Toi, c'est moi

I have to admit first that I am a fan of this genre, although when I went in I was expecting something pretty run-of-the-mill. However, this is no teen B-movie but is actually a really funny premise and has a story with a surprising amount of emotional depth. I'm surprised no-one has made a movie about this before, but they haven't. It seems quite an obvious premise. A boy and girl who despise each other, end up swapping bodies and are thus forced to deal with each other's lives. It's like Freaky Friday but with a bit more edge and all the adolescent teen stuff which is what keeps it fresh. Whilst this stuff is funny it is the love story that really gets you and I was amazed to find myself getting emotionally drawn into the characters. Not often I say that about an American teen movie. Only negative is Sharon Osbourne who kind of pulls you out of the movie a bit, but other than a satisfying movie experience and a really pleasant surprise.

I know what you're saying. There are countless of movies out there involving body switches, either parental-kid (like Lindsay Lohan and Jamie Lee Curtis in Freaky Friday), and cross- gender, be it deliberate (like Amanda Bynes in She's The Man) or through inexplicable supernatural occurrence (like Jack Neo's Just Follow Law, or The Hot Chick starring Rob Schneider and Rachel McAdams). Whatever the case is, it seems that such stories still can find a market and a demand, otherwise they wouldn't be made, will they? And comedies which arise from such situations almost always seem to recycle some jokes, removing plenty of lustre from what could have been funny, but not so, because of familiarity with the subject matter.

Surprisingly, It's a Boy Girl Thing still worked, for me at least. Sure, it had the usual jokes with respect to changing and getting used to the new bodies, taking advantage of the change to get chummy with the boys/girls with ulterior motives, and doing everything just wrong deliberately so as to get back at the person whose body you now possess. But what this one had, was plenty of heart, pounding on the universal theme of empathy, of not being able to fully understand someone, until you get under their skin and walk around in it, in which case this movie of course took things literally.

Samaire Armstrong stars as Nell Bedworth, who's into literature, and whose snooty, prim and proper parents are holding their hopes of her daughter getting into Yale. Her neighbour is school quarterback jock Woody Deane (Kevin Zegers), whose family is pretty much of the average joe, laissez faire type, whose dream for their son is to work at a sweatshop from 9 to 5. Naturally the school jock has a minor aspiration different from his parent's expectation, and that is to score a college education through football.

It's no rocket science that the two of them don't get along, and as the opening credits illustrate, they get on each other's nerves ever so often, that some ancient god decide to play a prank on them by switching their bodies. Thus unleashing pandemonium in their lives as they have to grapple with living in a foreign body, as well as to ensure that they stay on their respective course to pursue their dreams. It also becomes the usual opposite attracts story, starting with their adversary with each other, to the inevitable finale, but what indeed was marvelous here, were the little scenes crafted where they have to begin to lean more about each other, and to gain each other's trust.

What I felt helped the movie was its decision to junk a lot of unnecessary subplots that usually bloat such movies, to just keep it simple and very focused, delivering almost every time it called for a punchline, or during non-comedic moments with serious drama, while laying off the melodramatics. Simple words uttered, simple actions made, spoke loads and went the mile. The chemistry between Samaire Armstrong and Kevin Zegers worked wonders too, whether they're playing it straight, or playing each other's characters, and sometimes there are situations where you just have to do a double take to put things into their correct perspective.

If there should be a gripe, it would be the jarring edit made for an NC16 rating. This is one movie that didn't fear getting into the politically incorrect field, filled with nudity and plenty of coarse language, which I thought was somewhat of an adults-only version of a genre done so many times. And if you're a fan of rap and hip-hop, then you'll probably find yourself grooving to the soundtrack from Eminem to the Black Eyed Peas.

This movie comes recommended. It's not perfect, but it was jolly good fun.

This movie was actually really good Kevin Zegers done a great he was really believable you could really see the difference from when he was a guy and when he was the girl and Samaire Armstrong was amazing also loved the man walk. It was kind of typical story line, a mix of Hot Chick and Freaky Friday I'd say,nothing new, what makes this movie stand from others is the chemistry they had on screen, they worked well together which made the movie so much better. The only think I disliked was the fact that Sharon Osbourne was the mother, she seems like a great person, but I don't think she's a great actor some scenes made me cringe, they should have cast someone else. But overall I was impressed.

The actors are mostly likable. The plot is amiable enough too. Thing is, it's been done before, and done much better. Consider Debbie Reynolds and Toni Curtis in 'Goodbye Charlie' (1964), or the Steve Martin, Lily Tomlin masterpiece, 'All of Me', where he acts out the movie while being possessed by a woman. Or one-hit-wonder Joyce Hyser's 'Just One of the Guys', where she becomes a guy (I forget why). Or the semi-good 'The Hot Chick', with the creepy Rob Schneider and the ever-so-hot babe, Anna Farris. All those movies explored the notion of girls and boys living in each other's bodies. Weener jokes, 'Hey, I got tits!' jokes, stumbling in high heels, 'delicate flower' young ladies belching at the formal dinner table, etc., etc. There is even a cinemagraphic grammar about that whole thing by now.

Not to say there wasn't some appeal here. The cast is likable. Although the dude did seem really, really gay, even when he was not being possessed by a girl, but supposedly his own male self. I couldn't tell the difference. But the young woman actor who had to play a guy trapped in a girl's body managed really well. But there was also the obligatory black guy side kick, bitchy bimbo girl rivals, an unsympathetic 'Desperate Housewives' type mom, and cool slob parents, played by Sharon Osbourne (yaaay!) and Maury Chaykin (also yaay, but for different reasons).

All in all, nothing 'wrong'. Nothing unpleasant nor unlikeable. Just kind of shallow, and very derivative. There was a group of what seemed to be 14 year old kids sitting up in the back of the movie theater I attended, and they laughed and oohed and ahhhed a little bit at some lame-ish jokes. Well, great! I hope they liked it. But I suspect that they are probably the major audience that would find this movie appealing or interesting. And that's OK. I gave it a 5 out of 10--- nothing bad, but also nothing great... just ordinary.

if you get over the fact that the human body neglects its own hormonal instincts of the host and transports the brain of a different owner and get over the fact that basically the people are practically falling in love with themselves and are over the idea that they are interested in someone who looks exactly like them as the movie progresses (not really hard things to get over because it's a movie and genre that is reliant on the suspension of disbelief -- esp. if you liked something as cute and fun as "she's the man") then i think this movie is tremendous with a kind of weak ending (in execution, not in conclusion).

i think this movie is tremendous in moments but i never really laughed. the strength is in the lead actors really and probably the dad of the girl who was pretty cool. the theme of the movie is positive and i guess if you boil things down its all about trust. trust in following the characters, attaching yourselves to them (while knowing the ending) and trust in deciding to leave your brain at the door. i recommend this movie.