Rêves et cauchemars

This fares better than much of Stephen King made-for-TV adaptations, though the episodes are hit or miss:

BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.

CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.

THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.

UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.

THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.

THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.

AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.

1.] "The End of the Whole Mess" - Very well done. Spot on adaptation of a neat little story. Livingston's performance is perfect - heartfelt and desperate. Henry Thomas was good too.

2.] "Battleground" - When I first read this story (about 15 years ago) I thought it would make a great TV movie - not a feature film - but at the time, I didn't think the SFX of the day could pull it off. This was a pretty good effort though, and I loved the lack of dialog. Hurt is not too bad either.

3.] "You Know They Got a Hell of a Band" - Not bad adaptation. This was a good short story, one I always try to read when I pick up Nightmares & Dreamscapes.

4.] "Umney's Last Case" - Not bad story, Macy's performance pulled it off. I always wondered why the chose to adapt this one though, especially over some of Kings other classics.

5.] "Autopsy Room Four" - Again, great story, but the adaptation leaves a lot to be desired, and only because of the hokey performances, especially from Richard Thomas and Greta Scacchi.

6.] "The Fifth Quarter" - Good performance from Sisto, but again, why do this story over something like "Grandma" or "The Jaunte".

7.] "The Road Virus Heads North" - The only thing they got right was the painting. Everything else, including Berringer's performance, was cheesy.

8.] "Crouch End" - This was a good story, but the adaptation did not capture the creepy feel King brought out in the narrative. The performances were OK, and it started off on the right foot, but things quickly went south after they started wandering around the empty streets. I think director Mark Haber, just couldn't put his finger on what the point of that story was.

Just to avoid any possible confusion, the above summary of Nightmares and Dreamscapes is a compliment. I cannot tell you how many times I've seen Hollywood completely decimate and almost sacrilegiously destroy King's brilliant writing. Needful Things and The Runningman are the worst of these atrocities, although they are far from the only ones. The remake of Carrie... the sequel that has nothing to do with King's novel... The Lawnmower Man (Which King sued to be disassociated from)... Christine... among others.

This mini-series, however, does justice to King's works, and treats them with the respect that they deserve. The acting is incredible. I can hardly believe that they were able to get William H. Macy, William Hurt and the majority of the other actors and actresses that they did manage to get for the project. Each is casted perfectly for their role, from the well-known stars to the little known gems. The direction is smart and clean; the set designs stunning; the animation (Battleground) superb, and the adaptations flawless. Each episode perfectly embodies the story from which it was based off of, and I cannot find any flaws in their translation into this mini-series.

I find it ironic that some of the upcoming episodes don't feature stories from the actual collection Nightmares and Dreamscapes, although I suppose that they mean the title as a general one, as opposed to a specific one. At any rate, they were all well chosen, and I hope that more adaptations of King's work fall under this level of care and craftsmanship. I don't even mean novels specifically. I hope that ALL of his stories are likewise adapted as such, although I would indeed love seeing more adaptations of his short stories done this way (Especially "All That You Love Will Be Carried Away" and "In the Death Room").

If you enjoyed playing with toy soldiers as a kid (the kind that were green and came by the hundreds in a plastic or cardboard case) , you might enjoy this plot. It brings some of the battles you played out with them to full three dimensional fluid action with a full complement of smart munitions (unlike the WWII equipment some of us played with). Special effects are now cheap enough so that the quality is up to the standards of many moves. That and the up to par performance of Bill Hurt makes it thoroughly enjoyable. Also, although I did not see the other instances of this miniseries, it seems to have a quaint retro morality play theme, much as did most of the original Twilight Zone(s) and their spin offs. I suppose that is no surprise coming from a channel that is usually Law and Order around the clock (not that there is anything wrong with that).

Warner do Brasil released on DVD the following episodes:

1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.

"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.

2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.

"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.

3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.

"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.

Title (Brazil): "Nightmares & Dreamscapes Vol.1 – Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 – Nightmares and Nocturne Landscapes")