riding his scooter with his headphones on seemed like an escape from his thoughts. This movie is definitely worth the watch.