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6,7/10
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Ajouter une intrigue dans votre langueThe tale of two socially-awkward misfits and the strange ways they try to find love: through revenge on high-school bullies, burgers, and video games.The tale of two socially-awkward misfits and the strange ways they try to find love: through revenge on high-school bullies, burgers, and video games.The tale of two socially-awkward misfits and the strange ways they try to find love: through revenge on high-school bullies, burgers, and video games.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 4 nominations au total
Loren Taylor
- Lily
- (as Loren Horsley)
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I just saw Eagle vs. Shark twice. I went to see it once, and thought it was so awesome that I bought a ticket and went to the very next show. I already know this is going to be one of my favorite movies.
Plain and simple, this is a very awkward love story. It doesn't have a complicated plot, it doesn't have any complicated special effects, but what it does have in abundance is comedy. If you're a fan of Monty Python, The Young Ones, Kids in the Hall, The State, Andy Kaufman, Top Secret, Will Ferrel, 1970's SNL-- this is for you. It's that kind of humor. If you're a fan of films Epic Movie, Eurotrip, Dukes of Hazzard or more mainstream types of humor-- this is not for you.
The second time watching it, I laughed almost harder than the first time, because I kept finding even more details in the background to laugh at. I can already see myself quoting this film with my friends: "I'm too complex!" "She went to a lesbian party." And details like the crazy burger (where the bun is on the inside and the hamburger patties are on the outside) are just so priceless. I want to have an Eagle vs. Shark party and make crazy burgers with everyone, play fightman, and chuck shoes at my friend with a helmet.
But the main surprise of this film is also how emotional it is too. I was laughing out of my seat for the first half hour, then I was completely floored by how much I actually cared about these characters. In this love story-- you see these people who are absolutely perfect for each other (or perhaps absolutely wrong for each other), as they drift apart there's a true feeling of sadness for them. Most comedies of this wackier sort don't actually make me care about what was happening, and both times through I really felt for them.
But the best part is the ending. You might think this film is going to wuss out-- and it's actually unbelievable what happens. I won't ruin it for you, but if you were like me, and an hour into the film had predicted what was going to happen-- you are mistaken! This film ends with a bang and is just incredibly fulfilling. I'm smiling just thinking about it.
I cannot wait to see what their next film is, because it's the ultimate movie for my tastes. At the very least, I look forward to seeing this film over and over again at midnight screenings and on DVD.
Plain and simple, this is a very awkward love story. It doesn't have a complicated plot, it doesn't have any complicated special effects, but what it does have in abundance is comedy. If you're a fan of Monty Python, The Young Ones, Kids in the Hall, The State, Andy Kaufman, Top Secret, Will Ferrel, 1970's SNL-- this is for you. It's that kind of humor. If you're a fan of films Epic Movie, Eurotrip, Dukes of Hazzard or more mainstream types of humor-- this is not for you.
The second time watching it, I laughed almost harder than the first time, because I kept finding even more details in the background to laugh at. I can already see myself quoting this film with my friends: "I'm too complex!" "She went to a lesbian party." And details like the crazy burger (where the bun is on the inside and the hamburger patties are on the outside) are just so priceless. I want to have an Eagle vs. Shark party and make crazy burgers with everyone, play fightman, and chuck shoes at my friend with a helmet.
But the main surprise of this film is also how emotional it is too. I was laughing out of my seat for the first half hour, then I was completely floored by how much I actually cared about these characters. In this love story-- you see these people who are absolutely perfect for each other (or perhaps absolutely wrong for each other), as they drift apart there's a true feeling of sadness for them. Most comedies of this wackier sort don't actually make me care about what was happening, and both times through I really felt for them.
But the best part is the ending. You might think this film is going to wuss out-- and it's actually unbelievable what happens. I won't ruin it for you, but if you were like me, and an hour into the film had predicted what was going to happen-- you are mistaken! This film ends with a bang and is just incredibly fulfilling. I'm smiling just thinking about it.
I cannot wait to see what their next film is, because it's the ultimate movie for my tastes. At the very least, I look forward to seeing this film over and over again at midnight screenings and on DVD.
Eagle vs. Shark is not another "inspired-by" high school athletic epic but rather a romantic comedy as strange as you will find this year. Actually I had to go back to 1971 with John Cassavetes' Minnie and Moskowitz and Hal Ashby's Harold and Maude to find equivalently eccentric couples meeting the challenges of decidedly unromantic love. Lily (Loren Horsley) is the naïve victim of society's meanness (she loses a job at Meaty Burger, where most of us wouldn't even eat, much less work; Jerrod (Jemaine Clement) is a slacker clerk out of Napoleon Dynamite's class.
This New-Zealand funky romance is partly funded by a fellowship from Sundance, not a guarantee of quality but a sign there might be something more that the initial impression that director Taika Waititi is being condescending to these less than brilliant lovers. After a while, I lost my own condescension and warmed to the simplicity of Lily's love for the obtuse and dorky Jerrod, as well as Jerrod's struggle with his feelings for this lovable flake. I also found comfort as I placed the protagonists in the same lineup with eccentric characters out of the imaginations of Bill Forsythe and David Lynch.
For example, the socially-clumsy Jarrod asks the introverted Lily if she'd like to have sex; she immediately replies, "Yep." The fleeting act, in which it takes longer to affix the condom than to perform, is charmingly innocent and inept.
Most of the family members are either socially unprepared or physically handicapped, a metaphor for the difficulties of social integration for unsophisticated but good-hearted underachievers. The oddball spirit of the film is embodied in the animal-costume party, for which Jarrod hosts as an eagle and Lily arrives as a shark. Thus the title, the endearing characters, and the difficulty deciding if this is an understated farce about the fringes of society or an exaltation of diversity and simplicity. You decide.
This New-Zealand funky romance is partly funded by a fellowship from Sundance, not a guarantee of quality but a sign there might be something more that the initial impression that director Taika Waititi is being condescending to these less than brilliant lovers. After a while, I lost my own condescension and warmed to the simplicity of Lily's love for the obtuse and dorky Jerrod, as well as Jerrod's struggle with his feelings for this lovable flake. I also found comfort as I placed the protagonists in the same lineup with eccentric characters out of the imaginations of Bill Forsythe and David Lynch.
For example, the socially-clumsy Jarrod asks the introverted Lily if she'd like to have sex; she immediately replies, "Yep." The fleeting act, in which it takes longer to affix the condom than to perform, is charmingly innocent and inept.
Most of the family members are either socially unprepared or physically handicapped, a metaphor for the difficulties of social integration for unsophisticated but good-hearted underachievers. The oddball spirit of the film is embodied in the animal-costume party, for which Jarrod hosts as an eagle and Lily arrives as a shark. Thus the title, the endearing characters, and the difficulty deciding if this is an understated farce about the fringes of society or an exaltation of diversity and simplicity. You decide.
I saw this movie last night for the AFI Dallas Film Festival. I bought the ticket for this one on a whim and boy am I glad I did. I was expecting something quirky silly as the only New Zealand/Australian films I'm really familiar with are Muriel's Wedding and Strictly Ballroom. What I saw was a very cute film about two geeky people trying to find happiness and meaning in their life through love.
It's very easy to be sympathetic towards Lilly, not only is she funny as an awkward person, but she's actually very sweet and quite beautiful when she stands mesmerized by her love interest, Jarrod. And I swear I think I knew Jarrod in High School! I mean, seriously. He looks and acts very similar to someone I went to school with. So much so, that nearly every time he opened his mouth I had to giggle.
The movie had similarities to Napoleon Dynamite in that it starred the same type of awkward social outcasts. But I enjoyed this movie more than ND simply because it focused more on the hope and happiness of Lilly than on angst and anger of Jarrod (who is very similar to the attitude of ND).
It's very easy to be sympathetic towards Lilly, not only is she funny as an awkward person, but she's actually very sweet and quite beautiful when she stands mesmerized by her love interest, Jarrod. And I swear I think I knew Jarrod in High School! I mean, seriously. He looks and acts very similar to someone I went to school with. So much so, that nearly every time he opened his mouth I had to giggle.
The movie had similarities to Napoleon Dynamite in that it starred the same type of awkward social outcasts. But I enjoyed this movie more than ND simply because it focused more on the hope and happiness of Lilly than on angst and anger of Jarrod (who is very similar to the attitude of ND).
Cute, quirky film. I thoroughly enjoyed this twisted and very unique "Romantic Comedy" . Occasionally I was reminded of Napoleon Dynamite, but that is not to say that the content and story was unoriginal. The opening scene was absolutely fantastic, and immediately you are thrilled to find out who this strange girl is, as well as who her crush is. I love that the writer/director made some very non-cliché choices for the characters, it made for some refreshingly shocking fun moments. His actor girlfriend is very talented, and in reality a beautiful girl. This unique film may not be the one you watch dozens of times over, or memorize every single line, but it is certainly one I will see again when it is released.
Taika Waititi's directorial debut is a warm, fizzy & eccentric delight concerning two socially-awkward misfits and covers their wickedly amusing yet strangely alluring journey to finding love. Expertly blending elements of comedy, drama, tragedy & romance into an oddball yet heartfelt mix, Eagle vs Shark finds the then-new filmmaker trying to carve his own narrative voice and is a sincere effort by all means.
Also written by Waititi, the premise is simple, the stakes are small, the characters are quirky, and although the story comes pierced with themes of loss, longing, neglect & alienation, the witty approach & lighthearted treatment still makes it a fun & fascinating sit without diluting the emotions brewing beneath the surface. Waititi walks a fine line here and deftly balances the emotional beats with excellent comedic touches.
The idiosyncratic characters are sketched with heart & presented with compassion, plus the inadequacy in their persona only adds to their humanity. Jemaine Clement plays a bum geek with panache and is able to find tenderness in his selfish & petulant character. Loren Horsley is in as the shy, wistful girl with a crush on our dweeb loser and chips in with a sweet, silent & endearing performance that stands out with surprising ease.
Overall, Eagle vs Shark is somewhat rough around the edges & required more polishing but it nonetheless makes for a simple, funny & whimsical rom-com, thanks to Waititi's apt direction and brilliant inputs from its leading duo Finding humour in tragedy, making sure that dramatic & comedic bits remain in sync at all times, and commencing the debutant filmmaker's journey on a promising note, this small, light & satisfying indie is definitely worth a shot.
Also written by Waititi, the premise is simple, the stakes are small, the characters are quirky, and although the story comes pierced with themes of loss, longing, neglect & alienation, the witty approach & lighthearted treatment still makes it a fun & fascinating sit without diluting the emotions brewing beneath the surface. Waititi walks a fine line here and deftly balances the emotional beats with excellent comedic touches.
The idiosyncratic characters are sketched with heart & presented with compassion, plus the inadequacy in their persona only adds to their humanity. Jemaine Clement plays a bum geek with panache and is able to find tenderness in his selfish & petulant character. Loren Horsley is in as the shy, wistful girl with a crush on our dweeb loser and chips in with a sweet, silent & endearing performance that stands out with surprising ease.
Overall, Eagle vs Shark is somewhat rough around the edges & required more polishing but it nonetheless makes for a simple, funny & whimsical rom-com, thanks to Waititi's apt direction and brilliant inputs from its leading duo Finding humour in tragedy, making sure that dramatic & comedic bits remain in sync at all times, and commencing the debutant filmmaker's journey on a promising note, this small, light & satisfying indie is definitely worth a shot.
Le saviez-vous
- AnecdotesTaika Waititi made Jemaine Clement and Loren Taylor wear shoes that were too big so that they would be more clumsy.
- GaffesApproximately 45 minutes into the film as Jarrod asks Lily, Mason, and his daughter, "What's good to buy for girls?" you can see the reflection of film crew in his glasses.
- ConnexionsFeatured in Hollywood on Set: Evan Almighty/Eagle vs Shark/A Mighty Heart (2007)
- Bandes originales80's Celebration
Performed by The Reduction Agents
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 221 846 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 361 $US
- 17 juin 2007
- Montant brut mondial
- 1 298 037 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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