Avatar
- 2009
- Tous publics
- 2h 42min
Un marine paraplégique envoyé sur la lune Pandora pour une mission unique est tiraillé entre suivre ses ordres et protéger le monde qu'il considère le sien.Un marine paraplégique envoyé sur la lune Pandora pour une mission unique est tiraillé entre suivre ses ordres et protéger le monde qu'il considère le sien.Un marine paraplégique envoyé sur la lune Pandora pour une mission unique est tiraillé entre suivre ses ordres et protéger le monde qu'il considère le sien.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Oscars
- 91 victoires et 131 nominations au total
Zoe Saldaña
- Neytiri
- (as Zoë Saldana)
CCH Pounder
- Mo'at
- (as Carol Christine Hilaria Pounder)
James Patrick Pitt
- Shuttle Pilot
- (as James Pitt)
Résumé
Reviewers say 'Avatar' is celebrated for its stunning visual effects, immersive 3D experience, and innovative motion-capture technology. The depiction of Pandora and the Na'vi culture is frequently lauded. However, criticisms arise regarding the predictable plot, lack of originality, and clichéd characters. Some find the story simplistic and reliant on familiar tropes, while others complain about the wooden dialogue. Despite these issues, many appreciate the film's emotional resonance and its strong messages about environmentalism and colonialism.
Avis à la une
Forgive me, I'm going to jump from professional to fan boy for a while here. I haven't had the jitters after a film the way I've had for Avatar in quite sometime. James Cameron's Avatar is the most entertaining and enthralling cinematic experiences of my life. It is incredible, simply put. What Cameron has done here is the most passionate film project put out since Steven Spielberg released Schindler's List. His attention to detail and his zeal for pushing the envelope is so admirable to any filmmaker or actor who will ever do another film from this point on.
Avatar is the story of Jake Sully, a paraplegic marine, who replaces his brother on a secret mission to infiltrate the Na' vi, the colony of beings that sit on the planet of Pandora, where there is a precious ore, that sells at a ridiculous amount. When Jake learns the ways of the Na' vi, his feelings and learnings will put him and the people he trusts in dangerous jeopardy.
The performances here, in the sense of reacting, becoming, and understanding what Cameron has written are astounding. Not to be confused with a sensational bravura performance from some of the centuries best such as Marion Brando, Tom Hanks, or Diane Keaton; these actors along with the director inhabit these visual transformations with special effects as if they are have lived these beings all their lives. This is all based on character movements and reactions. Sam Worthington, as Jake Sully, is an actor who's on his way to becoming a star. Though he has problems with his Aussie accent often enough in the film, he gets the job done. Zoe Saldana, who plays Neytiri, a Na' vi huntress, is thrilling and electrifying. Stephen Lang, as the rock hard Colonel Miles, takes on a villainous turn to a new level in science fiction. He offers actual emotion and emotes evil to the audience and gains our hatred easily. Sigourney Weaver as the beautiful Dr. Grace, is sufficient enough to have on screen again teamed with Cameron. She lives inside her role with effortless ease, but suffers from some of the typical James Cameron cheesy lines.
Narratively the film works perfectly on the cinematic level. The first forty minutes or so require patience and hope as it is the weakest part of the film and offers some dreariness, but when the second act takes off, it's sky high with no limits for James Cameron. Avatar delivers the best action sequences put on film of all time. That is the boldest statement I have ever made in all my years of criticism. I sat on this for two days before charging it out, but I mean it. It is the best visual experience of my life, period.
Other than those visuals, the film pops with all the other technical aspects thrown into one. Art Direction is killer as the two worlds blend in perfectly for an acceptable time. The Film Editing is the crowning achievement of the film as it also offers the perfect blend of the two worlds, enticing the viewer and shifting us around. Mauro Fiore is the threat for a Cinematography Oscar this year. It was if the viewer sat down in a chair, put on glasses, and was literally placed on Pandora, spaceships, and floating mountains. The viewer can feel so engulfed by the imagery, you feel like you can smell the leaves from the trees. Avatar is utterly hypnotizing. James Horner's score is some of the best work done in his career. It offers a variable of devastation that moves the viewer to near tears. It goes back to his work on Titanic, where the musical instruments lifted the material immensely. The entire sound team is also locked and loaded for Oscar recognition as the feeling of animals, machines, and arrows buzzing by your head leave you imprisoned in Cameron's exquisite film.
James Cameron has come back home ladies and gentlemen Cameron is back, bigger, badder, and mature in his crowning work of his career. Terminator 2: Judgment Day and Titanic do not even compare anymore. This is the film that can blend the fans of those two films together and lock Cameron into your heart. He's a definite spoiler for a directing bid for the Academy Awards. You have admire the raw, natural talent the man has. How could you ever conceive such an experience and put that much effort and work into it and have it pay off? The box office success will surely keep him in the minds of voters for various critics' awards. His screenplay, leaps and bounds better than 1997's Best Picture Winner, is primed, developed and ripe for the taking. Though, you do acquire the tacky and atypical dialogue you expect from a science fiction director of this caliber, you can appreciate the effort and the honesty of it all. James Cameron is everything Michael Bay wishes he was, to put it bluntly.
Avatar will bring also great actors putting their best foot forward such as Giovanni Ribisi, who is as underrated as they come. Michelle Rodriguez who exudes sexy like any woman starring in a sci-fi epic. Joel Moore, showing his range outside of his comedic work in Dodgeball: An Underdog Story. And the classy veteran actors, CCH Pounder and Wes Studi, who just simply don't work enough.
Avatar is one of the best films of the year. The most exciting, thrilling, and superb work you'll feast your eyes on in any theater this century. Cinema, forever, will remember the benchmark that James Cameron placed not only for himself, but for any man, daring to change the game, the way Cameron did. Avatar is a movie experience to be remembered, and please experience in a movie theater first.
***½/****
Avatar is the story of Jake Sully, a paraplegic marine, who replaces his brother on a secret mission to infiltrate the Na' vi, the colony of beings that sit on the planet of Pandora, where there is a precious ore, that sells at a ridiculous amount. When Jake learns the ways of the Na' vi, his feelings and learnings will put him and the people he trusts in dangerous jeopardy.
The performances here, in the sense of reacting, becoming, and understanding what Cameron has written are astounding. Not to be confused with a sensational bravura performance from some of the centuries best such as Marion Brando, Tom Hanks, or Diane Keaton; these actors along with the director inhabit these visual transformations with special effects as if they are have lived these beings all their lives. This is all based on character movements and reactions. Sam Worthington, as Jake Sully, is an actor who's on his way to becoming a star. Though he has problems with his Aussie accent often enough in the film, he gets the job done. Zoe Saldana, who plays Neytiri, a Na' vi huntress, is thrilling and electrifying. Stephen Lang, as the rock hard Colonel Miles, takes on a villainous turn to a new level in science fiction. He offers actual emotion and emotes evil to the audience and gains our hatred easily. Sigourney Weaver as the beautiful Dr. Grace, is sufficient enough to have on screen again teamed with Cameron. She lives inside her role with effortless ease, but suffers from some of the typical James Cameron cheesy lines.
Narratively the film works perfectly on the cinematic level. The first forty minutes or so require patience and hope as it is the weakest part of the film and offers some dreariness, but when the second act takes off, it's sky high with no limits for James Cameron. Avatar delivers the best action sequences put on film of all time. That is the boldest statement I have ever made in all my years of criticism. I sat on this for two days before charging it out, but I mean it. It is the best visual experience of my life, period.
Other than those visuals, the film pops with all the other technical aspects thrown into one. Art Direction is killer as the two worlds blend in perfectly for an acceptable time. The Film Editing is the crowning achievement of the film as it also offers the perfect blend of the two worlds, enticing the viewer and shifting us around. Mauro Fiore is the threat for a Cinematography Oscar this year. It was if the viewer sat down in a chair, put on glasses, and was literally placed on Pandora, spaceships, and floating mountains. The viewer can feel so engulfed by the imagery, you feel like you can smell the leaves from the trees. Avatar is utterly hypnotizing. James Horner's score is some of the best work done in his career. It offers a variable of devastation that moves the viewer to near tears. It goes back to his work on Titanic, where the musical instruments lifted the material immensely. The entire sound team is also locked and loaded for Oscar recognition as the feeling of animals, machines, and arrows buzzing by your head leave you imprisoned in Cameron's exquisite film.
James Cameron has come back home ladies and gentlemen Cameron is back, bigger, badder, and mature in his crowning work of his career. Terminator 2: Judgment Day and Titanic do not even compare anymore. This is the film that can blend the fans of those two films together and lock Cameron into your heart. He's a definite spoiler for a directing bid for the Academy Awards. You have admire the raw, natural talent the man has. How could you ever conceive such an experience and put that much effort and work into it and have it pay off? The box office success will surely keep him in the minds of voters for various critics' awards. His screenplay, leaps and bounds better than 1997's Best Picture Winner, is primed, developed and ripe for the taking. Though, you do acquire the tacky and atypical dialogue you expect from a science fiction director of this caliber, you can appreciate the effort and the honesty of it all. James Cameron is everything Michael Bay wishes he was, to put it bluntly.
Avatar will bring also great actors putting their best foot forward such as Giovanni Ribisi, who is as underrated as they come. Michelle Rodriguez who exudes sexy like any woman starring in a sci-fi epic. Joel Moore, showing his range outside of his comedic work in Dodgeball: An Underdog Story. And the classy veteran actors, CCH Pounder and Wes Studi, who just simply don't work enough.
Avatar is one of the best films of the year. The most exciting, thrilling, and superb work you'll feast your eyes on in any theater this century. Cinema, forever, will remember the benchmark that James Cameron placed not only for himself, but for any man, daring to change the game, the way Cameron did. Avatar is a movie experience to be remembered, and please experience in a movie theater first.
***½/****
You know the feeling when you start watching a movie, realizing it's almost 3 hours, and saying to yourself - "Well this is probably gonna be mostly boring", well, the creators of this movie didn't let that happen, rest assures.
From the beginning up until the ending, every scene is perfected, with amazing acting, stunning directing, great visual effects, and astounding sound effects.
The story building is just great , characters are well-developed , and the concept is brilliant.
The only thing that's missing to me, is a fitting-soundtrack which could've give some scenes a great boost.
I avoided watching this movie for a long time, because it just seemed a little ridiculous to me (Come on there are blue people) but I'm so glad I finally decides to give it a chance, and boy did it serve.
Loved it. 9.5/10.
From the beginning up until the ending, every scene is perfected, with amazing acting, stunning directing, great visual effects, and astounding sound effects.
The story building is just great , characters are well-developed , and the concept is brilliant.
The only thing that's missing to me, is a fitting-soundtrack which could've give some scenes a great boost.
I avoided watching this movie for a long time, because it just seemed a little ridiculous to me (Come on there are blue people) but I'm so glad I finally decides to give it a chance, and boy did it serve.
Loved it. 9.5/10.
Although I was not too bothered about seeing Avatar as a film, I felt it was a bit foolish to let this milestone of cinema go past me – particularly when the thing it is hyped for are the effects and being the first "big" film to utilise 3D technology to this degree. It just seemed that watching it on my TV in about 9 months on DVD with a basic stereo system would be missing the point. Unsurprisingly I was right because Avatar is technically a brilliant film that deserves to sweep the Oscars in terms of awards for visual effects and other such categories.
If we ignore the 3D for a minute, the actual effects look great and I imagine that it will still be impressive in 2D. The landscapes and world of Pandora are imaginative (ironic since how dumb the name of it is) and very vividly created to the point where you forget that they are effects when you step back from them. Likewise it is so easy to forget that the Na'vi are not actors in quite brilliant outfits and makeup because they look so real and move so naturally – it is a million miles from the films such as Spiderman or Indy 4 where you can see where the real person ends and the jumping/swinging special effect begin. There were points in the film where I found myself wondering how on earth they managed to get a particular shot and where the camera was, only for my brain to kick in a second later to remind me that what I'm seeing is entirely virtual. OK the fantastical visual aspects are clearly creations but I was startled by how accepting of it all was and, in 2D I thought that the effects were pretty seamless.
In 3D it doesn't quite hit the same mark for me. The "look it's in 3D" shots are not as obvious as some of the other films (where stuff comes out of the screen for no reason) but it is still a little distracting when the 3D forces your focus or has stuff where it doesn't aid the scene. Of course the world of Pandora looks great with things moving around in front of you and the final battle sequences are great – the money is all there to be seen. Thing is, the reason I was able to think about "how did they do that shot" while watching the film is because the technical aspects of the film is really all there is to engage with. The plot is basic and obvious – others have talked at length about the rights and wrongs of a story where the white man comes to the aid of the indigenous people, so I'll not add to that debate. The problem for me is simpler than that, it is simply that the plot is weak and the script is just as weak. My girlfriend laughed out loud when the name of the mineral on Pandora was named as "Unobtainium" and there were plenty of things like this. The dialogue between the characters is full of needless plot exposition and thus doesn't ring true. Of course all this is helped by the action and the effects but the narrative and writing weaknesses are all I can think of when I have to listen to people tell me how Avatar is the best film ever.
The cast manage to do solid jobs considering how easy it is for them to get lost in the effects (see the modern Star Wars films to see this happen). Worthington is stuck with some awful dialogue but he is a good presence even in his Avatar. Saldana's performance is good, again despite some of her expressions and dialogue. Weaver is "so-so", Moore is pointless, Ribisi is miscast in a character that is so clichéd that it needed a decent casting to make it be more than it was. I liked Lang a lot and his OTT badass character worked well. Rodriguez seems like she is there because someone important likes her and her character doesn't add a terrible lot. Voice work from Studi, Pounder and others is good.
Overall Avatar deserves to be seen for its technical importance and how impressive it is but the degree of praise for it needs to be put in context by considering how it plays as more than just a special effects milestone. In these terms it is not as good due to a poor plot and script that hurts the actors more than the effects do by handing them some awful dialogue. That it works is testament to how impressive the effects are but there is not a terrible lot to gush about beyond these.
If we ignore the 3D for a minute, the actual effects look great and I imagine that it will still be impressive in 2D. The landscapes and world of Pandora are imaginative (ironic since how dumb the name of it is) and very vividly created to the point where you forget that they are effects when you step back from them. Likewise it is so easy to forget that the Na'vi are not actors in quite brilliant outfits and makeup because they look so real and move so naturally – it is a million miles from the films such as Spiderman or Indy 4 where you can see where the real person ends and the jumping/swinging special effect begin. There were points in the film where I found myself wondering how on earth they managed to get a particular shot and where the camera was, only for my brain to kick in a second later to remind me that what I'm seeing is entirely virtual. OK the fantastical visual aspects are clearly creations but I was startled by how accepting of it all was and, in 2D I thought that the effects were pretty seamless.
In 3D it doesn't quite hit the same mark for me. The "look it's in 3D" shots are not as obvious as some of the other films (where stuff comes out of the screen for no reason) but it is still a little distracting when the 3D forces your focus or has stuff where it doesn't aid the scene. Of course the world of Pandora looks great with things moving around in front of you and the final battle sequences are great – the money is all there to be seen. Thing is, the reason I was able to think about "how did they do that shot" while watching the film is because the technical aspects of the film is really all there is to engage with. The plot is basic and obvious – others have talked at length about the rights and wrongs of a story where the white man comes to the aid of the indigenous people, so I'll not add to that debate. The problem for me is simpler than that, it is simply that the plot is weak and the script is just as weak. My girlfriend laughed out loud when the name of the mineral on Pandora was named as "Unobtainium" and there were plenty of things like this. The dialogue between the characters is full of needless plot exposition and thus doesn't ring true. Of course all this is helped by the action and the effects but the narrative and writing weaknesses are all I can think of when I have to listen to people tell me how Avatar is the best film ever.
The cast manage to do solid jobs considering how easy it is for them to get lost in the effects (see the modern Star Wars films to see this happen). Worthington is stuck with some awful dialogue but he is a good presence even in his Avatar. Saldana's performance is good, again despite some of her expressions and dialogue. Weaver is "so-so", Moore is pointless, Ribisi is miscast in a character that is so clichéd that it needed a decent casting to make it be more than it was. I liked Lang a lot and his OTT badass character worked well. Rodriguez seems like she is there because someone important likes her and her character doesn't add a terrible lot. Voice work from Studi, Pounder and others is good.
Overall Avatar deserves to be seen for its technical importance and how impressive it is but the degree of praise for it needs to be put in context by considering how it plays as more than just a special effects milestone. In these terms it is not as good due to a poor plot and script that hurts the actors more than the effects do by handing them some awful dialogue. That it works is testament to how impressive the effects are but there is not a terrible lot to gush about beyond these.
I was waiting for this day for the longest time. I was a kid back in 2009 when this movie released. So never got to watch it back then. But now when it rereleased I booked the first day show to a IMAX show and oh boy was I blown away! This is nothing short of a masterpiece! It's beyond belief how a film like this could've been made. Every scene, every shot is perfection. You are transferred to a different world and become so engrossed in the film. Never have I attended a movie where at the end of it people got up from their seats and started clapping! Last time this happened was after Infinity War. That movie too was a damn brilliant one. I'm from India and this is legit rare, where people go crazy, so crazy after any English film. This was one experience that I will never forget. I'm definitely going for it again next weekend cuz just once was not enough.
Every human on the planet needs to experience this magnificent work of art!
Every human on the planet needs to experience this magnificent work of art!
It's been 12 years since we last saw James Cameron's visionary directing on the big screen. He previously graced Our Cinemas with the Likes of The Terminator, Aliens and the rather popular titanic. The latter went on to gross more than 1.8 billion dollars worldwide and bag 11 Oscar's. Now he's back with another epic, Avatar. It's been 12 years in the making, now it is being realised in glorious 3-D.
The story is set hundreds of years from today on the distant moon of Pandora. The planets a lush, vivid place full of beautiful and deadly creatures. The population that inhabit this planet are the Na'vi, they are big, very fast and athletic with a knack for not taking the humans lightly. The film centres on Jake sully (Sam Worthington) a paraplegic marine who is offered a second chance at being a soldier. He is asked to fill in his recently deceased brother's boots and head to Pandora. The First thing you will notice about this film is that it looks incredible. Every single blade of grass has been fully detailed. The motion capture technology brings the Na'vi to life, with every emotion being realised. This is truly from a visionary point of view, a work of art.
You are transported to the Moon of Pandora and it's a marvel if you are seeing it in 3-D, as intended. You are then introduced to the main characters of the film. First you meet the rather joyful and impressive colonel Quaritch (Stephen Lang) He gives a stand out performance as a stereotypical American Grunt, a rather over used cliché by the Canadian director. You are then introduced to Dr. Grace Augustine (Sigourney Weaver) who has affection for the Na'vi, and looking for a way back into the indigenous population's community.
You will notice through the film that there are many references to James Cameron's previous work Aliens. There are a few small similarities' and one big, Aliens is arguably Cameron's best work, so it's not a negative. The role of Parker Selfridge (Giovanni Ribisi) will remind you of Carter Burke, the slimy all business Executive from Aliens. The score by James Horner, who also worked with Cameron on the 1986 hit leaves a familiar taste in your mouth. Cameron originally wanted Michael Biehn to play the role of Quaritch but thought the audience would get confused as Sigourney Weaver is also in the movie.
The introduction of neytiri (Zoe Saldana) is powerful and exciting, You get the impression that she knows how to handle herself, This is a trait of all Jim Cameron's heroines. She introduces us to the Na'vi culture, and in the process, we start to care for and understand the advanced race.
The film flows well; it can drag at times, especially in the middle act of the film. This could have been improved with an extra RDA encounter, to further mount the tension between the Na'vi and the inpatient humans. The Action in the film is amazing, real hard hitting stuff. But it is in no way mindless. Every scene of action has been carefully crafted, by the trusty hands and eyes of James Cameron, Who has a knack for getting the audiences, pulse racing. The final battle lasts around 40 minutes long and it is defiantly a sight to be seen.
Final Thought's: On a technical level the film is a triumph with moments of wonder, the action is top notch to boot. The script and story can let it down at points, but that is no reason not to see the movie.Avatar is like a beautiful painting. What you see is what you get, and what you get is nothing short of epic.
A moment of brilliance: The final battle scene is as good as they come. The last time you had Goosebumps like this, was when a well known farm boy, destroyed a death star.
Reviewer: Joshua Roberts
The story is set hundreds of years from today on the distant moon of Pandora. The planets a lush, vivid place full of beautiful and deadly creatures. The population that inhabit this planet are the Na'vi, they are big, very fast and athletic with a knack for not taking the humans lightly. The film centres on Jake sully (Sam Worthington) a paraplegic marine who is offered a second chance at being a soldier. He is asked to fill in his recently deceased brother's boots and head to Pandora. The First thing you will notice about this film is that it looks incredible. Every single blade of grass has been fully detailed. The motion capture technology brings the Na'vi to life, with every emotion being realised. This is truly from a visionary point of view, a work of art.
You are transported to the Moon of Pandora and it's a marvel if you are seeing it in 3-D, as intended. You are then introduced to the main characters of the film. First you meet the rather joyful and impressive colonel Quaritch (Stephen Lang) He gives a stand out performance as a stereotypical American Grunt, a rather over used cliché by the Canadian director. You are then introduced to Dr. Grace Augustine (Sigourney Weaver) who has affection for the Na'vi, and looking for a way back into the indigenous population's community.
You will notice through the film that there are many references to James Cameron's previous work Aliens. There are a few small similarities' and one big, Aliens is arguably Cameron's best work, so it's not a negative. The role of Parker Selfridge (Giovanni Ribisi) will remind you of Carter Burke, the slimy all business Executive from Aliens. The score by James Horner, who also worked with Cameron on the 1986 hit leaves a familiar taste in your mouth. Cameron originally wanted Michael Biehn to play the role of Quaritch but thought the audience would get confused as Sigourney Weaver is also in the movie.
The introduction of neytiri (Zoe Saldana) is powerful and exciting, You get the impression that she knows how to handle herself, This is a trait of all Jim Cameron's heroines. She introduces us to the Na'vi culture, and in the process, we start to care for and understand the advanced race.
The film flows well; it can drag at times, especially in the middle act of the film. This could have been improved with an extra RDA encounter, to further mount the tension between the Na'vi and the inpatient humans. The Action in the film is amazing, real hard hitting stuff. But it is in no way mindless. Every scene of action has been carefully crafted, by the trusty hands and eyes of James Cameron, Who has a knack for getting the audiences, pulse racing. The final battle lasts around 40 minutes long and it is defiantly a sight to be seen.
Final Thought's: On a technical level the film is a triumph with moments of wonder, the action is top notch to boot. The script and story can let it down at points, but that is no reason not to see the movie.Avatar is like a beautiful painting. What you see is what you get, and what you get is nothing short of epic.
A moment of brilliance: The final battle scene is as good as they come. The last time you had Goosebumps like this, was when a well known farm boy, destroyed a death star.
Reviewer: Joshua Roberts
Le saviez-vous
- AnecdotesThe Na'vi language was created entirely from scratch by linguist Dr. Paul R. Frommer. James Cameron hired him to construct a language that would be easily enunciable for actors to pronounce but would not resemble any human language. Frommer created about 1,000 words. Cameron requested Dr Frommer that the Na'vi language must be entirely new, as it's supposed to be from another planet, and that it should sound "nice" to the audience. Cameron didn't want any additional editing done to their voices and wanted them to sound authentic and not unnatural. Equipped with a vast knowledge of linguistics, Dr Frommer understood what kinds of sounds the Na'vi language would or wouldn't have. Just like "j" and "r" don't exist in Korean, in English, the 'h' sound is unaspirated. In a similar vein, Frommer's conception of the new language totally avoided the sounds of "ch", "th", and "sh". Additionally, Frommer had to decide on the language's syntax -- or rules regarding word order. He came up with his own set of constraints and words to be used in the language of Pandora. The tongue took inspiration from the natural languages of the world to create a totally different spoken form.
- GaffesThe human avatars all have five fingers and toes, while the natives only have four. The reason for this is to show subtle differences in the avatars due to the mixing of human and native DNA.
- Citations
Jake Sully: Neytiri calls me skxawng. It means "moron."
- Crédits fousThere are no opening credits of any kind, outside of the 20th Century Fox fanfare. The title of the film doesn't appear on screen until the end of the movie. For the 2022 re-release, the 20th Century Fox logo was swapped out for a 20th Century Studios logo for consistency with the second film.
- Versions alternativesAvatar (Special Edition) - 14 additions from the theatrical cut
- Herd: As they fly over Pandora in Trudy's gunship, Jake, Grace and Norm get a closer look at some of Pandora's creatures.
- The Schoolhouse: Entering an abandoned schoolhouse in the jungle with Grace and Norm to retrieve supplies, Jake makes a grim discovery.
- Purple Moss: Jake follows Neytiri after his rescue, and delights in the bioluminescent moss that glows beneath his feet with every step. I Don't Even Know Your Name: Newly tasked with teaching Jake the Na'vi ways, Neytiri brings him to dinner with the entire clan.
- What Does Hold Them Up?: The Avatar team lands at their new base camp in the Hallelujah Mountains, and Jake and Norm marvel at the floating mountains.
- Extended Montage: Jake learns the ways of the Pandoran forest under Neytiri's tutelage, and the gulf between his two worlds grows ever wider.
- Neytiri's Flyby: As Tsu'tey, Jake and two other young hunters travel across suspended vines to dizzying heights, Neytiri sails past on her banshee.
- Sturmbeest Hunt: Omaticayan hunters on direhorses attack a massive herd of sturmbeests, while Jake takes aim from atop his banshee.
- Extended Love Scene: Jake and Neytiri confess their feelings for one another and bond together for life under the Tree of Voices in this extended scene.
- Drums of War: The morning after the military's attack on the Tree of Voices, Parker and Quaritch get some bad news from the reconnaissance team.
- Tsu'tey's Fall: In the RDA assault, Tsu'tey fights fiercely after boarding the Valkyrie shuttle. But the soldiers counter with a hail of bullets.
- Strumbeest Attack: Sturmbeests charge to the rescue when Neytiri is cornered by RDA soldiers in AMP suits.
- Extended Thanator Fight: Neytiri and her fearsome thanator battle Colonel Quaritch in his AMP suit in this extended sequence.
- The Last Shadow: When Neytiri and Jake find Tsu'tey mortally wounded, he passes leadership of the Omaticaya to Jake, with one last request of him.
- ConnexionsEdited into Bones: The Gamer in the Grease (2009)
- Bandes originalesI See You (Theme from Avatar)
Performed by Leona Lewis
Music by James Horner and Simon Franglen
Lyrics by Simon Franglen, Kuk Harrell, and James Horner
Produced by Simon Franglen and James Horner
Leona Lewis performs courtesy of Syco Music
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- How long is Avatar?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Avatar: An IMAX 3D Experience
- Lieux de tournage
- Kaua'i, Hawaï, États-Unis(rain forest)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 237 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 785 221 649 $US
- Week-end de sortie aux États-Unis et au Canada
- 77 025 481 $US
- 20 déc. 2009
- Montant brut mondial
- 2 923 710 708 $US
- Durée2 heures 42 minutes
- Couleur
- Mixage
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