Electric Apricot

When I bought my ticket, I wasn't prepared for the laughter I'd soon experience. Musicians are well known for their senses of humor, but Les Claypool really outdid himself. This guy's got it down; to make great music and great movies is a very admirable skill.

Even those who are not musically inclined will love this movie. Each character reflects their real-life counterparts, whom we all know and love.

If you laughed at Spinal Tap, you'll cackle and howl at Electric Apricot. This is, by far, the best film National Lampoon has had its name on--at least in the last ten years.

From an avid musician, this is a no-brainer to recommend all around.

Here's one of my patented One Sentence Movie Reviews that some will take as discouragement and others as endorsement - Electric Apricot: Quest For Festeroo offers exactly what one would expect from a film helmed by Les Claypool of Primus: Terrible music that gets stuck in your head, jokes that are rarely funny, men who are even uglier beneath all that hair, and a devotional audience seemingly unaware of any of this.....

I saw Les Claypool last night at the House Of Blues in Dallas, and I bought this for THIRTY smackeroos! But it's alright because it's a "limited collector's item" AND because it was absolutely glorious! The comedy is sharp and with the signature cleverness that inhabits all of the Colonel's writing. The culture of the modern jam band world is explored with a mighty thoroughness. A lot of inside jokes for Lesheads. Flouncin Fred, Gabby La La, and Gordo and Aiwass played by Mr. Kehoe Nation and Bob C. Cock respectively. I give it 10 out of 10 and can say I was wholly satisfied as a big Les Claypool fan and as an admirer of good flicks.

"Bound to be a cult hit!"

THIS FILM WAS ONE OF THE GREATEST COMEDY EXPERIENCES I'VE EVER HAD THE PLEASURE OF VIEWING.

The film definitely has slower points, but when it's fun ITS FUN. The perfect amount of satire is presented here, and I legitimately think Les Claypool struck gold when making this project.

Like probably everyone else who ends up seeing this flick, I'm also a pretty big fan of Les. But mostly for his Primus work and his unique personality. I never knew he had a knack for making movies, and low and behold he dishes out Electric Apricot.

Electric Apricot is mockumentary on a jam band whose goal is to make an album and to just get big. To get big their manager wants them to play the Jam festival, Festeroo. I still don't know if it's a fictitious festival or not. Anywho, this is basically the story.

Electric Apricot is a good movie, but for this guy, it didn't really do much. I tend to notice the bad before the good, which is good and bad, but there was a surprisingly tedious, especially during the beginning. I was also disappointed with almost all the beginning cameos. The ones with Seth Green, Matt Stone and that dude from Flight of the Conchords. They all oozed, "We're acting." and I just didn't find it funny. The laugh at my funny-cube-dance bit.....gimme a break. And for the first half of the film I wasn't digging the band members either. Surprisingly, the best actor out of everyone involved was, of course, the most talented person in the film, Les. His acting was neurotic and funny. I won't completely say I disliked the acting by the band, because by the end I was into all the characters and I was enjoying the movie for what it was, a movie about a band with no limits, no fear and no clue. Which is exactly how this movie played out.

Oh, and a shout out to Choda Boy (Orgazmo anyone?). He was by far the most entertaining actor in the film. His scene when he gets in his car, was also the funniest part of the film.

Like I said above, I kinda thought the movie was boring at points. But it does hit a stride, and it wound up be pretty entertaining. And I didn't laugh but only about a handful of times, which kinda stinks. Electric Apricot should have a little cult-following behind it, and fanboys of Les, Jam fans and fans of Spinal Tap should probably get a nice kick out of it. Definitely a nice effort and overall achievement by first time director Les Claypool.