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Middle Sexes: Redefining He and She

  • Téléfilm
  • 2005
  • TV-MA
  • 54min
NOTE IMDb
6,9/10
292
MA NOTE
Middle Sexes: Redefining He and She (2005)
Documentary

Ajouter une intrigue dans votre langueExamines the diversity of human sexual and gender variance around the globe, with commentary by scientific experts and first-hand accounts of people who do not conform to a simple male/femal... Tout lireExamines the diversity of human sexual and gender variance around the globe, with commentary by scientific experts and first-hand accounts of people who do not conform to a simple male/female binary.Examines the diversity of human sexual and gender variance around the globe, with commentary by scientific experts and first-hand accounts of people who do not conform to a simple male/female binary.

  • Réalisation
    • Antony Thomas
  • Scénario
    • Antony Thomas
  • Casting principal
    • Gore Vidal
    • Calpernia Addams
    • Beth Aynsley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    292
    MA NOTE
    • Réalisation
      • Antony Thomas
    • Scénario
      • Antony Thomas
    • Casting principal
      • Gore Vidal
      • Calpernia Addams
      • Beth Aynsley
    • 5avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Photos

    Rôles principaux23

    Modifier
    Gore Vidal
    Gore Vidal
    • Narrator
    • (voix)
    Calpernia Addams
    Calpernia Addams
    • Self
    Beth Aynsley
    • Character Voiceover
    Max Beck
    • Self
    Tamara Beck
    • Self
    Milton Diamond
    • Self - University of Hawaii
    • (as Prof Milton Diamond)
    Alice Dreger
    • Self - Michigan State University
    • (as Prof Alice Dreger)
    Anne Fausto-Sterling
    • Self - Brown University
    • (as Prof Anne Fausto-Sterling)
    Louis Gooren
    • Self - Free University Hospital Amsterdam
    • (as Prof Louis Gooren)
    Sylvia Guerrero
    • Self
    Andrea James
    Andrea James
    • Self
    Shivananda Khan
    • Self - Naz Foundation International
    • (as Shivananda Khan OBE)
    Luke
    • Self - Noah's Older Brother
    Michelle
    • Self - Noah's Mother
    Mike
    • Self - Noah's Step-Father
    Noah
    • Self
    James Pfaus
    • Self - Concordia University Montreal
    • (as Dr James Pfaus)
    Richard
    • Self - Noah's Father
    • Réalisation
      • Antony Thomas
    • Scénario
      • Antony Thomas
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5

    6,9292
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    Avis à la une

    2azcoppen

    An intellectually dishonest apologist diarrhoea

    I was strongly pushed to watch this as an alternative perspective on the "toxicity" of conventional masculine identity, and to gain a wider understanding around scientific "advances" i allegedly may have missed. Wary of my own views and the degenerative nature of confirmation bias, i tried hard to retain an open mind. It's difficult to stay friendly to this film, because like a lot of LGBT material, it can be disingenuous, and bordering on potentially manipulative. Strong words, perhaps - but justified.

    First thing to know is that Gore Vidal was a) gay, and b) a very strong campaigner against gender "essentialism"; even going so far to advocate human pansexuality. It's also disappointing to see Indian-born Anthony Thomas being responsible for this kind of editorial guff.

    Those looking for an objective or circumspect - dare i say, critical - look at the fascinating subject of gender and human sexuality will feel cheated. There is a real bias at work, and it's the fact that the doc presents itself as an honestly naturalistic, rounded look at scientific issues such as foetal development and social determinism, is what makes it so distasteful.

    And speaking of science, you'll get steadily angrier if you work in a scientific profession as the minutes go on and on. Using science to make an argument is one thing; misrepresenting it is another. Add that to the "objective" sales tag, and you have a toxic combination. If, of course, you *want* to believe the suggestions because you already believe them anyway, and don't care whether its validated as reliable, it won't matter too much.

    For example: if you can watch pseudo-scientists explaining that all animals actually breed just because it "feels good" (like male black widow spiders who have a sexual "experience"), that sexual "rules" appeared subject of natural variance that the West somehow misinterprets, or how gender identity disorder apparently is a misunderstanding of Karma (because we all are ladyboys - no, seriously), you are a much more patient person than i am. There are unquestionably biological factors that come into play, but when you hear narration using politically charged terms like "intersex" (i.e. hermaphrodite) and "binary" genders, straining to use it a basis for disqualifying male/female normality, you can't take the interviewees seriously.

    You also can't make non-sequitur/straw-man arguments about the same lower hormonal activity producing "underdeveloped" genitalia as infant gender variance, when your next point confirms that the same subjects have... fully-developed genitalia.

    The simple fact is that this is apologism masquerading as legitimate scrutiny, pure and simple. And that's fine, if you just want to watch something that confirms the bad ideas you have that you'll never challenge anyway.

    The same old clichés and poor thinking are around every corner: Eastern religions are more accepting in their enlightened wisdoms (when they're not doing animal sacrifice, honor rape etc), humans are actually pansexual, sexuality is fluid (yawn), everyone's so judgemental, nobody is actually heterosexual, sexuality is about feeling and relationships, boys have nipples, anyone who has boundaried views on sexuality is actually afraid of their own confused feelings (homophobes are closet homosexuals), on and on.

    The loudest, most obnoxiously absent smoking gun in the whole rotten abyss of bad ideas is the abject lack of any conversation or examination of sexual *morality*, in any form: the existence or variance in moral sexual reasoning, or even the idea that humans subscribe to a moral framework around identity/gender, sexual behaviour, or any contemplation on the negative consequences of sexual choices (aggression, infidelity, disease, distress etc). Absolutely none, of any viewpoint. The filmmakers don't seem to hold any moral perspective, of any form - good or bad, left or right - there is no acknowledgement it is even linked.

    This film is trying to sell you something - and it's really, really trying. But it doesn't want you to think it's selling, so it's lacquered in a "compassionate" or "intellectual" guise.

    The most worrying aspect of films like these is that people who wouldn't describe themselves as scientifically or philosophically-minded watch them, and are fooled into concluding they've seen an insightful, "smart" or "deep" look at something, simply because it *appears* legitimate. This kind of defensive grade-school reasoning belongs in a tedious college philosophy class of short-sighted San Francisco backpackers, not on a DVD shelf.
    10mercuryix2003

    No matter how much you know, you'll learn something

    This short documentary packs a lot of exhaustive research and information on differing sexuality, tolerance and intolerance around the world. The documentarians literally went around the world and interviewed everyone from "ladieboys" in Thailand to gay boys and men in intolerant India. It explores the fascination the repressed, so-called "modern" West has with the acceptance of the transgendered in the socially more advanced Eastern cultures, and even interviews Dutch physicians who undertook a long, in-depth study of the differing brain structures of men, woman, transsexual men and women, and all the variations, proving an actual physical difference in the brain structures depending on the individual's sexual preference: a study our "advanced" Western culture never bothered to undertake.

    The documentary is fascinating and at times a very painful study, as it also shows how much people are made to suffer by their society (up to and including murder), because of a sexuality they were born with.

    No matter how much you think you understand human sexuality, you will learn something you didn't know before. You may even find yourself losing some of your prejudices and discomfort with others' sexual identities. A documentary that should have been made 30 years ago, if the American public could have handled it.
    7mormonadulescens

    Dated but still relevant

    Some of the terminology and statements can come off a bit dated. It is nearly 20 years after it was initially released but yet, it is still largely relevant, even shockingly so. Transgender people are more and more in the public eye and awareness now than they were 20 years ago but if there were more people that had seen this documentary,and actually paid attention, there would be significantly less ignorant about this group and others. That could likely be said about any documentary about any socioeconomic group, but it is particularly applicable in the instance of this documentary and the umbrella of transgender people.
    8Rogue-32

    Trying to 'control' the uncontrollable

    If there's one over-riding message to be had from this extremely decent documentary regarding sexual/gender diversity, it's this: a society cannot control what people feel without lethal ramifications. Nearly all the hatred, violence and negativity in the world stems from repression of one form or another, creating people who are so terrified of who they 'might be' if they actually were left in peace to explore themselves openly that sometimes they wind up taking out this overwhelming frustration on more evolved souls, the ones who are unable to stick within the soul-stifling confines of the roles they're supposed to be enacting in their lives. It's time to get rid of these boxes with their pathetic labels before they destroy us all.

    Histoire

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    • Crédits fous
      The opening and closing scenes in this program were recreations, based on eye-witness accounts.

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    Détails

    Modifier
    • Date de sortie
      • mai 2005 (Royaume-Uni)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Sites officiels
      • Deep Stealth Productions
      • HBO (United States)
    • Langue
      • Anglais
    • Lieux de tournage
      • Hollywood, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Deep Stealth Productions
      • Granada Films
      • Granada Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      54 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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