Blind Date

This film plays out like an acting exercise by two very capable, well-established actors. What holds the simple plot together, along with the series of vignettes showcasing the actors' skills, are two things: the personal ads introducing each segment, and the narration by the characters' deceased daughter.

Blind Date is probably more valuable as a teaching tool in a professional acting class than it would be as a night at the cinema for the general public.

Excerpts from Blind Date will doubtless appear in retrospectives of Clarkson's and Tucci's acting careers, as illustrating examples of their work. That Tucci also directed likely strengthens the focus of the film in terms of his and his co-star's portrayals.

I discovered the this movie on On Demand and was delighted. Yes, it deals with potentially depressing content, but its beauty is a testament to the depths of human emotion. I think this is a stunning film. Tucci's character is complex. He engenders pathos as well as being a bit off-putting at times. Patricia Clarkson does a grand job of portraying the subtleties in each of the personae her character takes on. Both actors area achingly beautiful in this movie. I liked the mise en scene created by the shabbily elegant club that evokes the early decades of the 20th century. The score/music is haunting. The movie is rather like a play, but with the bonus of close-ups add immeasurably to the experience. Tucci knows tragedy, and it certainly shows here. I feel fortunate to have found this gem.

Blind Date is a movie I came across, many times every time I have entered the video store. Due to the lack of comments on the IMDb page, I decided to leave it alone. The temptation began to be too much however, and I decided to give it a look after all. It's one of the most original movies I have ever seen, but there isn't really any happy moments to be had, after I finished viewing it, I became pretty depressed. Blind Date is very cheap looking, but the incredible performances of Stanley Tucci and Patricia Clarkson is what really make the movie. The pain and suffering they are obviously going through, is quite heartbreaking. Most of it is set in an old fashioned, fancy type looking bar, I thought it was great, and really set the mood for the movie. The only problem I had with the movie, was the deliberate slow pace. It was never boring, it just seemed to drag on at certain points, and the different blind dates, did get a little old after a while. I did appreciate the effort on the low budget it had, and it was quite a thought provoking film, when all was said and done.

Performances. Stanley Tucci is remarkable. Filming this must have been very hard, and it shows on his face. To be depressed in almost every scene, was quite the feat. His chemistry with Patricia is amazing. Patricia Clarkson is wonderful. Her pain saddened me, and I was really rooting for her and Stanley to pull themselves together.

Bottom line. Blind Date is an interesting film, despite being extremely depressing, is worthy when all is said and done. Make sure your in the mood for this though, because it may tend to ruin your day, if your not.

7/10

Unfortunately, I haven't had the chance to watch the first version of this film, the one that was made by Theo Van Gogh. Therefore, I'm not very sure that the summary I used is true for I don't know how much this "Blind Date" is different from Theo Van Gogh's "Blind Date." Anyway, I liked the way the film is made. It is very simple, yet deep and clever. The narrator is used in a very good way.

For a moment I was about to hate the ending, but the last camera movement fixed things. It was a clever and touching evening.

Performances are very, very good. And Tucci has done a good job as a director, making the film looks as simple as it should be.

On the other hand, the film could use a faster pace in some places, and closer shots in many cases would have done the film much better. But it is still a very good film and a very original one too.

A self-described 'funny magician' and his wife, a retired dancer, indulge in role-playing games to keep their minds off their recent misfortune in losing their daughter. Freely-adapted from Theo van Gogh's 1996 Dutch-language film of the same name, this talky effort from director/co-writer/lead actor Stanley Tucci is a smoothly-paced yet internally-mercurial drama which is alternately thoughtful and boring. Tucci and Patricia Clarkson (not surprisingly) match up well together on-screen--but of all their many character incarnations here, I never felt I was seeing living, breathing human beings. The film is a high-wire act, all show and circumstance. Tucci's opening sequence, performing his joshing act in an intimate-yet-ornate nightclub, is a highlight; yet the modern-day mood is nearly destroyed by a child's narration, speaking pretentiously as if she were just retrieved from a 1950s film noir. *1/2 from ****