Le pensionnat

Sorry. I love suspenseful intriguing ghost stories, but this film did not contain a single chilling moment. I kept waiting for the film to become worthy of its higher ratings on this site. The sexist portrayals of females only as nurturers of boys or sex objects for males did nothing to change my mind about the quality of the film. We have Mama and the school mistress to nurture the boys, while all the other females in the film are just male sexual fantasy fodder without personalities. The music sounds like a lame video game soundtrack. The only good things I can say about this film is that the plot was mildly interesting and the acting surprisingly good. But not good enough to recommend to others, except perhaps preadolescents with liberal parents who don't mind some tame female breast exposure.

Throughout the history of Asian horror many film makers have tried their hand at the sensitive ghost story. And the genre has been done with varying degrees of success. With Dorm, Director Songyos Sugmakanan elevates the genre to pinnacle not yet reached by previous attempts, creating a film that is simultaneously tragic, and creepy.

Dorm tells the story of Chatree, a twelve year old with family issues, who begins the seventh grade at a new boarding school. The school itself is depressingly creepy, and is run by a ambiguously macabre teacher named Ms. Pranee. Chatree soon becomes bully fodder for the other students, until he meets Vichien, another boy with similar problems. As the two become close friends, Chatree finds himself drawing nearer to a dark and terrifying secret.

The secret of Dorm's success is how seamlessly Sugmakanan juggles the creepy atmospheric vibes that are typical of Asian horror, with the tragedy of Asian dramas. One of the films creepiest -and tragic- qualities is the school itself. The sterile shots of the dormitories, dining halls, pools, and washrooms help reflect the films feelings of alienation and loneliness. Feelings that all twelve year old boys with displacement issues would be familiar with, and are represented well under Niramon Ross' expert cinematography.

Along with the cinematography the film features an excellent (and subdued) score. It features slow moving orchestral pieces and haunting piano ballads. Although, this is typical of the genre, the score helps to heighten the films dramatic sense.

Couple those qualities mentioned above with Charlie Trairat's nuanced portrayal of Chantree, and you've got yourself a damn good film. In fact, you'd be troubled to find fault with any of the actors in this film. Which is saying a lot when most of your cast is young boys. And it's not just the kids that hold their weight as thespians, Chintara Sukapatana is excellent(if not sadly underdeveloped) as the scarily sympathetic Ms. Pranee.

To be truthful, while Dorm does have it's strength's it also has it's share of weaknesses. The films first 45 minutes are incredible and touches on the universal themes of childhood fear and angst. Then the film slows down to a snails pace and doesn't come back strong until the last 20 or so minutes. Also, the film has it's share of Asian ghost story cliché's but... that being said, it remains original enough in it's initial premise and delivery that the good qualities outweigh the bad.

Bottom Line- Dorm is a well done sensitive ghost story with brilliant cinematography, acting, and score. While it does have it's clichés and faults, the premise and delivery far outweigh the faults.

OK 9 stars may be a little high for this movie but I did like it a lot. one that makes you very glad to have it accessible by streaming as who would really bother to rent it "genuinely chilling" at the beginning I did get a genuine chill, I can report, at the first spooky scene.

As everybody is saying it's not scary much thereafter, instead it's a tender depiction of a loving relationship between 2 preteens one living the other dead, chaste of course.

It was kind of a relief that certain clichés were not used. You get the idea that certain of the peripheral characters will fulfill classic subsidiary roles but they don't in fact. Another plus! Nicely shot, edited, written, acted, cast, costumed and made up. Lovely!

It was 25 years ago and Adrian Cronauer had a thing for Trinh. The movie was, of course, Good Morning Vietnam. Here she is, much older. Who would have guessed they cast a Thai in the role of a Vietnamese woman. At least Chintara Sukapatana has the opportunity to be more than eye candy this time.

Some may have grabbed this film expecting a horror film or, at the very least a ghost story. You will be disappointed, as it is more of a coming- of-age tale.

The young cast is very good, and Chintara Sukapatana is brilliant as the teacher.

It was quite uncanny, a group of us were discussing making a movie about ghost stories told in schools. Sure, every school has its fair share of ghouls and goblins, and we'd thought it was interesting to have it done on film. Heck, we were actually in the premises of a school when we started to talk about it at night too. So imagine our surprise that Thailand actually made it first, and screened in local theatres no more than a month after we discussed.

Dorm refers to the dormitory of an all boys boarding school. Chatree (Charlie Trairattana) gets sent to the school by his parents, against his wishes. I believe almost everyone would be familiar with the feeling of being uprooted from one school to go to another (be it upon graduation or otherwise), where there's a sense of loss somewhat, especially with friends.

As with all new schools, the new kid on the block gets treated with suspicion, and he finds it extremely difficult to integrate into the school. It doesn't help that his initial gang of friends harbours thoughts of going all out to scare Chatree with many ghosts stories about the school (I could've sworn the toilet one was familiar territory, because I encountered something similar before), and making matters worst, the teacher (Jintara Sukphat) also becomes a key character in one of these stories, hence making Chatree wary.

Despite being the social outcast, and a recluse, Chatree befriends another pupil, Wichien (Sirarath Jianthaworn). They become fast friends, but Wichien has a deep dark secret come 6pm everyday, when he disappears. By now, you would've guessed what would happen.

Along the way, this movie somehow forgotten that it was supposed to be a horror movie. That, or the marketing folks have gotten it all wrong in promoting this flick. The horror genre is undoubtedly an extremely popular genre in Asia, one that will put folks into cinema seats, and riding on the wave of Shutter's success, it's easy to get caught up in what essential are the few and far between sense of fright that's packed into the trailer. Be warned, halfway through the movie, the horrifying moments get thrown out the window, and Dorm becomes more of a standard fare mystery. Quite a plain one actually, as the narrative gets stuck in cruise control throughout. You'll be able to guess the ending, and plot devices are thrown in only to help the movie proceed to the following scene.

But there's a fun element thrown in, which I thought was quite neat. Fans of Hong Kong horror cinema would clearly identify the "Mr Vampire" remake in Dorm, where the students congregate for one of their night movie screenings. It's a deliberate cheesy remake, but I felt this was one of the more powerful scenes that snuck up on you, incorporating the twist revelation so well, I give it the thumbs up. And yes, the twist is revealed midway through the movie in this scene, and thereafter, "horror" gets forgotten.

How's the horrifying content earlier in the movie you ask? It's not all that frightening, again relying on cheap tricks like musical crescendos to make you jump. You don't get to see much, except for shadows, sudden movements and closeups (hey, if I can survive this, so can you!). If I had a gripe, it would be with Chatree's hair continuity problem. Unless there's a barber in the school who cuts hair as good as he restores them, you'll probably get perturbed by the changes in Chatree's hair length. In the same scene. Talking to the same person. You get the drift. It's rather sloppy film-making, and the continuity person ought to get shot. The special effects department though, gets my thumbs up for its imaginary swimming pool effects. Really cool stuff there.

Horror aside, this film essentially similar to like M Night Shyamalan's The Sixth Sense, though it doesn't dwell as deep into the psyche of Chatree and the spirit. It works on another level, along the themes of friendship, sacrifice, forgiveness and closure. I'd recommend it, not as a horror movie, but a coming of age one.

P.S. the version shown here rated PG, is the censored version. Not because of anything frightening, but for a sex scene, which I thought was quite pivotal to identify who it was Chatree's father was humping. Edited away, it comes across as "so what's the big deal?"