Sex and Death 101

In a world where good ol' fantasy movie making has just three letters attached to it (you guessed it: "SFX" - a la everything from majestic Lord of the Rings to cheesy Godzilla - jeez, even the romantic ventures like City of Angels couldn't do away with the bag of tricks), comes a different kind of fantasy-based movie. It's different - I'll tell ya that.

So what does this movie bring to us? The (blatantly visible) low budget. A cast almost riddled with relatively unknown (but promising) actors. A suite of devilishly hot women in stand-in (well, mostly "lie-down") roles. And, needless to say, a premise that is the part of every hot blooded human male's wet dreams. Are you with me yet? I promise, I'm not talking about the the 70s campy soft porn movie that you saw recently.

What would happen if a strapping young man (Simon Baker) got a magical e-mail one fine day listing all the women he had slept with and was going to ever sleep with in future? And, what if that lucky SOB actually had 101 names listed on that list? "Sex & Death 101" tries to answer. And, for most part, gets it right.

Someone once said: "Control your fate or somebody else will". And so goes the story of the young man who allows the piece of printed email to take control over his actions - which in this case means... well, he notches another one over his already very full belt. Somewhere between the disbelief over the email (despite the reassurances of the geek squad who manage the wondrous machine that sent out the hoopla causing email) and disbelief over his good fortune, our hero undergoes those human emotions that we all know very well: Guilt, Angst, Desperation. The intermix of his friends' advice and bickering adds an element of realism even in an escapist fantasy like this.

Winona Ryder plays the "death knell" sounding temptress who has been seducing perverted men to coma ridden sleep to, you know, get back at the evil men who have inflicted untold suffering on women. And you just know that Poison Ivy's parallel track story has to intersect with the story of our list-holding loverboy at some point. And it does. Therein is that taste of "stretching at the thread" that the viewer is left with. The setup seems a little bit forced. But hey, it's supposed to be escapist dark funny romcom - so what the hell, right?

The movie's premise ain't real, but the events and reactions are. Which is that unique mix of traits that makes this movie a little more than the regular spiel that Hollywood throws at us. It's definitely a good watch. And not to miss the allegoric play on the number in the title. It takes 101 women to teach the protagonist the basic meaning of sex - and death. Clever, no?

This movie makes very little sense. The whole thing is exceedingly bizarre. But somehow the movie kind of works. Simon Baker turns in a fine performance in the leading man role and it his charm which more than anything else enables the movie to be considered at least a mild success.

Baker plays successful executive Roderick Blank who is about to be married. And then something strange happens. He receives an anonymous e-mail which lists, in chronological order, the names of every woman he has ever slept with. Bizarre to be sure but not a crisis as long as his wife to be is the last name on the list. She's not. She's number 29. There are 101 names on the list. Roderick initially shrugs it off as some kind of practical joke being perpetrated by his friends. Then again how would his friends know the names, in order, of every woman he's ever slept with? When Roderick accidentally (yes, accidentally) has sex with woman number 30 on the list he realizes there's something going on here. Looks like that wedding's not going to happen after all. Apparently there's a higher power at work. What is that higher power you ask? Well you see there's this computer which apparently knows everything. And it occasionally spits out random pointless information...like lists of women that men will sleep with for example. This is all explained by the three men who work with the computer in a mysterious, futuristic-looking office. These men are named Alpha, Beta and Fred. Told you this movie was bizarre.

Anyhow it's pretty apparent where the sex in the movie's title comes from. Yes a multitude of women come and go as Roderick crosses off names on his list. But what about the death part? Well that's where Winona Ryder comes in. She plays Death Nell, a shadowy figure lurking mostly in the background of the movie, who goes around seducing men and then putting them into comas. But only men who deserve it you see, sexual deviants of some kind. Death Nell becomes a feminist hero, Roderick goes on sleeping with all these different women and hey, do you think perhaps these two characters might be destined to meet? Well I certainly hope so or else this whole thing is going to be rather pointless.

For a supposed comedy this movie isn't particularly funny. No real belly laughs to be had here, maybe a mild chuckle or two. It seems that Patton Oswalt, in playing Fred, is set up to be the designated funny guy but he's really not that funny at all. There are a few good moments here and there but there are a lot of times where the movie drags and there's nothing funny or even interesting going on. The plot perks up a bit when after sleeping with all these random women Roderick actually ends up in a quasi-serious relationship with a doctor played by Leslie Bibb. But that relationship comes with complications. And we know that this woman is not the last woman on the list so inevitably it's back to the parade of women in Roderick's life. There are times where it seems the movie is close to falling apart completely but Baker, who really has to carry things pretty much by himself, manages to hold it together and in the end it's a relatively enjoyable movie. Baker is excellent, Ryder does OK with minimal screen time and there's also room for another somewhat familiar face as playing Roderick's lesbian secretary Trixie is Mindy Cohn. Yes that would be Natalie of Facts of Life fame. You take the good, you take the bad, you take them both and there you have...a reasonably decent movie. That's Sex and Death 101.

Do you remember Daniel Waters? He's the guy who wrote Heathers, the greatest (if extremely unpleasant) teen-oriented movie of all time (Yeah, you can quote me; I'm THAT confident haha+). But then he squandered his talent and reputation by writing abysmal films like Hudson Hawk, Demolition Man and even Batman Returns (yeah, that one too). Now he's back with a new film in six years which he wrote and directed.

Just before he's to marry Fiona, Roderick Blank (Simon Baker) receives an anonymous e-mail with 101 names on it; Fiona's is the 29th, the first 28 are women Rod has slept with. The notion that he will have sex with 70 more people sends Rod into crisis mode, especially after three odd men in an aseptic office confirm that a celestial machine has made an error. They suggest destroying the list, but Rod finds that easier said than done. Working his way through it consumes him, plus he realizes that death may await him after #101. Meanwhile, a femme fatal nicknamed Death Nell (Winona Ryder) is putting men into a coma. Are they fated to meet? (Thanks again, IMDb)

I'll have to admit, this is quite interesting premise. And the good thing is, it hasn't gone wasted, since the person behind this film is definitely having a right mind to do it right. It is clever film about crisis of men and their quest to search for sexual fulfillment. Because once you hooked (to sex), even there's a hell right in front of you, you might not hesitate to dive into it. It raised a question about when one woman just wasn't enough, how far could you go? It's also about fate, when there's something that doesn't belong to you, it's just doesn't belong to you. And if you're persistent to have it, then you will lose it forever.

OK, let me stop you right here, before you storm out to buy this DVD. It's just too bad that they did it right doesn't mean that they did it good. Because Sex and Death 101 is the movie that put too much ambition for its own good. In my opinion, Daniel Waters was thinking way too much on this project. It supposed to be good dirty and fun little movie that eventually might create cult following. But what I saw is just such a promising project engulfed by director's self-absorbed vision. It's doesn't sync with audience like his Heathers script, which is like a wake up call for all generation-x who consumed by popularity. In the mean time, Sex and Death 101 was also talking about important subject alright, but it can only be able to educate people about sexuality. It's just can't relate to audience (especially target group like generation-x who probably got older by now).

And when director's vision has gone wrong, everything in this film also has the same destiny. Simon Baker's narration didn't really mean anything, and then it got worse when the story went on to unexpected turn. Also, the story about god-like operation room is pretty unnecessary. Come to think about it, I saw a similarity between this film and Danny Boyle's Life Less Ordinary (because it has something to do with an act of god too!). Although LLO is a flawed film, but it is an entertaining movie where you can almost feel filmmaker's burning passion on the project. But Sex and Death 101 is just cold as ice project where you could feel a touch of isolation miles away.

But it has some redemption moments, especially when the comedy was kicked in. I think I laughed out loud a couple of times (so rare these days -,.-'). There were the scene where Roderick ALMOST sleep with Sophie Monks, and the scene where he vs. catholic girls on school bus (even it's so absurd, but it's just damn hilarious). And also a fine performance by Simon Baker, even if he's not particularly A-list star, but he's charming enough to make me bought him as a striking handsome ladies man (he got to sleep with 101 women, alright?). On the other hands, Winona Ryder is simply dreadful. She supposed to be disturbing femme fetal, but she act like she's on crack or something. Comes to think of it, it's almost ten years since her last good role in Girl, Interrupted, I wish she will comeback real soon.

Sex and Death 101 may have some sharp idea and hysterical black humor moment, but it tried too hard to be something important (and then chicken out in one of the most whimsy ending I have ever seen). I kind of admire the director's attempt to reach out for his royal fans and tried to reignite his good old days with familiar subject. But, sorry Mr. Waters, this wasn't the one yet.

"Sex and Death 101" tries to be so many things at the same: a romantic flick, a dark comedy, a mystery-drama and a highly philosophical movie in the vein of "Matrix" (even including a white room where existential questions are discussed). Well, as I've said in the headline, the movie definitely does have its intriguing moments and there are quite a few meaningful lines in the script.

However, "Sex and Death 101" is too volatile to really be successful in any of the genres it touches. The story takes a thousand twists and turns. It's too cynical to be romantic, too shallow to be profound and too erratic to blow your mind. Characters are introduced and forgotten about in 10 minute-intervals and all of the main characters' friends just kind of disappear at the end, when Winona Ryder's character finally comes into the picture. Make no mistake, Ryder doesn't play a huge role in the whole movie. Her character seems awfully constructed and forced into the script. When the whole story is finally resolved it doesn't really make sense and leaves you totally uncertain of what the hell it was you just saw.

"Sex and Death 101" isn't the worst movie you could rent, but it's certainly pretty strange. I don't even know whom to recommend this to. Fans of Winona Ryder will not be happy with the little amount of screen time she gets. Friends of romcoms will find fault with both, the amount of rom and of com in this. To enjoy "Sex and Death 101" you probably just have to accept the fact that you don't know what you're gonna get. And, hey, that's kind of what the movie is about, too, I guess.

It's another example of the critics not 'getting it'. This is a terrific movie, non-conventional, quirky, clever and funny. Go see it and enjoy yourselves. Be prepared to have fun, but's not for the faint of heart.

Simon Baker (The Devil Wears Prada) is wonderful. He will be a big star. Winona Ryder is a surprise. She is back. It seemed as if her career was on hold, but she's great in this film.

The language is unabashedly strong, the situations ditto, but the underlying message of the film is intelligent and 'right on'.

Go see this movie.