Ajouter une intrigue dans votre langueTwo yuppies play mean tricks on one another until one joke has fatal consequences.Two yuppies play mean tricks on one another until one joke has fatal consequences.Two yuppies play mean tricks on one another until one joke has fatal consequences.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
The act of slumming, didn't seem to have much to do with the main character of Sebastian. He is just bored with his life and is searching for some meaning within it. Unfortunately, their is ZERO back story provided to explain why he feels/acts the way he does to total strangers or why he makes certain choices. Which left me feeling no connection to him during or after the film.
Good first act, good acting, and amazing locales help this film, everything else...?
In my opinion it is a quite mediocrity movie, the idea itself is good - about guys who make pranks and practical jokes just for fun but personally I got bored few times while watching. What lifts the movie above total mediocrity is the acting of Paulus Manker (Kallman) whose role of an alcoholic was so convincing, without exaggerating, very realistic. As the actor said himself, he really was drunk sometimes while making the movie.
And for the end a quote from a poem, Kallman wrote: "MEIN NAME IST ANGST!"
This film totally flipped me over by the end of it. It was exciting to follow the whole time, but it was the end of it that impressed me. It's got the sneaky result of the development of the persons. It's hard to comment without ruining for others who has not watched it yet. But I can say it's the connection between the voice in the beginning and the voice at the end of the film, that really got to me. It's got a beautiful connection between two persons who we thought were so unlike..
Le saviez-vous
- Citations
Kallmann: [to self] Wer san Sie? He? Wer san Sie, woas wolln Sie? Woas wolln Sie? Wüst Du ned a bisserl scheißn geh? Wüst Du ned a bisserl scheißn geh? Woas? Fahrscheinkontrolle! Herst geh in Oarsch! Geh in Oarsch eine, du Trottl! Hinter mir iss niemand! Hinter mir iss niemand, geh scheißn! Ollas Foahrscheine bitte, ollas in Oarsch eine bitte! Greif mi ned au! I soags da greif mi ned au! Mit de Finger! Greif mi ned au mit de Händ! Woas glaubstn Du? Fahrscheinkontrolle! Du kaunstda an wetzn, Schaßaugata! Du kaunstda an wetzn, spü a Sensn! Stö Di in de Eckn! Awe Maria mitda Sensn! Zeig ma Dein Fohrschein, Awe! Zeig ma Dein Fohrschein... Awe! I loss mi von Eich... ned auredn! I hoab ka Kontrolle!
Kallmann: [speaks] Fahrscheine bitte!
Kallmann: [to self] I hoab kan Schein! I hoab groad no... an Pass! I bin i! I bin... i kaun durchn Mund sehng! Schau mi ned au! I soag dass! Du blinde Sau, Du! Du siachst ja goarnix! I siach durchn Mund! Waßt Du des? I siach durchn Mund!
- ConnexionsReferences La Ruée vers l'or (1925)
- Bandes originalesCeo zivot jedna ljubav
Written by Z. Mladenovic, J. Stepic and Z. Tomic
Performed by Dragana Mirkovic
CD: Dragana 16
Courtesy of Dragana Mirkovic-Bijelic KEG
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Détails
- Date de sortie
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- Sites officiels
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- Трущобные прогулки
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- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 86 217 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.85 : 1