Une femme au foyer séduisante mais négligée trompe son mari derrière son dos au célèbre festival littéraire de Mantoue.Une femme au foyer séduisante mais négligée trompe son mari derrière son dos au célèbre festival littéraire de Mantoue.Une femme au foyer séduisante mais négligée trompe son mari derrière son dos au célèbre festival littéraire de Mantoue.
- Réalisation
- Scénario
- Casting principal
Anna Jimskaia
- Marta Bortoluzzi
- (as Anna Jimskaya)
Tinto Brass
- Man with Cigar
- (non crédité)
Avis à la une
I watched this with my girlfriend. We've never seen a Tinto Brass movie before and just stumbled over this one at the local video store. At the backside of the cover it says "erotic-thriller" by a "cultdirector". And as we like both (erotic and thriller), we decided to give it a try.
It wasn't anything like we expected. My girlfriend hated it because of the awful sex-scenes. There was no erotic, no thriller and no plot at all, just a poor actress committed to an old mans chauvinistic fantasies. Men don't talk in this movie, the only grab the poor actress's ass, pussy or tits, which is followed by sudden sexual intercourse. And women only talk about the size of penises and the need to have sex again. This movie fells like it has been written in 2 hours after watching a porn-movie.
I'm pretty sure this was our first and last Tinto Brass 'cultmovie'-experience.
It wasn't anything like we expected. My girlfriend hated it because of the awful sex-scenes. There was no erotic, no thriller and no plot at all, just a poor actress committed to an old mans chauvinistic fantasies. Men don't talk in this movie, the only grab the poor actress's ass, pussy or tits, which is followed by sudden sexual intercourse. And women only talk about the size of penises and the need to have sex again. This movie fells like it has been written in 2 hours after watching a porn-movie.
I'm pretty sure this was our first and last Tinto Brass 'cultmovie'-experience.
Tinto Brass is still probably best known in the English speaking world for "Caligula", however most people don't realize that he's had quite the career up through today making soft-core erotica, the type of which hasn't been made much since about the 1970s.
What sets Tinto apart is that he has a very specific list of things that obviously turn him on such as: unshaven underarms, mirrors, infidelity, and most famously, the female rear end. All of these tend to show up in all of his films, including "Monamour". So, it can sometimes feel like if you've seen one Tinto Brass film then you have seen them all. They differ however in quality of script, actors, and scenery. "Monamour" is paint by numbers Tinto Brass. Tinto fans will find all of the usual hallmarks in this film, however little more. I am a bigger fan of his earlier films that I feel have better plots, acting, and scenery while touching upon the exact same themes as this one.
As other reviewers have commented, it feels like later day Tinto films feature female characters who are less realistic than in his earlier films, and certainly no woman in real life would ever act like the lead character in "Monamour" who basically can't say no to any man (or woman) who wants to touch her. This is pure male fantasy, making this film a bad choice I think for couples, especially when compared to Tinto's earlier films. A single male however, provided that he enjoys the same things Tinto enjoys can enjoy this film just fine, especially as Anna Jimskaia is one of the more beautiful Tinto Brass leading ladies in my opinion, and you do see a lot of her!
What sets Tinto apart is that he has a very specific list of things that obviously turn him on such as: unshaven underarms, mirrors, infidelity, and most famously, the female rear end. All of these tend to show up in all of his films, including "Monamour". So, it can sometimes feel like if you've seen one Tinto Brass film then you have seen them all. They differ however in quality of script, actors, and scenery. "Monamour" is paint by numbers Tinto Brass. Tinto fans will find all of the usual hallmarks in this film, however little more. I am a bigger fan of his earlier films that I feel have better plots, acting, and scenery while touching upon the exact same themes as this one.
As other reviewers have commented, it feels like later day Tinto films feature female characters who are less realistic than in his earlier films, and certainly no woman in real life would ever act like the lead character in "Monamour" who basically can't say no to any man (or woman) who wants to touch her. This is pure male fantasy, making this film a bad choice I think for couples, especially when compared to Tinto's earlier films. A single male however, provided that he enjoys the same things Tinto enjoys can enjoy this film just fine, especially as Anna Jimskaia is one of the more beautiful Tinto Brass leading ladies in my opinion, and you do see a lot of her!
It is an erotic and sensuous play around a very sexual woman who doesn't get it enough from her husband. Don't expect any semblance of real lifeism, expression of feelings and so on. Its a Tinto movie! Well, it is actually more of Anna Jimskaia's flick than Tinto's. She is a feast to watch, especially when she appears sans clothes or is in revealing attire which she is a lot many times throughout the film. Some of the clothes she wears are so "Tinto"! It is a film, a B-movie to be specific (its not a porn film) with a story and a script.
But it feels like a remix of the director's older movies. It tries to play out suggestive sexuality but in a way, it stops short of it. The psychological surge of sensuality and kink that is a characteristic of Tinto is there but is not as strong in his other films like The Voyeur. That is why feels like there is nothing much in the way of the movie. The performances of the cast could have been stronger but it is the relative weakness of script has played its part in the not-that-strong characterization of the cast.
It a turn-you-on movie. Nothing much but I like it the way it is. Worth watching just for every scene of Anna Jimskaia and the camera that's on to her!
But it feels like a remix of the director's older movies. It tries to play out suggestive sexuality but in a way, it stops short of it. The psychological surge of sensuality and kink that is a characteristic of Tinto is there but is not as strong in his other films like The Voyeur. That is why feels like there is nothing much in the way of the movie. The performances of the cast could have been stronger but it is the relative weakness of script has played its part in the not-that-strong characterization of the cast.
It a turn-you-on movie. Nothing much but I like it the way it is. Worth watching just for every scene of Anna Jimskaia and the camera that's on to her!
I suppose I understand the young couple who apparently picked up DVD of this film because it was described as an 'erotic thriller'. Something lost in translation there , I think. And for those who take exception to the non PC and violent elements, I guess if this is your first Tinto Brass movie you could be forgiven for being taken aback that this is not all silky hand upon silky thigh to the drone of some appalling musak. But, come on everybody else, this is Mr Brass, this is Italian, so we get gutsy action, bottoms up, bottoms open and even bottoms on the toilet. True, we are given to understand that the leading lady is fantasizing/desiring all of this whereas it is of course, Mr Brass who is in charge of the fantasies portrayed, but then this is only a movie. Anna Jimskaia comes from Tashkent, Uzbekistan and has been a circus performer and gymnast, so no wonder she can bend that bottom high and so beautifully. Max Parodi is a little over the top as her failing husband but Riccardo Marino is suitably moody as her 'French' lover. This may be a bit vigorous for some, lifelike prosthetic penises make you wonder, why not the real thing but whilst perhaps not the ideal first date movie, I reckon you get what's on the can
I watched a poorly dubbed version of what could be described as a soft porn type movie, and honestly, I kind of enjoyed it. The bad dubbing made the dialogue so awkward and nonsensical that it became unintentionally hilarious. The voice acting was completely off, and the lines often didn't make any sense in the context of the scenes, which only added to the fun. It felt like a comedy at times, as the mismatched voices and strange dialogue choices created some laugh-out-loud moments. While the plot itself wasn't anything special, the bad dub definitely gave it an amusing twist, turning what could've been a forgettable film into something more entertaining.
Le saviez-vous
- AnecdotesLast feature film of director Tinto Brass.
- Versions alternativesGerman version was cut by approx. 11 minutes to secure a "not under 18" rating. Some of the erotic moments were removed or shortened. Only in 2024 the movie was released uncut on Blu-ray in Germany, though without a FSK rating.
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- How long is Monamour?Alimenté par Alexa
Détails
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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