La bataille d'Iwo Joma entre les États-Unis et le Japon impérial pendant la Seconde Guerre mondiale, racontée du point de vue des japonais qui s'y sont battus.La bataille d'Iwo Joma entre les États-Unis et le Japon impérial pendant la Seconde Guerre mondiale, racontée du point de vue des japonais qui s'y sont battus.La bataille d'Iwo Joma entre les États-Unis et le Japon impérial pendant la Seconde Guerre mondiale, racontée du point de vue des japonais qui s'y sont battus.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 25 victoires et 39 nominations au total
Shidô Nakamura
- Lieutenant Itô
- (as Shidou Nakamura)
Luke Eberl
- Sam
- (as Lucas Elliot)
Sonny Saito
- Medic Endô
- (as Sonny Seiichi Saito)
Avis à la une
The companion film to "Flags of Our Fathers" shows the battle of Iwo Jima from the Japanese point of view. Starting with the building of fortifications, hiding from relentless bombardment, and fending off an equally strong attack as American troops land on the island.
"Letters from Iwo Jima" just like "Flags of Our Fathers" is a first rate war movie with a relevant message with its critical nature. "Flags" showed the selling of war and "Letters" does the same, albeit with a different mind-set. Japan was an empire governed by a monarch back then so the military mentality was quite different, but it is also important to note the similarities. Especially at the base of the social pyramid where it is quite apparent that people are people no matter where you go.
Virtually all of the uber-patriotic tendencies that were rampant in Imperial Japan during WWII were also in Nazi Germany and, as both "Flags" and "Letters" demonstrate in the United States as well. People were used for the purpose of the government and were fed propaganda just the same. Maybe a different in a different form, but in the end it is all the same.
Ken Wantanbe is the film's highlight as a military man torn between his sense of duty and his inner feelings. As commander of the island he sees amongst his men the fanaticism, the pacifism, the "just do our job" crowd, and many other configurations of thought in between and mixed with the others. Even strange that some men initially want to fight and are proud to serve in the military and what's shocking is that some of their wives and mothers believe the same.
That paints a landscape of war as something amidst all of the stereotypes that have been made of it. Since that is where the truth usually lies, amidst all the gray matter. --- 9/10
Rated R: war violence/carnage
"Letters from Iwo Jima" just like "Flags of Our Fathers" is a first rate war movie with a relevant message with its critical nature. "Flags" showed the selling of war and "Letters" does the same, albeit with a different mind-set. Japan was an empire governed by a monarch back then so the military mentality was quite different, but it is also important to note the similarities. Especially at the base of the social pyramid where it is quite apparent that people are people no matter where you go.
Virtually all of the uber-patriotic tendencies that were rampant in Imperial Japan during WWII were also in Nazi Germany and, as both "Flags" and "Letters" demonstrate in the United States as well. People were used for the purpose of the government and were fed propaganda just the same. Maybe a different in a different form, but in the end it is all the same.
Ken Wantanbe is the film's highlight as a military man torn between his sense of duty and his inner feelings. As commander of the island he sees amongst his men the fanaticism, the pacifism, the "just do our job" crowd, and many other configurations of thought in between and mixed with the others. Even strange that some men initially want to fight and are proud to serve in the military and what's shocking is that some of their wives and mothers believe the same.
That paints a landscape of war as something amidst all of the stereotypes that have been made of it. Since that is where the truth usually lies, amidst all the gray matter. --- 9/10
Rated R: war violence/carnage
I was not one of those who was really taken with "Flags Of Our Fathers." I thought the story was rather lacklustre and lacking to be honest, and so had little interest in "Letters From Iwo Jima." This is the sort of sequel to "Flags" - or it might be better called a companion to "Flags." Both were directed by Clint Eastwood and "Letters" shows the story of the Battle of Iwo Jima from the Japanese perspective - and much to my surprise I liked this movie very much. It was, I thought, by far superior to "Flags."
Most American movies dealing with World War II in the Pacific do so from a specifically American perspective that portrays the Japanese in an unflattering light. That's understandable. In the context of World War II, after all, Japan was the enemy. But "Letters" takes a very personal and human look at the Japanese soldiers assigned to Iwo Jima's defence. To me, the point that was being made was how much alike the Japanese and the Americans were. Both were fighting for their countries; both had little knowledge of the other, and therefore had distorted views of the other; both were doing their duties as they understood it. And, of course, the movie is based on letters supposedly written by Japanese soldiers on Iwo Jima - addressed to wives and mothers and other family. This is a surprisingly sympathetic look at the Japanese, something I really wasn't expecting from Clint Eastwood.
The story focuses on Japanese General Tadamichi Kuribayashi, who commanded the Japanese defence of Iwo Jima. Kuribayashi was a man well acquainted with the United States, having lived there for two years on a military exchange, and he had no illusions about Japan's ability to win the war, largely seeing Iwo Jima as a suicide mission from which he wouldn't return. He's portrayed very well here by veteran Japanese actor Ken Watanabe. The movie is almost entirely in Japanese (except for some brief scenes that feature American soldiers) with subtitles, but - although I'm usually not big on subtitles - this didn't really distract me. They were appropriate to this movie and provided a sense of authenticity.
This isn't a "war movie" in the normal sense of the war. Although there are battle scenes (and some of it is mildly graphic) it is for the most part the personal stories of the Japanese soldiers that dominate. It's extremely well done, and deserves a lot of credit for showing a side of the Japanese soldier in World War II that's rarely shown. (8/10)
Most American movies dealing with World War II in the Pacific do so from a specifically American perspective that portrays the Japanese in an unflattering light. That's understandable. In the context of World War II, after all, Japan was the enemy. But "Letters" takes a very personal and human look at the Japanese soldiers assigned to Iwo Jima's defence. To me, the point that was being made was how much alike the Japanese and the Americans were. Both were fighting for their countries; both had little knowledge of the other, and therefore had distorted views of the other; both were doing their duties as they understood it. And, of course, the movie is based on letters supposedly written by Japanese soldiers on Iwo Jima - addressed to wives and mothers and other family. This is a surprisingly sympathetic look at the Japanese, something I really wasn't expecting from Clint Eastwood.
The story focuses on Japanese General Tadamichi Kuribayashi, who commanded the Japanese defence of Iwo Jima. Kuribayashi was a man well acquainted with the United States, having lived there for two years on a military exchange, and he had no illusions about Japan's ability to win the war, largely seeing Iwo Jima as a suicide mission from which he wouldn't return. He's portrayed very well here by veteran Japanese actor Ken Watanabe. The movie is almost entirely in Japanese (except for some brief scenes that feature American soldiers) with subtitles, but - although I'm usually not big on subtitles - this didn't really distract me. They were appropriate to this movie and provided a sense of authenticity.
This isn't a "war movie" in the normal sense of the war. Although there are battle scenes (and some of it is mildly graphic) it is for the most part the personal stories of the Japanese soldiers that dominate. It's extremely well done, and deserves a lot of credit for showing a side of the Japanese soldier in World War II that's rarely shown. (8/10)
10max-745
I have watched this film twice already this week (first week of release here in Japan). I am an American living in Japan for the past twenty two years and have yet to see such a strong performance from an (almost) all-Japanese cast. This movie draws you into the caves and makes you a part of the Japanese soldier's life. The main characters all have an interesting story to tell. But in the end the message is clear. War is futile.
The strangest part of all. Clint Eastwood has made a Japanese movie that the Japanese should have made. There is almost no way to tell it was a "foriegn" production until you see the credits.
The strangest part of all. Clint Eastwood has made a Japanese movie that the Japanese should have made. There is almost no way to tell it was a "foriegn" production until you see the credits.
Did it really last two and a half hours? It felt felt a lot shorter than that.
No, this is not an action war film with nonstop blood baths. It is a film that pulls the humanity out of the monster that is war.
This is one of, if not the best, movie ever directed by Clint Eastwood. I usually have a hard time following plots with many characters because they make me lose focus on the general story, but this one is done well. Not only am I engaged, I also become attached to every character and feel and understand their conflicts.
It does not matter who fights on the right or wrong side of WWII. This film goes beyond that. It is about what is right or wrong for the individual human being. It excels as a story about the human heart.
No, this is not an action war film with nonstop blood baths. It is a film that pulls the humanity out of the monster that is war.
This is one of, if not the best, movie ever directed by Clint Eastwood. I usually have a hard time following plots with many characters because they make me lose focus on the general story, but this one is done well. Not only am I engaged, I also become attached to every character and feel and understand their conflicts.
It does not matter who fights on the right or wrong side of WWII. This film goes beyond that. It is about what is right or wrong for the individual human being. It excels as a story about the human heart.
I had previously watched the violent battle of Iwo Jima in two good movies: 1949 "Sands of Iwo Jima" and more recently in "Flags of Our Fathers". In both features, we see very well-choreographed battle scenes disclosed from the North American point of view, with the "heroism" of the American troops and the personal drama of a couple of soldiers and families, in the usual unilateral formula to reach great box offices in USA. Further, in these two movies, the enemy is nothing but evil and threatening one dimension shadows, using weapons to kill the brave marines.
However, "Letters from Iwo Jima" gives a totally different approach of war, unusual in Hollywood: it shows the human side of the enemies. In this film, the Japanese are also human beings, with different culture where they are prepared to die with honor, but people that love and are loved by someone, have families, wives and children, and fear and suffer with the insanities of war. In this aspect, I liked very much the pacifist perspective given by Clint Eastwood for the same battle, opening the eyes and hearts of viewers that probably were not able to understand this side of the Japanese (and other people) in a war. My vote is eight.
Title (Brazil): "Cartas de Iwo Jima" ("Letters From Iwo Jima")
However, "Letters from Iwo Jima" gives a totally different approach of war, unusual in Hollywood: it shows the human side of the enemies. In this film, the Japanese are also human beings, with different culture where they are prepared to die with honor, but people that love and are loved by someone, have families, wives and children, and fear and suffer with the insanities of war. In this aspect, I liked very much the pacifist perspective given by Clint Eastwood for the same battle, opening the eyes and hearts of viewers that probably were not able to understand this side of the Japanese (and other people) in a war. My vote is eight.
Title (Brazil): "Cartas de Iwo Jima" ("Letters From Iwo Jima")
Le saviez-vous
- AnecdotesShot back-to-back with Mémoires de nos pères (2006).
- GaffesWhen the soldiers in the cave commit suicide they use what look like type 97 hand fragmentation grenades held close to their chests.
The point of most grenades is to send out numerous fragments as fast-flying projectiles killing those close by (a few yards) or seriously injuring those further away.
However, even though the soldiers are all standing a few feet apart, as each grenade explodes only the person holding it is affected.
- Citations
General Tadamichi Kuribayashi: If our children can live safely for one more day it would be worth the one more day that we defend this island.
- Bandes originalesString Quartet No.6, Op. 1-6, Hob. III-6, Mov.2
Composed by Joseph Haydn
At a party where Ken Watanabe participated
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Cartas desde Iwo Jima
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 756 082 $US
- Week-end de sortie aux États-Unis et au Canada
- 89 097 $US
- 24 déc. 2006
- Montant brut mondial
- 68 673 228 $US
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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