Tous les garçons aiment Mandy Lane

Famous for its circuitous route to a wide theater release (it made its film festival premiere in 2006 but didn't debut in theaters until 2013), 'Mandy Lane' became stale before it ever had a chance to be fresh.

It plays to the tropes of many classic horror films, such as, a mysterious killer stalking teens at a party, characters wandering off on their own only to be killed, characters dying after having sex, characters falling down while being chased, etc. The setting and gleaming shots lit by sunlight in the background are reminiscent of 'The Texas Chainsaw Massacre.' While it's clear that these tropes of intentionally included, it's unclear what statement they are trying to make.

Are these moments of satirical self-awareness? Are they admiring homages? The film is either playing dumb, or perhaps it's just dumb.

I lean toward believing the latter because of how the filmmakers use Mandy Lane, who is, herself, a horror movie cliche-the American virgin, who is pursued but never caught by horny high school dudes or the killer.

She never becomes more than an idea. We hardly learn anything about her, about why all the boys love her, other than because she's attractive. I suppose that's enough for these teen boy doofuses.

Mandy's character remains partially formed, which might have worked fine if not for the reveal in the third act that doesn't wind up making any sense because there's zero exposition on the motivation. Nevertheless, Amber Heard is the quintessential surrogate for Mandy Lane. She looks the part and (mostly) acts it too.

The rest of the acting is atrocious. They actors certainly play exaggerated versions of dumb drunk high school kids, who are obsessed with sex and are startlingly mean to each other. This should be easy to pull off, but somehow none of it feels believable. The worst offenses occur when the characters transition between drunk/high to stone cold sober in seconds. One guy literally smokes weed for two hours straight and still manages to become instantly sober when needed.

There is also an abundance of continuity issues and logical flaws. The teens steal a keg from a dumpy gas station but drink bottles of beer throughout the night of partying. Plenty of other instances will become obvious when watching.

In addition to these other many flaws, the film's biggest issue is that it fails to ever be scary. Sure, its kills are gory and gruesome, but those moments are nothing but plainly gross. They're too straightforward to be scary. The killer plays a role in this boring, non-scary problem too-no one will remember this killer as the next Michael Myers.

Overall, this is a bland and generic teen horror film. It's suited for an audience that isn't playing close attention and won't question any of the many issues.

Better than your average slasher-horror, which doesn't say much. Is a bit deeper than normal in that it has a serious drama angle, in that it tackles the subject of obsession. All this is secondary to the slasher theme, unfortunately. However, a good, unexpected twist at the end lifts this from mediocre to decent.

Yeah, I'll admit it. My headline is lamer than this movie could ever be. Truth be told, "All The Boys Love Mandy Lane" isn't a complete catastrophe. In fact it starts off quite promising. The cinematography is nice, the music and sound effects are effective and the characters are introduced and played well by the actors and actresses. Unfortunately, as soon as they arrive at the country house where the all the "horror" ensues the movie loses direction and gets boring.

Most of the time "Mandy Lane" seems like a nostalgic hymn to the wild and careless life of young people. That's all nice and dandy for a while but as the movie drags on and you're neither scared nor thrilled you start wondering what the point is. It's almost as if director Jonathan Levine had wanted to remake "The Virgin Suicides" with a few lame killings thrown in instead of suicides.

After a fairly acceptable twist the movie drags on even longer. It just won't end until it finally does, leaving you baffled as to whoever thought this would make a good ending. If it's true what a friend told me, that this script had been rewritten 18 (!) times, then, Jesus Christ, I don't wanna know what the first draft looked like. The result is unfortunate, since direction and cinematography are quite good, as mentioned above. With a better script this movie might actually have become something special. However, as it is "Mandy Lane" is an anti-climatic rehash of 80s slasher flicks that have been done before and better.

Before renting "All the boys love Mandy Lane", I saw its trailer in the YouTube to check it out. Good cameras, interesting story and there were some good reviews in IMDb. Well, maybe I was in for a surprise. You never know. So I took the risk and rented the film. But in the first moments of the film, I noticed that this one was not different at all - it was just another brick in the wall.

To begin with, apart from the differences of sex and looks there's nothing to really differentiate the characters in this film. Other films are able to provide simple characters (even if one-dimensional ones) with whom we can identify with. This film gives us a very superficial glimpse of the characters, their relationships, conflicts.. What we see in "All the boys love Mandy Lane" is just a bunch of stereotyped American teenagers like we've seen so many times before.

And how is Mandy Lane? Mandy Lane, as portrayed by Amber Heard, is just your typical high school girl. There are many girls like her - in any high school there are dozens of Mandy Lanes. Amber Heard has nothing really distinctive about her. She's pretty, that's all. Then, why do all the boys love Mandy Lane? This is a film, that's why.

That said, let's go to the film. As you well know, all the guys are mad about Mandy Lane. The boys (with the help of the girls) prepare a party. Mandy Lane is invited to this party. The party is to take place in an isolated ranch. No one had succeeded till now in scoring Mandy. The objective of this party is to ease things out. A girl in the group wants to make it with a guy, there are rivalries, frustrations, and last but not least, there's someone that loves Mandy so much that he/she is ready to kill for her. But make no mistake, anyone will guess from the beginning who the killer is, but prepare yourself for a wild twist that will put everything upside down.

If the script had managed to give us flesh and body characters and describe in more detail the relationship among the characters (their emotions, their conflicts...), this film could have been a memorable slasher teen flick. Had the film been done in the right way, there would be in it a growing sense of fear, of encirclement. Conflicts, fights, suspicion, and death advancing on and on.. outside just the empty fields... but the film is unable to build up the suspense.

"All the boys love Mandy Lane" is just a passable entertainment and nothing more. If you want to see a film with more substance try "High Tension" (Haute Tension), a very good french slasher flick.

I'll start off by saying the bar was set pretty low for this flick. While I love horror, slasher horror is one of my least favorite types. What made this film for me (along with several other reviewers) is the cinematography. It's a real visual treat - pretty in parts, gritty and terrifying in parts, with a "we're stuck in the middle of dry, dead earth" type of despair to it.

I didn't want to think Amber Heard did a good job. I don't think the role of Mandy Lane required much but a really beautiful girl (which she is), but her delivery and execution is spot on. Michael Welch held his own and all the supporting kids were believable.

When the killings start, it's pretty obvious who is doing it. The first murder is particularly brutal. The "twist" is not much of a twist, but it's well executed.

I had a lot of problems with the dialog, but then, I have a lot of problems listening to teenagers talk in real life. So I'm betting the dialog was pretty standard and not as cringe-worthy as I thought. I'm not familiar with the writer (Jacob Forman) and originally decided to watch this movie because I mistakenly thought Jonathan Levine wrote it. He directed it, but I like his writing (The Wackness, Warm Bodies).

Certain parts drag - I get that we need to build that droning, neverending party feeling but I wish there was a way to do that without a droning, neverending party. There is a lot of violence but it's....muffled. I don't know how else to describe it. It's effective because taking the edge out of it makes it seem more real.

If you like horror movies, you might like this. If you like slasher movies, you will probably like it.