Karol, le combat d'un Pape

The sequel to KAROL-UN UOMO DIVENTATO PAPA ("Karol-a Man who Became Pope") was long awaited among many viewers since Giacomo Battiato, the director, used his best endeavors to make the biopic of John Paul II most accurate and touching. Finally, October, the 13th 2006 saw the theatrical Polish premiere of the movie KAROL-UN PAPA RIMASTO UOMO ("Karol-Pope who Remained Man"). While the first part dealt with the 1939-1978 period and the early life of Karol Wojtyla, the sequel deals with his long, fruitful 1978-2005 pontiff. When I first heard that Mr Battiato was going to make a movie entirely about the pontiff of John Paul II, I had mixed feelings because of one material factor: we are so much used to the real pope, his photos galore, archive recordings that I was afraid it would not appeal to me as I find only actors playing. Yet, after seeing this I say I was wrong. The film does a great job.

Firstly, the director dynamically presents the pontiff. Of course, it is impossible to show the entire 26 year-long period of time. Yet, the significant aspects are there. I liked the focus on severe politics contrasted with humane mercy. That is, I think, the gist of who John Paul II was: a genius at being a public figure and a genius at feeling empathy with every single individual. Communism with its focus on totalitarian regime is presented against the Pope with his focus on freedom; terrorists with their destruction of humanity against the Pope with his Civilization of Love; African tribes with their cruelty against the Pope with his mercy. However, it is, in no way, a political movie but a purely balanced biopic of a man who was exposed to such reality. Mind, for instance, the scene with politicians: the pope does not enter into politics but defends human rights and peace which are fundamental in any social matters.

Secondly, the movie is filled with wonderful symbolic moments. Consider, for instance, the attempt on John Paul II's life. There is a memorable morning of May, the 13th 1981. The pope gets up early and prays in his chapel placing all his life hope in God. The scene is interrupted a few times by the short moments of Ali Agca (Alkis Zanis), a perfect killer, who takes exercises relying solely on himself. Besides, there are lots of moments of flashbacks constituting pope's empathy. When he hears of human tragedy, he sees the events in his mind's eyes. Consider, for example, a horrifying moment in Sarajewo and the death of an innocent couple. Another moment that touched me was the one in hospital and the conversation with the woman. I also recommend to draw attention on the visit to the African coast and John Paul II's prayer on the seashore. One of the most memorable symbols, however, is the way the film makes use of the words "Do not be afraid" translated into many world languages.

Thirdly, this is one of the few films that shows John Paul II's real Christian love: which love is that? The one to the poorest of the poor. Even if he is such a majestic figure, he does not hesitate to feed the lepers, kiss little African children, console the dying. I liked the director's idea to show Mother Teresa (Adriana Asti). John Paul II had much in common with this humble woman who sacrificed her life to the poorest of the poor in Calcutta. But, together with this love filled with Christ and His Mission, John Paul II is also a man who shows understanding. Consider the character of Julia Ritter (Leslie Hope) and her conversation with John Paul about modern social problems like contraception or abortion.

Finally, the film would not be that great if it weren't for the artistic features. The cast are good, I liked Piotr Adamczyk, particularly in the sequel since he had a hard task: not to play young Karol Wojtyla but the John Paul II many people have in fresh memories. This required much preparation, indeed. Michele Placido surprised me as Dr Buzzonetti and Adriana Asti is appealing as Mother Teresa. Timothy Martin is also memorable as a missionary who takes care of African people. The music by Ennio Morricone is marvelous and supplies the movie with more profoundity.

I recommend everyone to see this film. It is a moving story of the man who went so far and yet has never forgotten empathy, humanity, love; the man who was always so close to the poor, forgotten, frustrated, abandoned; the man who consoled the dying in Calcutta (now, indeed, thanking him in paradise); the man who became an icon of Christ at the dawn of the 21st century.

A friend said to me "I don't want to see another drama" but my answer to that was "It is no drama but a movie of hope". Indeed, although filled with suffering, the film is throughout illuminated by the blissful smile and heavenly blessing of Karol Wojtyla. The final archive shot of the funeral moving on to real John Paul II's smiling face in the mountains covered with snow touches to tears. Profound film and a must see

to critic this biopic is the first temptation for a not Romano-Catholic believer. but, maybe, the rain of stones to the director and actors is not exactly the wise choice. because it is not easy to imagine other solution to tell about a saint. the film is too sentimental and too sweet. a pious homage to a Pope suffocated by clichés and the status of impressive human institution. and to compare with the first part does more damages to this film. but... . it is a remember of well known events. it is a Catholic expression of respect and love for the most important European figure from the Church, in the second part of XX century. and, sure, it is a religious film. more than a biographic one. respecting the rules of the genre. so, it is so easy to critic it. but, in same measure, more important remains to respect a subjective adaptation of one of the most significant reign in Catholic Church from the last century.

Nice and fascinating biopic about the great Pope from his mature period until death . The film concerns about the majestic figure , the Polish Karol Wojtyla (Piotr Adamczyk ) who was elected Pope , the first no Italian from 1523 , being brought to life at much expense and with great sense and deep sensibility . This is a sequel to ¨Karol, Uomo Diventato Papa¨ (original title , 2005) also titled "Karol : A Man Who Became Pope" regarding his life since his youth in Poland , the early years , until his appointment as Pope of the Catholic church in Rome (1978) , it started on October 12 , 1939 when the evil men Nazis get taken the world , as Nazis have invaded Poland . Karol assisted the holiness call and goes into the seminar and as priest he serves his first mass . After that , he's appointed bishop and Cardinal and subsequently is elected Pope . This following dealt with his fruitful pontiff (1978-2005) and the pastoral journeys he made to America , Mexico , Salvador and many other countries , making an intense diplomatic labour and problems that were taking place in the Catholic church , including the 1981 attack by Ali Agca , and their subsequent meeting and redemption . Concerning his relationship to historical characters such as bishop Oscar Arnulfo Romero y Goldamez (Carlos Kaniowsky) , sadly murdered , Mother Theresa de Calcuta (Adriana Asti) , Lech Walesa and also killed priest Jerzy Popieluszko (Fabrice Scott) and including Coup de'Etat in Poland (on December 12 , 1981) carried out by Jaruzelski . Thanks to his unshakable tenacity , Pope John Paul II helps to change the course of history : liberty in Poland helped by Lech Walesa and the fall of the Berlin Wall in 1989 decrees the collapse of Communism . But the Pope does not stop being the voice of Christ, even among the injustices of the capitalistic Western world , even among the provocations and challenges of modern times , as developing the faith to inspire millions begins with the power of one .

As this follow-up with similar actors and director deals with Pope Juan Paul II who must confront these adversities and misfortunes , he suffers cruel experiences but the God's faith and the love is the cure for the badness . Karol continuing consoling the mankind , renovating the moral sense and thoughts , giving hope and fighting for human rights . The film captures splendidly the goodness and generosity of the immortal Pope well played by Piotr Adamczyk . When John Paul II returned to Poland for the first time after his election seven year old Adamczyk was in the crowd . Footage of the real Pope John Paul II , albeit with his face obscured , was used for a few scenes . This film's release smashed box office records in Pope John Paul II's native Poland . The movie that held the previous record as Poland's biggest box office boom was another Pope John Paul II biopic , ¨Pope John Paul II¨ (2005) . The motion picture was magnificently played by an excellent plethora of actors such as Leslie Hope , Daniela Giordano , Carlos Kaniowsky , Raoul Bova , Michele Placido , and Adriana Asti as Mother Theresa . Special mention for touching , evocative musical score by the classic Ennio Morricone . The picture was finely directed by Giacomo Battiato , a specialist on accurate biopic , as he directed autobiography stories about Giovane Casanova , Benvenuto Cellini and Stradivari .

Other films about this majestic figure are the followings : ¨¨Have No Fear : The Life of Pope John Paul II¨ (2005) (TV) by Jeff Bleckner with Thomas Kretschmann as Pope John Paul II , Joaquim de Almeida as Salvadoran Archbishop Oscar Romero and Bruno Ganz as Cardinal Stefan Wyszynski ; "Pope Juan Pablo II¨ by Herbert Wise with Albert Finney and Brian Cox , and ¨From a Far Country¨ (1981) by Zanussi with Sam Neill , Christopher Cazenove , Lisa Harrow and Daniel Olbrychski . In addition , the first part titled ¨Karol : A Man Who Became Pope" (2005) with Piotr Adamczyk as Karol Wojtyla , Ken Duken as Adam Zielinski , Raoul Bova , Kenneth Welsh and Violante Placido . And ¨Pope John Paul II¨ (2005) by John Kent Harrison with John Voight , James Cromwell as Cardinal Adam Sapieha , Christopher Lee as Cardinal Stefan Wyszynski , Ben Gazzara as Cardinal Agostino Casaroli ,Vittoria Belvedere as Eva and the recently deceased Giuliano Gemma as Navarro Valls .

I am an apostate Catholic, an agnostic and a cynic. Yet I was moved strongly by this excellent film which, if anything, is better than the first. Mind you, the bad guys are a little too bad. Heck, even assassins shave sometimes. And not all Soviet officials were quite as dour as the Russian heavies here. And surely Pope Paul John must have had some character flaws, however tiny. But no matter. The film captures the goodness of the man without being either preachy or idealistic. This is a well done historical epic that I trust will be trotted out every ten or fifteen years. It definitely will stand the test of time. And, coincidentally, kudos to CBC for showing it first in North America.

I know, I know, many Poles and many Catholics will tear me to shreds, but come on, this sequel suffers almost all the bad moments you can ever imagine. It is too slow, too long, too sweet and almost saccharine in its delivery. The events at the same time are very jumbled and often seem to be utterly out of connection. What is worse, is the xtremely poor acting - the roles played by several people are too exaggerated, too naive and too much all over the place. Parts for Mother Teresa and some Communist workers are among the most unbearably bad examples of that The film suffers of too much worship ans veneration, too much of solemnity and too much seriousness. The Pope seems to be a frozen marble statue and not a vivid Karol of the first movie. The whole work is very sweet and too much pizzas and sugar - not realistic and far too overplayed. This is a fair try but it failed