Après que la destruction de leur caverne, une famille d'hommes des cavernes doit traverser un monde fantastique et inconnu avec l'aide d'un jeune garçon inventif.Après que la destruction de leur caverne, une famille d'hommes des cavernes doit traverser un monde fantastique et inconnu avec l'aide d'un jeune garçon inventif.Après que la destruction de leur caverne, une famille d'hommes des cavernes doit traverser un monde fantastique et inconnu avec l'aide d'un jeune garçon inventif.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 5 victoires et 46 nominations au total
- Grug
- (voix)
- Guy
- (voix)
- Eep
- (voix)
- Ugga
- (voix)
- Gran
- (voix)
- Thunk
- (voix)
- Belt
- (voix)
- Sandy
- (voix)
Avis à la une
Everything is ought to be silly and hilarious. The beginning gives a set of ridiculous sequences to easily get to know about these characters. When it finally proceeds to the actual plot, it tells something sophisticated. It's an opposition between safety and getting away from your comfort zone. It ends up being obvious when it is suppose to be complex. But that is what the film wants, be simple and delightful all the way. The film doesn't necessarily need to be deep or emotional, but there is something clever to its concept that could have been smarter.
The best thing about the film is the characters. The performances simply brought them to life. Emma Stone perfectly gives her role a fitting personality. It sounds perfect for Nicolas Cage to play a caveman. He yells at a monkey in one scene which is a usual pleasure from him, but there is more to the Grug character than just yelling. While Cage is having fun, he brings a strong emotional depth to the rest of his scenes. The characters of Clark Duke and Cloris Leachman provide most of the laughs and they effectively show off its joy.
The visual effects are even more spectacular than the rest of the studio's films. Just like their recent films, it's snappy and energetic. The film's world looks amazingly eye candy and imaginative. The prehistoric characters and animals are wonderfully designed. The animal designs are meant to be ironic, like some of them got their food chain reversed eventually or their hybrid will some day become their fear. It's a slick joke. And for the 3D, you know it's great as long as it's from Dreamworks Animation.
It leaves a great amount of heart and fun, but its enlightenment theme results as being underwhelming and somewhat contrived. It would have made this more than just a typical Dreamworks film, but it doesn't matter because the movie is definitely suppose to be delightful for the entire family. It still takes some clever points. It's also great to see a load of spectacular animation. It is indeed truly enjoyable and full of life. The Croods is far from classic but this is kind of film that would enjoy anytime.
The Croods are the last remaining family in an arid desert landscape. They have survived by following family patriarch Grug's (Nicolas Cage) rules to the letter, including staying in the cave after dark and fearing anything that seems new (new is BAAAD). Despite this, teenage daughter Eep (Emma Stone) wants to break free and rebels against her father, which results in a chance meeting with the highly inventive Guy (Ryan Reynolds), who warns her that the end of the world is nigh. When the Croods' cave is destroyed, the family is forced on a journey into a strange new world where Grug's rules clash with Guy's techniques for survival.
The Croods is a formulaic movie that sticks to a traditional hero's journey and relies on typical archetypes, but it's elevated by the writing and direction of Kirk DeMicco and How to Train Your Dragon's Chris Sanders. Like Sanders' previous work, The Croods focuses on a family's dynamic and relationships. This time, the focus is on a protective father who wants to protect his family physically and protect his daughter from a member of the opposite sex who suddenly challenges his position as the alpha male. While the trailers and first half of the movie made is seem Eep was the main character, it's actually Grug who goes through the greatest change and learns the biggest lessons.
The story is one about learning, exploring, and using one's intelligence. It also touches on the idea that it's unhealthy to live a sheltered life. But at times, the movie lays it on a bit too much with Guy and his "solutions" leaving Grug on the losing end.
Most of the humour used in The Croods is very physical and slapstick oriented. Characters have Loony Toons levels of invincibility as they endure intense physical pain. This type of humour obviously appeals to fairly young children, but I would be lying if I said I did not laugh at the film at all. The Croods avoids using crude toilet humour to generate cheap laughs. There is not much in the way of verbal humour, but there are some running gags, and modernisms are kept to a minimum. They are still there but they are more putting modern products in a Stone Age setting, a little like The Flintstones, so they serve more as pop-cultural winks to adults.
As expected from a DreamsWork movie the animation is fantastic. It's quick and fluid, and the camera flows nicely as it follows the action. The Croods themselves have a seemingly unpleasant, bulky design to them but it actually works in the context of the film because the characters live in the wild, so big and broad makes sense. It is a little refreshing to see the main female character is not made out to be a stunning beauty, but rather someone who has been shaped by her environment. The beginning of the movie starts with in dry, mono-coloured landscapes before we get to see the bright colours of the jungle and continually seeing the weird creature reminiscence of designs of Sanders' previous works.
Like other animated movies these days, The Croods has a big name voice cast and they also do a decent, if standard job. No one disgraces themselves. Cage is an unusual choice, but he gives a strong performance. There is only one time when Cage is let off the handle; Unfortunately, that is when we are experiencing the most modernism the movie has to offer.
The Croods is not going to match the heights of DreamsWorks major hits of Shrek, Kung Fu Panda, and How to Train Your Dragon. But it certainly does not belong with the dregs the studio has to offer. It does what it sets out to do: make a movie that will please children while attempting to give a positive message and some heart. It has an old-fashioned sense of humour that leads to a surprisingly enjoyable animated movie.
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"The Croods" is a funny animation with the eternal theme of acceptance of what is new. Grug is a good caveman that based on the experience of his former neighbors, believes that he can protect his family locking them inside a cave. When he meets Guy with new ideas, there is a hilarious friction and competition. But the conclusion is well resolved and his family aggregates a new member and several pets. My vote is seven.
Title (Brazil): "Os Croods" ("The Croods")
It has a story arc that you begin to somewhat anticipate, but you don't feel you're being patronized. Instead, you're left feeling that very intelligent people put this thing together in hopes that everyone would find something to love about it.
The cast is great, the animation is fun, and it's non-dizzying 3-D.
When I saw it, the entire audience clapped at the end, because we were entertained throughout, and found the ending really satisfying.
What else? Sweet emotions crop up because we can all relate to the family dynamics. Every family has the screw-up, the salt of the earth, the rebel, and the stubborn one. And it has one of the funniest babies ever put on film. A baby unlike any baby you'll ever see anywhere.
Very, very funny. Definitely recommend.
Le saviez-vous
- AnecdotesChunky the "Macawnivore" started out as a bit of a joke in the art department. Artist Leighton Hickman was bored with the drab colors intended for creatures in the desert scenes, and painted the saber-tooth tiger with bright "parrot" colors. The filmmakers liked the look for the "Macawnivore" so much that it made it to the final film.
- Gaffes(at around 52 mins) During the second scene with the Punch Monkeys, when Guy hands one a banana, the monkey's fingers pass through the banana when he squeezes it.
- Citations
Guy: Once upon a time, there was a beautiful tiger. She lived in a cave with the rest of her family. Her father and mother told her: "You may go anywhere you want, but never go near the cliff, for you could fall."
Grug: And die. Good story.
[the others start to leave but Guy goes on and they sit back down]
Guy: But when no one was looking, she'd go near the cliff, for the closer she came to the edge, the more could she hear, the more could she see, the more she could feel. Finally, she stood at the very edge. She saw a light. She leaned out to touch it... and she slipped.
Grug: And she fell.
Guy: And she *flew.*
[the others gasp]
Thunk: Where did she fly?
Guy: Tomorrow.
Eep: Tomorrow?
Guy: A place with more suns in the sky than you can count.
Thunk: It would be so bright!
Guy: A place not like today, or yesterday. A place where things are better.
Grug: Tomorrow isn't a place. It's... it's... Ugh! You can't see it!
Guy: Oh, yes, yes it is. I've seen it. That's where I'm going.
- Crédits fousAt the end of the closing credits, three prehistoric elephant-mice appear and play a tune on their trunk-like trumpets.
- Versions alternativesAlso shown in a 3D version.
- ConnexionsFeatured in Owl City & Yuna: Shine Your Way (2013)
- Bandes originalesTusk
Written by Lindsey Buckingham
Performed by Alan Silvestri and the USC Trojan Marching Band
Arthur C. Bartner (as Dr. Arthur C. Bartner), Music Director
Meilleurs choix
- How long is The Croods?Alimenté par Alexa
Détails
Box-office
- Budget
- 135 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 187 168 425 $US
- Week-end de sortie aux États-Unis et au Canada
- 43 639 736 $US
- 24 mars 2013
- Montant brut mondial
- 587 266 745 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1