Ajouter une intrigue dans votre languePregnant forensic psychologist Lydie Crane is hired to learn the truth behind the case of 16-year-old Stephanie Daley, who is accused of concealing her pregnancy and murdering her infant.Pregnant forensic psychologist Lydie Crane is hired to learn the truth behind the case of 16-year-old Stephanie Daley, who is accused of concealing her pregnancy and murdering her infant.Pregnant forensic psychologist Lydie Crane is hired to learn the truth behind the case of 16-year-old Stephanie Daley, who is accused of concealing her pregnancy and murdering her infant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 5 nominations au total
Avis à la une
I am not the type of guy that watches often movies about abortion or sexual issues but when I watch them from time to time, it's for the actors. So keep this in mind as you read my review for this.
When the movie begins Stephanie Daley (Amber Tamblyn) is attending a school-organized field trip and suddenly she falls on the ground bleeding. After the recovery the medics discover that she was pregnant and find the baby dead with toilet paper stuffed in his mouth. So Stephanie is accused of child murder but instead of jail time the police give psychologist Lydie Crane (Tilda Swinton) the task of finding out why Stephanie did that act while at the same time deals with her husband Paul (Timothy Hutton) who seems to have lost interest in her.
I liked the acting, especially the performances by Swinton and Hutton. But the main problem for me is that it wasn't exactly subtle and considering this is a movie about abortion, the more the subject was handled better the better would have been because some scenes of Stephanie having healt issues or burst into tears with sad music in the background were jarring to watch. As it is, it's ok but nothing more.
When the movie begins Stephanie Daley (Amber Tamblyn) is attending a school-organized field trip and suddenly she falls on the ground bleeding. After the recovery the medics discover that she was pregnant and find the baby dead with toilet paper stuffed in his mouth. So Stephanie is accused of child murder but instead of jail time the police give psychologist Lydie Crane (Tilda Swinton) the task of finding out why Stephanie did that act while at the same time deals with her husband Paul (Timothy Hutton) who seems to have lost interest in her.
I liked the acting, especially the performances by Swinton and Hutton. But the main problem for me is that it wasn't exactly subtle and considering this is a movie about abortion, the more the subject was handled better the better would have been because some scenes of Stephanie having healt issues or burst into tears with sad music in the background were jarring to watch. As it is, it's ok but nothing more.
I had no idea what to expect from this film, and by the 10 minute mark it won me over.
Tilda Swinton and Amber Tamblyn both gave stellar performances.
The script was tight, and the back and forth between the Swinton and Tamblyn was spot-on perfect.
Tamblyn's big bathroom scene was gripping and intense - a great use of the absence of sound to really hammer a point home.
The cinematography left a little to be desired - the HD format still looks like video at times.
I can see why Swinton Exec. Produced this: It was a great vehicle for her and I now have a new found respect for her as an artist.
I am looking forward to Brougher's next film - hopefully she will get a wider release this time.
The editing of the film was eerily effective - I was never once lost or confused, yet I was constantly being moved around time and space.
The ending was very satisfying - I don't need to be spoon fed every little thing.
Concise, daring script + great performances = "Stephanie Daley"
Tilda Swinton and Amber Tamblyn both gave stellar performances.
The script was tight, and the back and forth between the Swinton and Tamblyn was spot-on perfect.
Tamblyn's big bathroom scene was gripping and intense - a great use of the absence of sound to really hammer a point home.
The cinematography left a little to be desired - the HD format still looks like video at times.
I can see why Swinton Exec. Produced this: It was a great vehicle for her and I now have a new found respect for her as an artist.
I am looking forward to Brougher's next film - hopefully she will get a wider release this time.
The editing of the film was eerily effective - I was never once lost or confused, yet I was constantly being moved around time and space.
The ending was very satisfying - I don't need to be spoon fed every little thing.
Concise, daring script + great performances = "Stephanie Daley"
I have no idea why this film, or many of the other Sundance films for that matter, are rated so low on IMDb. It's a shame, because this is a remarkable film.
Amber Tamblyn gives the best performance of her career and deserves an Oscar for her subtle, eerie picture of teenage confusion, fear and malice. Tilda Swinton is also very good as the detective investigating Daley's case, and both Melissa Leo and Timothy Hutton give solid backup.
See this movie - it is a frightening and eye-opening portrait of real life. ****/*****
Amber Tamblyn gives the best performance of her career and deserves an Oscar for her subtle, eerie picture of teenage confusion, fear and malice. Tilda Swinton is also very good as the detective investigating Daley's case, and both Melissa Leo and Timothy Hutton give solid backup.
See this movie - it is a frightening and eye-opening portrait of real life. ****/*****
I watched it Saturday, along with all the special features. It was a tough movie. If you don't like indie film, you might have a hard time with it. If you do, it's an astonishing achievement. All the acting is uniformly excellent. I don't mean to undercut the obviously painstaking work Tilda Swinton did in creating her character...
...but this is Amber Tamblyn's movie. Period. Anyone who watched Joan Of Arcadia already knew she could act her heart out. But what she does here is nothing short of phenomenal. She gets every nuance of Stephanie --- someone VERY different from her own flaky, artsy hippie-chick personality --- absolutely right. There's not one minute of "acting" in her time on screen. I promise you that if you give yourself to this story you will not come out of it the same.
And you will not soon forget it.
...but this is Amber Tamblyn's movie. Period. Anyone who watched Joan Of Arcadia already knew she could act her heart out. But what she does here is nothing short of phenomenal. She gets every nuance of Stephanie --- someone VERY different from her own flaky, artsy hippie-chick personality --- absolutely right. There's not one minute of "acting" in her time on screen. I promise you that if you give yourself to this story you will not come out of it the same.
And you will not soon forget it.
I do have somewhat of a problem with the time device used in the film, the frame narrative that I'm not quite sure works to such extent. I think by just allowing the narrative to go through without resorting to "going back in time" would've made for a much more effective ride. As it is, the film is rather good. Amber Tamblyn and the goddess Tilda Swinton give some strong work here, and both give their characters their much required pathos for which to fully function within the film's structure better. Both are great performances that deserved a lot more attention, but alas, it's good that I sought it out. I definitely recommend this flawed, but strong piece of work.
Le saviez-vous
- AnecdotesSundance Lab Project
- GaffesToutes les informations contiennent des spoilers
- Citations
Stephanie Daley: What if what I believe turns out not to be true?
Lydie Crane: Then stop believing it.
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- How long is Stephanie Daley?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 25 751 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 401 $US
- 22 avr. 2007
- Montant brut mondial
- 25 751 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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